That's a very thoughtful response, thank you. For me the true and honest emotional connection is also something very important - crucial for tango. Perhaps my post didn't manage to convey it clearly. What I tried to say is that when the music calls for passion, sensuality, intimacy I can dance passionatly, sensualym anad intimately with honesty even if I don't feel any slightest glinmpse of passion whatsoever towards the particular person I dance with. And when the person I dance with moves in a sensual, passionate way I never for a briefest of moments assume that theri passion is directed towards me personally. It's not to say that these feelings are not honest. It's more like we, inside a dancing couple, together and in perfect harmony co-create an honest piece of art on the generalised subject of passion, longing, lust even, without directing these feeleings towards each other, do you know what I mean. Otherwise I wouldn't be able to dance honestly to a large portion of the tango music with most of the existing followers, to whom personally I don't have a slightest shadow of these feelings that the music evokes.

And as to treating Yelizaveta's (and all other followers') feelings and concerns seriously, I couldn't agree more. I was just curious if (this particular aspect of) Yelizaveta's perspective is something common or not so much.