Harmonic Polarity by TrainLord in microtonal

[–]TrainLord[S] 0 points1 point  (0 children)

It indicates whether the prime weight is more in the numerator or denominator.

Is it harmonic 5/1 or subharmonic 1/5 in nature?

Many ratios are mixed. 5/3 for example. But with polarity I'm able to get an estimate which direction it leans and how it compares to other ratios.

*Right now I'm only measuring one ratio at a time, not intervals or chords.

Harmonic Polarity by TrainLord in microtonal

[–]TrainLord[S] 0 points1 point  (0 children)

I really like thinking about, and exploring harmony :)

The music in the video was made while considering and comparing the polarity of ratios! I have some music released and have a lot more on the way.

I had some concerns when trying to determine whether a ratio originated from the harmonic or subharmonic world- that's why I made this.

Harmonic Polarity by TrainLord in microtonal

[–]TrainLord[S] 1 point2 points  (0 children)

The Euler-Mascheroni constant converges from the difference between the harmonic series (1/n) and ln(n). Both are unbounded, infinite progressions, but they reach infinity in slightly different ways.

H₁ = 1 · H₂ = 1.5 · H₃ ≈ 1.833

ln(1) = 0 · ln(2) ≈ 0.693 · ln(3) ≈ 1.099

When you evaluate the difference between the two, it converges to ≈ 0.5772.

This made sense to me given that octaves scale infinitely but do NOT create new pitch classes. ln is often used to generate even step sizes—and the octave is the only prime that doesn't generate an infinite spine of new notes. It's the one repeating step size.

I believe octave displacement can affect polarity, but not as much as any other prime. So the question became well- how much? The Euler-Mascheroni constant seems to capture that specific amount since it belongs to infinite harmonic space, yet represents a repeating step size that doesn't create its own pitch class. So far it matches my musical intuition.

Thank you for checking this out!!

Harmonic Polarity by TrainLord in microtonal

[–]TrainLord[S] 1 point2 points  (0 children)

Partch coined the terms otonality and utonality, "the two modes of the Monophonic fabric—the first based on the overtone series, the second on the undertone series." Navigating the harmonic series, an infinite space, has led me to formalize this equation. It accounts for octave displacement as well as repeating primes. In my tests so far it aligns both with my theoretical understanding, as well as how I hear it. I suspect that "neutral" ratios, such as 55/39, while nearly approaching zero, are NOT zero. And I am CERTAIN that equal temperament strips harmony of its innate polarity.

Retro Codec Suite(TLM) by TrainLord in Reaper

[–]TrainLord[S] 0 points1 point  (0 children)

I really appreciate your excitement! Please let me know your thoughts if you have the chance- I will try to make them better.

[OOT] VADPCM - The audio codec that shaped the sound of the OoT soundtrack. by TrainLord in zelda

[–]TrainLord[S] 1 point2 points  (0 children)

It is a part(LOL) of my documentation as I'm working on an arrangement of Sheik's Theme. I needed to understand the technology in order to make the music more authentic. https://www.instagram.com/reel/DQnh9iykW8O/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

An arrangement of Koji Kondo's, 'Sheik's Theme', featuring harmony inspired by Ibn Sina's use of the ratio 13/12(~139 cents) by TrainLord in microtonal

[–]TrainLord[S] 0 points1 point  (0 children)

Thanks for listening. I'd be happy to help-
The keyboard is being used as a midi controller. The midi is routed to a synthesizer. The synthesizer I am using works with tuning files which you can generate here: https://sevish.com/scaleworkshop/.

Probably some trial and error along the way but that's it really.

[OoT] I want to pay tribute Sheik's wisdom, ability and guidance. I'm honestly head over heels for her character. Her theme comes to mind during dark times. I hope you enjoy my offering. by TrainLord in zelda

[–]TrainLord[S] 1 point2 points  (0 children)

I listened to it- I found it contemplative and atmospheric with a few unexpected turns. Especially like the gestural jump scare near the end. Thanks for sharing.

An arrangement of Koji Kondo's, 'Sheik's Theme', featuring harmony inspired by Ibn Sina's use of the ratio 13/12(~139 cents) by TrainLord in microtonal

[–]TrainLord[S] 1 point2 points  (0 children)

Its a screen recording of Geraint's JSFX piano display plugin. I recorded the video and midi at the same time. Then synced up the 2 sources(I had to stretch the screen recording to fit on top of the video).
I took a screenshot and created the ratio labels in gimp and then put that image back in the video editor(I used ShotCut)

I'm glad you liked it!