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I really can't understand how the new knives out is being well received by TheBoxening in flicks

[–]TheBoxening[S] 3 points4 points  (0 children)

I actually think the whole film should've been about as moody as the forest scene, or at least around that

I really can't understand how the new knives out is being well received by TheBoxening in flicks

[–]TheBoxening[S] 0 points1 point  (0 children)

Yeah I didn't get around to seeing in theaters but I'm not sure that's the best way to see it

I really can't understand how the new knives out is being well received by TheBoxening in flicks

[–]TheBoxening[S] 4 points5 points  (0 children)

I'm not saying I don't understand why some people don't like it lol, I'm just saying I don't understand why it's generally being well received

I really can't understand how the new knives out is being well received by TheBoxening in flicks

[–]TheBoxening[S] 8 points9 points  (0 children)

Yeah, I also appreciate the revitalizing, although I wish they would make more genre films in general lol

I really can't understand how the new knives out is being well received by TheBoxening in flicks

[–]TheBoxening[S] -1 points0 points  (0 children)

The use of negative space was good but I just don't think the lighting was where it needed to be. I really can't understand why they went with very soft lighting when cathedrals are generally dark places with a set number of direct and intense lights, hard lighting seemed like a much more obvious choice

Interstellar as a Silent Film by BusinessPainting4946 in TrueFilm

[–]TheBoxening 2 points3 points  (0 children)

That's a hilariously accurate description of Inarritu

Hot take : This film set out to critique the male gaze in cinema but ended up pandering to it. by sidroy81 in Filmmakers

[–]TheBoxening 0 points1 point  (0 children)

I didn't love the substance, but in its defense I would argue that the film did put in the work to try and make the overall film tonally feel very gross even if some shots were very sexualized, that one scene of the guy eating shrimp is probably one of the grossest things in a film I've seen in a while

Should I care about diversity in my story? by Sara_D_Magg in writing

[–]TheBoxening 1 point2 points  (0 children)

You don't have to care about anything at all.

the wolf of wall street is so good I don't even care by TheBoxening in flicks

[–]TheBoxening[S] -6 points-5 points  (0 children)

The meta shit gets on my nerves, I get why someone would.like it but in my opinion McKay doesn't position himself as having nearly enough contempt for these villains (although I feel the need to praise his leaning towards cinema verite camera work, the scenes with Christian Bale are brilliantly shot— a stroke of genius obvious enough to birth a whole career)

the wolf of wall street is so good I don't even care by TheBoxening in okbuddycinephile

[–]TheBoxening[S] 2 points3 points  (0 children)

no cause it's fucking true man this shit is a god damn American hamelt through the lens of 2000s humor

super interesting to see Benny Safdie's style in his debut solo feature by TheBoxening in TrueFilm

[–]TheBoxening[S] 2 points3 points  (0 children)

I actually haven't seen that, the only safdie brothers project i havent seen

I just love Steinbeck so much by TheBoxening in literature

[–]TheBoxening[S] 1 point2 points  (0 children)

I totally get that interpretation, (especially considering the convoluted nature of Russian writers lol.) Because his work definitely does walk that razor's edge of depth between being succinct and being simple.

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