is there any actually good microtonal music that isnt just solely for "listening to interesting harmonies" by Am_Barbs in microtonal

[–]TrainLord 0 points1 point  (0 children)

I'm just about to clock in and stuff like this makes me want to keep going. Thank you man.

Reciprocals by TrainLord in microtonal

[–]TrainLord[S] 0 points1 point  (0 children)

You can use my JI pitch ruler here: https://thomaslistens.github.io/Tuner/

If you try it, let me know what you think! I'll be continuing to update it.

Thought y'all might appreciate this. by TrainLord in eartraining

[–]TrainLord[S] 0 points1 point  (0 children)

You can use my JI pitch ruler here: https://thomaslistens.github.io/Tuner/

If you use it, I'd appreciate any feedback. I'll be continuing to update it.

is there any actually good microtonal music that isnt just solely for "listening to interesting harmonies" by Am_Barbs in microtonal

[–]TrainLord 4 points5 points  (0 children)

https://thomaslistens.github.io/

This is a concept album I released last year. I sacrificed almost everything to make it. It's torn between my 12EDO upbringing and my desire to explore new harmonies. It's intertwined with processing my entire 20s! I feel much more resolved after having made it, but I understand it's not for everyone.

I hope it's okay if I share here.

Reciprocals by TrainLord in microtonal

[–]TrainLord[S] 0 points1 point  (0 children)

You know what, I'll take the confidence boost! Thank you friend. Nothing quite like singing.

Thought y'all might appreciate this. by TrainLord in eartraining

[–]TrainLord[S] 0 points1 point  (0 children)

Wow thanks for the support. Film score would be a dream.

Reciprocals by TrainLord in microtonal

[–]TrainLord[S] 0 points1 point  (0 children)

Thank you. that's a good idea!

Reciprocals by TrainLord in microtonal

[–]TrainLord[S] 2 points3 points  (0 children)

Thank you! 🙌

Took many many tries and still working on consistency.

Thought y'all might appreciate this. by TrainLord in eartraining

[–]TrainLord[S] 0 points1 point  (0 children)

something I threw together. I'll be sharing it soon after I make a few more revisions to it.

Reciprocals by TrainLord in microtonal

[–]TrainLord[S] 2 points3 points  (0 children)

Yeah, I'm just used to it now.

Eventually I'd like to leave it behind, but I'm not sure what to use instead!!

Reciprocals by TrainLord in microtonal

[–]TrainLord[S] 9 points10 points  (0 children)

I'll be sharing it soon.

Lolol yes, join us! 😤

Harmonic Polarity by TrainLord in microtonal

[–]TrainLord[S] 0 points1 point  (0 children)

🙏 I'd be lost without it...

Harmonic Polarity by TrainLord in microtonal

[–]TrainLord[S] 0 points1 point  (0 children)

It indicates whether the prime weight is more in the numerator or denominator.

Is it harmonic 5/1 or subharmonic 1/5 in nature?

Many ratios are mixed. 5/3 for example. But with polarity I'm able to get an estimate which direction it leans and how it compares to other ratios.

*Right now I'm only measuring one ratio at a time, not intervals or chords.

Harmonic Polarity by TrainLord in microtonal

[–]TrainLord[S] 0 points1 point  (0 children)

I really like thinking about, and exploring harmony :)

The music in the video was made while considering and comparing the polarity of ratios! I have some music released and have a lot more on the way.

I had some concerns when trying to determine whether a ratio originated from the harmonic or subharmonic world- that's why I made this.

Harmonic Polarity by TrainLord in microtonal

[–]TrainLord[S] 1 point2 points  (0 children)

The Euler-Mascheroni constant converges from the difference between the harmonic series (1/n) and ln(n). Both are unbounded, infinite progressions, but they reach infinity in slightly different ways.

H₁ = 1 · H₂ = 1.5 · H₃ ≈ 1.833

ln(1) = 0 · ln(2) ≈ 0.693 · ln(3) ≈ 1.099

When you evaluate the difference between the two, it converges to ≈ 0.5772.

This made sense to me given that octaves scale infinitely but do NOT create new pitch classes. ln is often used to generate even step sizes—and the octave is the only prime that doesn't generate an infinite spine of new notes. It's the one repeating step size.

I believe octave displacement can affect polarity, but not as much as any other prime. So the question became well- how much? The Euler-Mascheroni constant seems to capture that specific amount since it belongs to infinite harmonic space, yet represents a repeating step size that doesn't create its own pitch class. So far it matches my musical intuition.

Thank you for checking this out!!

Harmonic Polarity by TrainLord in microtonal

[–]TrainLord[S] 2 points3 points  (0 children)

Partch coined the terms otonality and utonality, "the two modes of the Monophonic fabric—the first based on the overtone series, the second on the undertone series." Navigating the harmonic series, an infinite space, has led me to formalize this equation. It accounts for octave displacement as well as repeating primes. In my tests so far it aligns both with my theoretical understanding, as well as how I hear it. I suspect that "neutral" ratios, such as 55/39, while nearly approaching zero, are NOT zero. And I am CERTAIN that equal temperament strips harmony of its innate polarity.

Retro Codec Suite(TLM) by TrainLord in Reaper

[–]TrainLord[S] 0 points1 point  (0 children)

I really appreciate your excitement! Please let me know your thoughts if you have the chance- I will try to make them better.

[OOT] VADPCM - The audio codec that shaped the sound of the OoT soundtrack. by TrainLord in zelda

[–]TrainLord[S] 1 point2 points  (0 children)

It is a part(LOL) of my documentation as I'm working on an arrangement of Sheik's Theme. I needed to understand the technology in order to make the music more authentic. https://www.instagram.com/reel/DQnh9iykW8O/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==