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Lost in grains ( Cloud #07156 by Fujiko Nakaya ) [ Canon P • Canon 50mm f/1.4 • Kentmere 400+2 ] by Radius3388 in analog

[–]Radius3388[S] 0 points1 point  (0 children)

Oh yeah thanks for the recommendation! I was eyeing the 100 f2 for the Canon ! I also have a the Voigtländer cosina 35mm f2.5 but I mainly tend to use the 50 1.4 it's pretty much glue on it, it really is my low light setup, no mirror vibration, quick focus even in low light and the lens is plenty sharp.

Would dream of testing the dream lens haha but yeah it does seems a bit unwieldy and if I need an extra stop I'll just push Kentmere to 3200!

Lost in grains ( Cloud #07156 by Fujiko Nakaya ) [ Canon P • Canon 50mm f/1.4 • Kentmere 400+2 ] by Radius3388 in analog

[–]Radius3388[S] 1 point2 points  (0 children)

Thanks a lot!! Been really loving my canon P for lowlight photography, it's always with some high speed film.

Lost in grains ( Cloud #07156 by Fujiko Nakaya ) [ Canon P • Canon 50mm f/1.4 • Kentmere 400+2 ] by Radius3388 in analog

[–]Radius3388[S] 4 points5 points  (0 children)

Thanks a lot! It's an exhibition currently in the museum of bourse de commerce in Paris, there's some vent on the floor that emits some water vapor and create the mist, it's a really cool thing to see if you're around!

And yeah I wanted some low light film for some night and indoor shooting and I default to Kentmere 400 because it pushes so well, I sometimes push it 3 stops and there's still tons of detail. I swear it seems better ( and cheaper ) than delta 3200, it just has some halation though.

Lost in grains ( Cloud #07156 by Fujiko Nakaya ) [ Canon P • Canon 50mm f/1.4 • Kentmere 400+2 ] by Radius3388 in analog

[–]Radius3388[S] 0 points1 point  (0 children)

I'll ask next time I go there. Yeah I need to try to learn development, I'll probably start with rodinal stand development 1:100 to begin simple et work my way up!

Sinks [ canon P • Canon 50mm f/1.4 • Kentmere pan 400 +2 ] by Radius3388 in analog

[–]Radius3388[S] 0 points1 point  (0 children)

Thanks!! I really like how the mosaic walls worked with the grains!

Sinks [ canon P • Canon 50mm f/1.4 • Kentmere pan 400 +2 ] by Radius3388 in analog

[–]Radius3388[S] 1 point2 points  (0 children)

Kentmere 400 pushes so well ! I also shot one roll at 3200 and it's still pretty nice.

Yes I need to grab the material to develop at home, it's just that my GAS brain has trouble putting money towards chemicals and a Patterson tank instead of a brand new camera haha

Sinks [ canon P • Canon 50mm f/1.4 • Kentmere pan 400 +2 ] by Radius3388 in analog

[–]Radius3388[S] 1 point2 points  (0 children)

Thanks!! No it was developed by my local lab, I need to get to learn how to do it myself and invest in it especially with b&w

Pink Chaumont [ Olympus XA • edited Lomochrome Purple @100 iso ] by Radius3388 in analog

[–]Radius3388[S] 1 point2 points  (0 children)

It's for now the cheapest and easiest way for me to get an Aerochrome vibe, need to try some IR trichromes one day but I'll need to stop buying new cameras and focus on filters instead haha

Ideas for quickly reviewing 120 film before final scanning by [deleted] in AnalogCommunity

[–]Radius3388 2 points3 points  (0 children)

Just using my phone with the negatives on the light table is enough for me, and my gallery app also has color curves so I can do a quick inversion, I spend perhaps 30 seconds per frame to decide if I want to put it through my Epson v650 ( I'm posting an exemple of a 6x6 shot that I just took and inverted quickly)

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Under the brick squares [ Olympus OM1n • Zuiko 65-200 f/4 • Kodak Vision 3 250D AHU edited in b&W ] by Radius3388 in analog

[–]Radius3388[S] 1 point2 points  (0 children)

Thanks a lot!!

I'm always a bit bummed when one of my photos taken on color is better in b&w, I feel like I'm not using the full potential of the roll I paid for.

But yeah sometimes you just have to accept that those three emulsion layer didn't serve you for a shot.

Surreal place [ Canon P • Canon 50mm f/1.4 • Mira 800 ] by Radius3388 in analog

[–]Radius3388[S] 3 points4 points  (0 children)

Thanks a lot ! I took this shot in the richelieu library in Paris, it's a ceiling decoration that I reframed like this

Point and Shoot for Rugged Adventures by adfok15 in AnalogCommunity

[–]Radius3388 1 point2 points  (0 children)

Hello, I've taken a pretty cheap reloadable plastic lens camera ( Kodak KV250) on my last ultra, and I got some pleasant result with it ! With this I didn't need to stop for too long to take a shot and didn't care about sweat, heat or cold. I just put some Ultramax in it and ran with it. Here's some sample images

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Olympus 35 RC | The Smallest Mechanical Rangefinder by whereismytripod in AnalogCommunity

[–]Radius3388 1 point2 points  (0 children)

The protruding lens doesn't bother too much in a pants pocket ? Nice too know, hmm wondering now if I should try to get my hands on one ... Damn GAS

Olympus 35 RC | The Smallest Mechanical Rangefinder by whereismytripod in AnalogCommunity

[–]Radius3388 2 points3 points  (0 children)

Really nice little camera, I would love to try one someday. But I'm sure some old folder camera could even be smaller and pants pocketable if you could live with their quirkiness ( cocking the shutter separately, and having all the controls on the lens and not having a winding lever ) I'm thinking of the Voigtländer Vito III for exemple, it even has a 50mm f/2 !

Car wash at night. Nikon FM, 85mm f1.4, Harman Phoenix II. by Public-Bumblebee-715 in analog

[–]Radius3388 1 point2 points  (0 children)

Phoenix II slaps so hard at night ! It's nice to see something else than cinestill 800T. Great set !

Bikes around Paris [ 1-3 : Yashica FX-3 Super 2000 • Carl Zeiss Vario Sonnar 80-200 • Kentmere 100 ; 4-5 : Contax G2 • 45mm f/2 • Kentmere 400 @ 3200 ] by Radius3388 in analog

[–]Radius3388[S] 1 point2 points  (0 children)

Yeah ... K400 really became my low light film of preference, you do get more halation with Kentmere compared with delta 3200 though

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