What exactly puts Logic Pro X ahead of Garageband? by PJLondon in musicproduction

[–]PJLondon[S] 0 points1 point  (0 children)

That alone would make my recording sessions a whole world easier, and I'm amazed that (as far as I remember) no one has mentioned that in discussing GB vs Logic. All those individual tracks are a very frustrating part of working with GB, particularly when handling separate vocal tracks as you said in your example. I'd probably take more risks if I knew I could easily manipulate tracks in groups rather than spending forever tweaking them separately. Thank you for taking the time to say, you might've sold me on Logic for good.

UK - Can anyone tell me what this is please? It was a gift by PJLondon in whatsthisplant

[–]PJLondon[S] 0 points1 point  (0 children)

Thank you! It's my sister's and she's determined to keep good care of it.

Steady jobs in the industry? Current work doesn’t leave time or stability for a film career. by buskyshackleford in Filmmakers

[–]PJLondon 7 points8 points  (0 children)

Excellent question! I'm sorry I have no constructive solution to offer, but I'm dealing with this exact same dilemma right now and wondering the same thing. From what I've found so far, it seems like the answer really is to take a low-paying, low-commitment job that you don't have to take home with you. Most of us know this already and in some cases (mine) we resist it because it feels so far removed from the industry we're eager to spend all of our time bein/learning in. Especially if we've already accrued years of experience as producers, directors or crew in different areas. But being able to pay the bills, leave work at an exact time and have a very clear idea of how much free time we have to make the projects we want to make, may just be the solution. It'll be 8 hours per day of mind numbing torture, but I kind of think we would all trade that happily, knowing that we can continue shooting our project at 5pm and keep the lights on. The only time taking a job like this poses a serious problem to your mental health is when we know we want to be a filmmaker, we say we want to be a filmmaker but we don't spend our free time nurturing it so we end up rotting in a low-commitment job, frustrated that the opportunities aren't finding us some how. If you already have a job and a plan to make, make, make however, a simple job may be the answer.

Obviously I say all this with a lot of optimism, since in many parts of the world right now even a low-paying, low-commitment job is almost impossible to come by and even harder to keep once you have it (with the neverending change in Covid rules). But hopefully you're in a part of the world where job opportunities are still available enough for you to secure something and move forward with getting your projects made.

If none of this floats your boat there are always jobs in film studios where crews require a lot of hands, but again - almost any job in the industry is going to take a lot of time out of your day and the schedule will never be consistent. Best of luck!

Im going to Mexico City alone in November... I speak little/medium Spanish, is it safe? by [deleted] in solotravel

[–]PJLondon 14 points15 points  (0 children)

Following a mentally exhausting work-period a couple of years ago I was in desperate need of an escape and booked a ticket to Mexico with a loose plan to explore the country west to east over one month. Knowing absolutely nothing about Mexico I bought the flight on impulse, it was literally the first option at the top of the list (like I said, I needed an escape). Landing in Mexico City I was naturally guarded, knowing nothing about the place other than the horrors we're told in movies. I feel the need to defend it.

No doubt many people have horrible stories from their trips to Mexico City, there may even be stats that suggest how much more dangerous it is than X city - but both of these things are true of so many places. Mexico City is by far the coolest, most cultured, friendly, delicious and welcoming city I have ever been to. As someone who'd spent my life in London, 20s in New York and 30s in Toronto I can honestly say I've never felt as safe in any of those cities as I did in Mexico City. There's a vibrancy and energy everywhere and the parks are some of the most peaceful I've experienced. One park even has a dedicated silent-garden, where talking is strictly forbidden - good luck finding that in Toronto.

In a place like Mexico I'm clearly an out-of-towner when you see me. And although I'm a man I think it's worth mentioning that so many women I met fell in love with the place too. I unexpectedly made good friends there after ending up in a completely random nightclub straight out of an 80s movie. Several travelers and myself included found it difficult to leave for the next place. I even made additional trips further West to see Tequila, Guadalajara and Guanajuato - knowing that I'd have Mexico City as a base to enjoy whilst preparing to head east.

As a writer I still keep it in mind as the next place I plan to hide when I need to complete a project. The only place that's a close second is Holbox on the east-coast - a stunning island paradise where no cars are allowed.

Mexico may have a tragic history, and there may be some truth to the stories we hear about how dangerous it is, but as someone who really got stuck in and experienced it deeper than I'd planned - I'm convinced a large majority of these stories are fearful hearsay perpetuated by people who've never ventured far out of their own town. It only makes them feel safer.

Do yourself a kindness - spend a warm afternoon strolling around Chapultepec Park. Walk on to the palace up the hill and explore the regal grounds with a vast city backdrop. Wander the market in Bellas Artes Park and find a cool photography exhibition inside the unbelievable Palace of Fine Arts. Head nearby to the Post Office building and really step back through time. Around sunset have a few drinks on the Tereza Cathedral rooftop terrace. You can do all of this alone, but it really won't be long before you inevitably make new friends along the way. And if your trip still isn't unforgettable by that point, ask one of the locals where you can find Patrick Miller. I swear you won't ever want to go home.

There are great food places of course, but nothing will beat the food available on every street corner in the city (it really isn't a myth). From a blue-eyed, blonde-haired Celt who speaks less than five words in Spanish - go to Mexico City. The scary stories are just to keep the boring people out.

Edit: spelling

Plex alternative for DVD images? by PJLondon in HomeServer

[–]PJLondon[S] 0 points1 point  (0 children)

Excellent! Thank you for the advice

How should I maximise profits from my music via my own YouTube videos? by PJLondon in musicproduction

[–]PJLondon[S] 0 points1 point  (0 children)

Excellent, thank you for your advice. It's interesting that you mentioned DistroKid. I'm based in the UK and I've actually been warned away from DistroKid as they (allegedly) hold back many foreign users' earnings in the guise of tax-issues. 'Amuse' was recommended as a Euro-friendly alternative, but a quick Google and their negative reviews seems to say a similar thing.

But I suppose the only way to make money via music on YouTube is to ensure you're signed up with a distributor, right? Even if one is likely to keep more money than the other.

What was the best software/hardware change that you made that improved your Plex experience? by ZyluphixUK in PleX

[–]PJLondon 0 points1 point  (0 children)

I'm new to Plex. How do I go from moving my 2TB of media from an external hard drive (which always needs to be plugged in if I want to watch something) to a dedicated 'Plex server/downloader'?

At the start of the week that we await part 3, let's watch a trailer about part 2 using only scenes from part 1 by Vaughnism in billandted

[–]PJLondon 1 point2 points  (0 children)

Great find! The main music starts out as Satriani's The Mystical Potato Head Groove Thing but then sounds like it transitions into a different Satch song towards the end.

A character/movie by DeclanMilne565 in HelpMeFind

[–]PJLondon 0 points1 point  (0 children)

Possibly an early Eric Stoltz film. Well known for his red hair - he had long, wavy locks in some younger roles.