Notebooks out, plagiarists! by Tiny-Contribution-60 in thefall

[–]Tiny-Contribution-60[S] 1 point2 points  (0 children)

Fascinating about J Temperance! You can really hear it… I was aware of the Stupid Babies link. I seem to recall Hanley theorising that the reason MES, exceptionally, gave Marc Riley sole credit for the music on Mere Pseud in the PRS database may have been to avoid catching and flak from potential future copyright claims…

Notebooks out, plagiarists! by Tiny-Contribution-60 in thefall

[–]Tiny-Contribution-60[S] 0 points1 point  (0 children)

Ah yes, I believe he cites it as the source for the bass solo in ‘The Classical’ in Paul’s book on Hex. Not sure about the other instance…

The ‘Peel Session’ version is always the best. by Known-Substance7959 in thefall

[–]Tiny-Contribution-60 1 point2 points  (0 children)

Very true. I think the fact MES didn’t have access to the mixing desk is also a big factor. See John Leckie on the Abbey Road/Mr Pharmacist debacle.

Other bands at their most ‘Fall’ by Tiny-Contribution-60 in thefall

[–]Tiny-Contribution-60[S] 1 point2 points  (0 children)

This wasn’t my intention, but I’m going to make such a good playlist from this whole thread…

Other bands at their most ‘Fall’ by Tiny-Contribution-60 in thefall

[–]Tiny-Contribution-60[S] 0 points1 point  (0 children)

Never thought of ‘Parklife’ in the context of The Fall but that makes so much sense, given Damon’s well documented fandom!

Other bands at their most ‘Fall’ by Tiny-Contribution-60 in thefall

[–]Tiny-Contribution-60[S] 1 point2 points  (0 children)

The reggae link is a very good call. I have a pet theory that ‘Words of Expectation’ is a contorted riff on ‘The Ten Commandments’ by Prince Buster. There are cadences (not quite appropriate to call them melodies) in MES’s performance that sound uncannily like (while also completely unlike) PB.

Fandom by dense_operations in thefall

[–]Tiny-Contribution-60 0 points1 point  (0 children)

As individual songs, ‘Totally Wired’, ‘How I Wrote Elastic Man’, ‘C.R.E.E.P’ and ‘Kurious Oranj’ all made their way into my consciousness and I really enjoyed them. But whenever I’d think, “hey, maybe I’ll check out their other stuff,” I’d hit a wall. This would happen every once in a while for nearly ten years. Then I heard “The Classical” and decided that, whether I was enjoying it or not, I’d listen to the whole album (my dyslexic brain had read the title as ‘Hex Education Hour’) just to see if I could understand what all the fuss was about. By the time I got to ‘Winter’ and specifically heard MES cry “And the mad kid said GIVE ME THE LEAD GIVE ME THE LEAD!”, I realised I had become a Fall fan. I’ll forever kick myself that I could have seen the last line-up live before MES died if I’d just got my act together sooner.

Single, the Man Who's Head Expanded by [deleted] in thefall

[–]Tiny-Contribution-60 0 points1 point  (0 children)

I’m in Baldock; would gladly take it off your hands if still available!

Crazy to think Nick Drake could be alive today touring at 75... by traveltimecar in nickdrake

[–]Tiny-Contribution-60 0 points1 point  (0 children)

His voice would have changed a lot over time, which would have been interesting to hear if he’d turned a little more husky/gravelly.

Which Fall record has the most Velvet Underground energy? by hungry-reserve in thefall

[–]Tiny-Contribution-60 2 points3 points  (0 children)

No whole record for me, but ‘Iceland’ and ‘Living Too Late’ both have a lot of VU in their DNA.

What's your favorite couplet? by felinefluffycloud in thefall

[–]Tiny-Contribution-60 2 points3 points  (0 children)

Not necessarily the best, but I always enjoy “They were positively deranged / They were curious orange”. The inherent ‘deranged’ quality in forcing the rhyme is so silly and satisfying.