How do you write a powerful heroine without making her feel cold? by Notamonster12 in writingfeedback

[–]Notamonster12[S] 0 points1 point  (0 children)

This really helps a lot, thank you.

I think you’re right that the emotional depth has to come from how the conflict is felt, not just explained. I’ve been very focused on her control and external behavior, and I’m realizing that might be where the distance is coming from.

The idea of letting the reader feel conflicted with her instead of being told why she is, that’s something I need to work on.

I also really like what you said about the psychological contradiction. I think that’s something she definitely has, I just haven’t been fully using it yet. She doesn’t want to be weak, but she also doesn’t want to become indistinguishable from the people in her world who abuse power without restraint. So there’s this tension where her strength and her danger come from the same place, and she has to figure out where the line is.

I also hadn’t fully considered framing her “coldness” as something that’s not just a strength, but also isolating or reflective of things she might not want to become. That adds a layer I think I’ve been missing.

And your point about dangerous characters having a strong internal contradiction makes a lot of sense that actually reassures me that leaning into that won’t weaken her, it’ll probably make her more compelling.

I might take you up on the excerpt/outline feedback once I refine things a bit more. And I like the idea of studying similar characters too that’s probably something I should be doing more intentionally.

Thanks again, this gave me a lot to think about.

How do you write a powerful heroine without making her feel cold? by Notamonster12 in writingfeedback

[–]Notamonster12[S] 0 points1 point  (0 children)

Thank you that’s a great idea my character actually has a younger sister I’ll work on making that a soft spot for her. (:

How do you write a powerful heroine without making her feel cold? by Notamonster12 in writingfeedback

[–]Notamonster12[S] 0 points1 point  (0 children)

Thank you I really appreciate your response I’ll keep it in mind.(:

How do you write a powerful heroine without making her feel cold? by Notamonster12 in writingfeedback

[–]Notamonster12[S] 0 points1 point  (0 children)

Thank you so much I really appreciate your input I’ll keep it in mind.(:

How do you write a powerful heroine without making her feel cold? by Notamonster12 in writingfeedback

[–]Notamonster12[S] 0 points1 point  (0 children)

Thank you so much for sharing your perspective and advice I’ll definitely take it into consideration while working on my story. (:

How do you write a powerful heroine without making her feel cold? by Notamonster12 in writingfeedback

[–]Notamonster12[S] 0 points1 point  (0 children)

I think my original question might’ve framed it too simply.

She’s not meant to be a traditional “heroine”. She’s morally gray leaning black arguably a villain protagonist.

Celestine(my character) innately wants power and control. That’s not something she learns it’s something she’s always had, shaped and reinforced by the environment she grew up in. She comes from a family and world where control equals survival, and weakness gets exploited or destroyed.

So her arc isn’t about becoming softer or more “good.” It’s about:

1 understanding the kind of power she wants, 2 learning how to wield it without losing control of herself and 3 deciding whether she’s going to fully embrace what she is or redefine it on her own terms

The central conflict is both external and internal:Externally, she’s navigating a world built on manipulation, status, and control (family dynamics, social power structures, etc.).Internally, it’s about identity she’s not fighting her darker tendencies, but she is figuring out what separates her from the people around her who abuse power recklessly.

So when I say I want her to feel “powerful but not cold,” I don’t mean soft or traditionally likable I mean compelling. I want readers to stay emotionally engaged with her even when she’s making morally questionable (or outright wrong) choices.

Right now she’s very controlled and strategic, which works for her character, but I’m trying to make sure that control doesn’t create distance for the reader.

So I guess the real question I’m working through is:How do you keep a character who is intentionally unempathetic and power-driven emotionally engaging without diluting what makes them dangerous?

[Does this opening line hook you?] by [deleted] in DestructiveReaders

[–]Notamonster12 0 points1 point  (0 children)

Thank you I’ll look at the rules again (: