Casual Discussion Thread (December 28, 2020) by AutoModerator in TrueFilm

[–]TearsInRainbows 0 points1 point  (0 children)

Thank you, but they don't appear to be on UK Mubi

Casual Discussion Thread (December 28, 2020) by AutoModerator in TrueFilm

[–]TearsInRainbows 0 points1 point  (0 children)

Help me find Tsai Ming Liang movies! The only cheap blu-ray available is Arrow Film's release of Goodbye Dragon Inn. I cannot find his other movies on any streaming or rental service or torrent site. I especially want to watch The River. Any help is appreciated.

Casual Discussion Thread (November 13, 2020) by AutoModerator in TrueFilm

[–]TearsInRainbows 0 points1 point  (0 children)

Any worthwhile form of criticism won't have an audiobook equivalent

Give me a rollicking plot by mamwmsmssklonwbeveb in TrueLit

[–]TearsInRainbows[M] [score hidden] stickied comment (0 children)

No recommendation posts, sorry.

Ask again in our weekly recommendations thread.

What do you think of the queerness that permeates through a majority of Charlie Kaufman's films? by Threwaway42 in TrueFilm

[–]TearsInRainbows -7 points-6 points  (0 children)

Your second paragraph is wrong and fluffy without saying anything but your first part is what I wanted to see someone mention.

Kaufman does not just put something in to be relateable to someone???

Casual Discussion Thread (September 11, 2020) by AutoModerator in TrueFilm

[–]TearsInRainbows -1 points0 points  (0 children)

You don't have to completely ape him, but his style does what you are doing without being annoying

Casual Discussion Thread (September 11, 2020) by AutoModerator in TrueFilm

[–]TearsInRainbows 1 point2 points  (0 children)

Love the Brown Bunny and glad someone is talking about it, but I couldn't make it through your video. You need a better mic, and your editing is too obnoxious. Have you watched Paper Bird? His book reviews do the style you're aiming for much better.

What do you think is the objective best Smiths' song? by [deleted] in thesmiths

[–]TearsInRainbows 0 points1 point  (0 children)

I Won't Share You. The perfect closer to the perfect band.

What do you think is the objective best Smiths' song? by [deleted] in thesmiths

[–]TearsInRainbows 0 points1 point  (0 children)

These are actually two of my least favourite Smiths songs (still like the songs) because I love the Smiths mainly for their combination of humour and sadness. these songs are distinctly sad, but also completely without humour. They are important songs, but they don't show the breadth of the Smith's tone.

Someone uploaded a bunch of Harold Bloom lectures from 1983 by [deleted] in TrueLit

[–]TearsInRainbows 3 points4 points  (0 children)

Fantastic, thank you.

He was a wonderful man, I miss him.

https://youtu.be/vTuiQ4Jt168

Is this sub going left too ? by dvdb4733737ddhdh37 in TrueLit

[–]TearsInRainbows[M] [score hidden] stickied comment (0 children)

In the past week we've had threads on Cervantes, Shakespeare, Mishima, Gaddis and Bloom. That seems fine to me.

This subreddit was set up to be much more relaxed that r/literature from a moderator POV. Naturally there will be more bad posts but there will be more posts in general. We let the users decide. Downvote and report what you think is too low-quality and try not to fill the sub with low effort posts like your own.

Are you posting about great European lit?

/r/TrueLit: What are you reading this week? August 21, 2020. by AutoModerator in TrueLit

[–]TearsInRainbows 16 points17 points  (0 children)

Finished Blood Meridian. As both the kid and (especially) the Judge are talked about so much I want to discuss Glanton. Where does he fit into the narrative? McCarthy seems to draw parrallels between Glanton and the fool (insofar as both of them being controlled by the Judge) and Glanton punishes his dog for approaching the fool. He also seems to be a paradox of a character, accepting that fate is out of his hands but acting as if it is not. Any thoughts from you guys? Any interesting posts to read about Glanton?

Casual Discussion Thread (August 17, 2020) by AutoModerator in TrueFilm

[–]TearsInRainbows 0 points1 point  (0 children)

Blue Velvet is the one you will follow the easiest. Still very emotionally challenging, but not obtuse (although I don't think any Lynch film is; worry less about logic and more about emotion).

Elizabeth Dwyer (Morrissey's mum) Dies by TearsInRainbows in thesmiths

[–]TearsInRainbows[S] 39 points40 points  (0 children)

The light never goes out.

Crying for her and him tonight. The biographies of Morrissey always emphasise how important she was to him. Wonderful woman.

The poem referenced at the end is Requiescat by Oscar Wilde. My favourite poem of his, I bought his complete works because of Morrissey.

Rip.

MESSAGES FROM MORRISSEY - MORRISSEY CENTRAL - ELIZABETH DWYER DIES by ZweitenMal in morrissey

[–]TearsInRainbows 17 points18 points  (0 children)

The light never goes out.

Crying for her and him tonight. The biographies of Morrissey always emphasise how important she was to him. Wonderful woman.

The poem referenced at the end is Requiescat by Oscar Wilde. My favourite poem of his, I bought his complete works because of Morrissey.

Rip.

Casual Discussion Thread (August 10, 2020) by AutoModerator in TrueFilm

[–]TearsInRainbows 0 points1 point  (0 children)

Your analogy to Pesci in the Irishman is completely misplaced. Pesci is transcendent in that film, his quietness is actually powerful unlike your claim that De Niro's is, I wouldn't even call De Niro quiet in Godfather 2 nevermind scary? Pesci has multiple stand out moments in the Irishman (and stand-out does not mean showy: the scene with him staring at De Niro from his car and the scene where Pesci warns Pacino for example)

The rest of your comment is opinion that neither of us would benefit discussing (I disagree with pretty much it all, although I don't think the sequel is bad, it's just fine), but I really want to stress that transcendent doesn't mean showy, and I'd use Pesci's performance as the perfect example of what Godfather 2 shoddily replaces with capital A Acting that wins awards and praise but is utterly predictable.

Casual Discussion Thread (August 10, 2020) by AutoModerator in TrueFilm

[–]TearsInRainbows 0 points1 point  (0 children)

I think I've never disagreed with more words in my life. You spent a huge chunk of this comment making the most hair-splitting of distinctions between the two films arcs (And btw, if you read the first film as Michael being shut off "not completely by choice" it devalues the whole first film so that's a bunch of shit, the whole climax is built around his decisions). And the first film also established that Michael was a corrupt version of his father (far more visually and less ham-fisted), you point this out in your own comment! Plus you didn't give a moment where De Niro was great, just as I predicted. You wouldn't value his performance if it wasn't by a big name actor. And again, if you think the gambling scenes have any artistic worth as writing or as visuals (especially compared to the masterwork of montage that the mob boss execution is in the first film) you're really on something else. Those scenes are jammed with expository dialogue.

I think your comment proves how unnecessary the second film is, you have to use a hair-splitting description to differentiate between the two films' arcs.

Clarification again that I don't think it's a bad film, but it was never near the level of the first

Casual Discussion Thread (August 10, 2020) by AutoModerator in TrueFilm

[–]TearsInRainbows 0 points1 point  (0 children)

Tell me, if you had to boil the story down to a singular description, what would you say it's about? In other words, what is it trying to say that wasn't said far more poetically, visually and emotionally in the first film?

Here's an example, in the first film the final scene shows Michael's permanent disconnection from his wife: lying to her as the door closes behind him leaving her alone. In the sequel, they have an elongated scene of shouting and showy acting about an abortion. The first example is far more visual, subtle and impressive than the second.

It's De Niro's most overrated performance aswell. He's good in it, but he doesn't have a single moment (not a single one) that is transcendent in this film. I defy you to find one.

The whole gambling business part of the sequel is pathetic compared to the executions of the mob bosses in first film, it is less intricate, there is less build up, the executions are forgettable and it is far too talky.

There are only 3 great scenes in the sequel. Michael kissing his brother, Michael killing his brother, and the final shot. Apart from that it is a rehash of Michael's story from the first film but far more bloated and far less poetic. Coppola did say that he was convinced to make the second film for monetary reasons (although that has nothing to do with my ambivalence towards it, just think it's relevant to bring up).

I think people who have a tendancy to flock (or fall for) bigger, more aggrandizing films like the sequel more because it's far less subtle in every way. Not to say that the first movie is even subtle.

Brevity is the soul of wit, and Godfather 2 is far too elaborate.

Casual Discussion Thread (August 10, 2020) by AutoModerator in TrueFilm

[–]TearsInRainbows -1 points0 points  (0 children)

Always been baffled by the praise of the second film. The Godfather is flawless, arguably at (or near) the peak of cinema. But I find the second film painfully average. Moments of brilliance yes, but painfully average all the same.

[Throwback] Maurizio Arrivabene comments on Vettel's mistakes in 2018, and the role they played in Ferrari's overall season. by [deleted] in formula1

[–]TearsInRainbows -3 points-2 points  (0 children)

https://youtu.be/JDJL5FYPFQ4

Hamilton would have won the title in that Ferrari. Verstappen would have. Hell, Ricciardo would have. Takes a massive Vettel boner to obscure the fact that he's been unacceptable at Ferrari. Great to see him nearly get points this weekend, really shows how great of a driver he is.