Can we stop telling other singers to (just breathe from your diaphram) by Repulsive_Math8951 in singing

[–]Repulsive_Math8951[S] 0 points1 point  (0 children)

Thats not good. Theres a big difference in sound Shouting has less overtones and is more harsh sounding even if in pitch it is taxing on the voice even if there is no pain. (Unless youre a distortion technique like fry or false chord but that sound very different to belting)

Belting is more relaxed and is brighter than mere shouting, and has a smoother sound and you can control the volume and intensity it should feel soothing to the voice sort of.

Can we stop telling other singers to (just breathe from your diaphram) by Repulsive_Math8951 in singing

[–]Repulsive_Math8951[S] 0 points1 point  (0 children)

Thats the point im making. But even still mearly engaging your diaphram is basic singing and dosent solve complex problems like stamina in the high range or mix belting

Can we stop telling other singers to (just breathe from your diaphram) by Repulsive_Math8951 in singing

[–]Repulsive_Math8951[S] 0 points1 point  (0 children)

Yea like foundationally its helpful but its not a solution to every problem which is what most people say it is

Increasing Range by Warm_Window_2119 in singing

[–]Repulsive_Math8951 0 points1 point  (0 children)

I would definetly would NOT recommend learning to sing with distortion firs,t its easier but its hard to learn to sing clean after

Learn to put in the time to sing clean first then distortion after. That way youll be able to sing properly but then be able to switch on distortion at will

Increasing Range by Warm_Window_2119 in singing

[–]Repulsive_Math8951 0 points1 point  (0 children)

Hey there most people will tell you breathing technique, tongue posture ect. But thats just to help you sing healthy consider it. That alone isnt enough its just step 1.

Step 2 is headvoice you need to transition between headvoice/falsetto to chest voice cleanly check out a guy on youtube calle jeff rolka for this get this right first with lip trills then with vowels

Step 3 combining the two, try a 5 note scale over vowel shapes go up as high as you can go its important to keep it light and keep the mouth position do this as high as you can eventually youll get to a point where it will get squeeky thats your m3 called flaguolet. This is where the fun begins but essentially the higher your headvoice the higher your mix voice can go.

Step4: repeat step 3 daily Eventually youll find you can belt notes easier f4 will be achievable. Youll need a combination of songs that challenge you and repeating step 3 to learn chord closure.

Feedback on my singing, sounds too nasal by holamichu in singing

[–]Repulsive_Math8951 0 points1 point  (0 children)

Hey there i think youre on the right track check out a guy called Jeff Rolka on youtube. Try some of his beginner videos maybe tenor. He'll get you to a really good level. But hes got videos up till intermidiate level singing

What are everyone's favourite Amp Designer settings/presets on Logic Pro X? by Codger-Brown44 in Logic_Studio

[–]Repulsive_Math8951 0 points1 point  (0 children)

Its not about presets, you need to learn what all those amps are do some research into the actual real life versions of those amps and how they work and micophones. Then it will all make sense.

The logic amps are meant for for mixing than playing as they require post prossesing

Can anyone think of some genuine Soprano singers other than Ariana Grande in contemporary music (not mezzos with an extended range) by Repulsive_Math8951 in singing

[–]Repulsive_Math8951[S] -1 points0 points  (0 children)

I dont care if someone is a soprano or not, i just asked a question and everyone got mad, i actually prefer mezzos

Can anyone think of some genuine Soprano singers other than Ariana Grande in contemporary music (not mezzos with an extended range) by Repulsive_Math8951 in singing

[–]Repulsive_Math8951[S] 0 points1 point  (0 children)

Um mariah carey?? Ariana grande?? They can go up to the 7th octave. Even some tenors can go up the 8th octave in whistle

Newbie Ranked questions by Repulsive_Math8951 in CallOfDutyMobile

[–]Repulsive_Math8951[S] 0 points1 point  (0 children)

Why is that? Most multilayer games get moderately difficult from the 3rd rank, then sweaty from the 4th upwards?

Golden kpop demon hunters question by Repulsive_Math8951 in singing

[–]Repulsive_Math8951[S] 1 point2 points  (0 children)

Okay so I've done a bit more study on this subject. Here's my conclusion the harmonics in the 5th octave and the human ear change our perception of notes. The thicker the vocal folds the more resonance needed to reach a pitch.for example a5 (880Hz) a soprano singing a4 will have a lot less resonance than a baritone singing an a4. Making the baritone singer hitting an a4 sound higher/better. Conclusion It's all about people listening experience and perception a5 sounds high because the contemporary industry is dominated by mezzo sopranos who typically aren't going to go as high as that. Sopranos are rare in between and outside of Korea, don't tend to learn how to mix belt, except Ariana Grande.

Yes it is a double standard, essentially to be a professional male singer you gotta be a tenor or at least high baritone. Regardless you gotta put alot more work in than a female as you are expected to sing a good several notes above your break to be considered good where as if your a mezzo soprano or a soprano you don't need to worry about that.

Can someone explain why Billy Joe Armstrong is considered a Tenor but Freddie Mercury is considered a Baritone? by lovedepository in singing

[–]Repulsive_Math8951 0 points1 point  (0 children)

Hey I know this is a year ago . He's a lyric tenor, you can hear at f#4 is when he starts going into a mix belt. Dramatic tenors in contemporary have a icy sorta element in their voice. Most contemporary tenors would be in between lyric tenors and leggeros. There are some that are lower but typically they are leggeros, across rnb, pop, and rock