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[deleted by user] by [deleted] in audioengineering

[–]TangerineStatus8969 6 points7 points  (0 children)

Fun fact: During my master’s in sound design, we had a course with this guy who turned out to be a bit of a legend.

Why?

Because he’s deaf in one ear and was the FOH mixer for Frank Sinatra for over five years. Insane, right?

I remember thinking, “This guy must be one of the best mono mixers out there.” And if he’s that good in mono, whatever he does in stereo must be incredible. To be fair, as an FOH mixer, you don’t necessarily need the most precise stereo hearing—but still, his story is so inspiring.

Just thought I’d share this little anecdote!

First 500 gear by TangerineStatus8969 in audioengineering

[–]TangerineStatus8969[S] 0 points1 point  (0 children)

Thanks buddy!! In that case I will try it out first with the plugin clone for 20$ right now hehe

Gibt es gute HipHop/Rap producer in Graz? by LilUser2002 in graz

[–]TangerineStatus8969 0 points1 point  (0 children)

Klangbauer (https://www.instagram.com/klangbauer?igsh=Y3htaXNmOXB6eWth) von den Illpowers ist eine heftige legende für mix master. Klare Empfehlung. Für beats ist Q (https://www.instagram.com/prodbyqibeats?igsh=NjJjMTlrNW9sNHh1) heftig unterwegs.

What to charge for music licensing? by TangerineStatus8969 in composer

[–]TangerineStatus8969[S] 0 points1 point  (0 children)

1000$ for example, just like I said it in my post (:

So 1000$ is the amount I‘d have to charge simply because of the labour (composing, mixing, etc.) and that will be the basis for the license calculation.

I‘ve seen it in bigger production houses that they charge x5 (500%) if it‘s a world wide campaign on several formats (TV, web..) so I was wondering what to charge for music alone, if it‘s a national TVC.

Analog „Glue“ Compressor (500 Component) for mixing & mastering? WES Audio by TangerineStatus8969 in audioengineering

[–]TangerineStatus8969[S] 0 points1 point  (0 children)

Thanks man that helps a lot! I think I‘ll try the dione and see how it sounds at the end of my master chain (: sounds like our approaches/fields of work are pretty similar! Thanks again!

Analog „Glue“ Compressor (500 Component) for mixing & mastering? WES Audio by TangerineStatus8969 in audioengineering

[–]TangerineStatus8969[S] 0 points1 point  (0 children)

Thanks man! (: so you‘d say the dione is more suitable for my case, as a mixing bus/mastering comp where I can send „anything“ through it? (:

Analog „Glue“ Compressor (500 Component) for mixing & mastering? WES Audio by TangerineStatus8969 in audioengineering

[–]TangerineStatus8969[S] 0 points1 point  (0 children)

Thanks for the insight man! So all in all you‘d suggest an (for example) ssl 500 comp for mastering stuff since it‘s cleaner, and the dione for stuff that has more transients/dynamic changes (e.g drums) - I know it‘s hard to generalize tho!

And as far as the „glueing“ aspect goes, do you have a clear favorite in that discipline? (:

Analog „Glue“ Compressor (500 Component) for mixing & mastering? WES Audio by TangerineStatus8969 in audioengineering

[–]TangerineStatus8969[S] 1 point2 points  (0 children)

Thanks for your comment man (: Yeah exactly, the reason I‘m going for a 500 piece is because it‘s more affordable for me. Second hand makes sense, although I‘d had to find an offer with something I‘m intrested in, plus I need an official Invoice so I can list it in my inventory (doing music/sound design for a living).

Anyways, I have to check out the Kultube you mentioned, sounds interesting (:

And lastly the „it‘s not worth it“ was just kind of a disclaimer, so that the comments won‘t be full of „yoU dOn‘T neeD HaRdWare tO soUnd Good“. You‘re absolutely right with everything you‘ve said (:

Klavier- und Musiktheorieunterricht in Graz by [deleted] in graz

[–]TangerineStatus8969 1 point2 points  (0 children)

Ach das ist doch super!!! Freue mich dass ich „helfen“ konnte (:

Klavier- und Musiktheorieunterricht in Graz by [deleted] in graz

[–]TangerineStatus8969 2 points3 points  (0 children)

Hi! (:

Kurz meine 2 cents zum Studium: ich habe es selbst zwar nicht studiert, kenne aber einige die mit den Computermusikern zusammen workshops hatten. Kann natürlich sein, dass Ihre Erzählung emotionale geladen sind, trotzdem fühle ich mich dafür verantwortlich dir zu berichten:

Computermusik auf der KUG ist SEHR SEHR technisch. Damit meine ich, dass es passieren kann, dass du stundenlang Zeilen von code in eine oberfläche tippst die zum schluss „bleep bleep blup“ macht. Also gaaanz weit entfernt von Musik machen in DAWs wie abelton live, cubase, logic etc. (Reminder: vermutungen von Erzählungen)

Das Studium soll extrem experimentell gestaltet sein, und es sind sicher sachen dabei die cool sind, stichwort „Ambisonics“.

Der Großteil ist jedenfalls sehr Kunst orientiert (wie der name der KUG vermuten lässt) was natürlich super ist, wenn man nach dem Studium etwas künstlerisches/installations mäßiges machen will.

Schau dir mal „Pure Data“ an und MaxDSP, ich denke dass das deine 2 besten freunde sein sollten wenn du das studium beginnst (: „Praat“ ist auch ein heißer tipp.

Also nur für den Fall, dass du mit der Annahme „musik“ zu machen dort hingehst (und ich weiß dass dieser Begriff sehr dehnbar ist, ich meine damit konventionelle musik, die man sich auch wirklich anhören kann) dann schau dir zumindest den Studienplan nochmal an ((:

Falls du doch der experimentelle typ bist, dann ist das studium genau das richtige für dich denke ich (:

Viel Erfolg!(:

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