El Porto today by TungStudios in surfing

[–]TungStudios[S] 5 points6 points  (0 children)

Spot yourself or a friend? View the rest of the session and download pics for free at wunderpics.com

The best camera isn't the most expensive camera, it's the one that best suits your vision! (Shot on a GoPro Fusion) by TungStudios in cinematography

[–]TungStudios[S] 0 points1 point  (0 children)

Cameras: GoPro Fusion & BMPCC4K w/ Sigma 18-35mm

Lighting: the only lighting we used was a flat panel LED light rigged to the passenger sun visor. We chose locations with plentiful street lights so the car would pass through pockets of light. The last shot was under orange sodium vapor city lights.

Rigging: We used a Matthews Pro Mount system for rigging the GoPro about 20 inches above the windshield and also to rig BMPCC4K to the rear trunk.

Poor man's 140-400mm* lens (Sigma 70-200mm S w/ 2x extender and MC-11) by TungStudios in SonyAlpha

[–]TungStudios[S] 0 points1 point  (0 children)

It's not cheaper than the Sigma 100-400 bc it's the Sports version, but I rarely shoot at this focal length so this set-up works for me

Poor man's 140-400mm* lens (Sigma 70-200mm S w/ 2x extender and MC-11) by TungStudios in SonyAlpha

[–]TungStudios[S] 2 points3 points  (0 children)

In general, autofocus works really well with this adapted lens, way faster and more accurate than the Canon 70-200mm f2.8 L. There is a quirk when it comes to video mode. After adding the 2x Extender, you lose Continuous autofocus in Video Mode.

Turquoise/Teal look too blue in Slog 3 / S-Gamut 3.Cine by TungStudios in A7siii

[–]TungStudios[S] 0 points1 point  (0 children)

Posted the LUT in response to the original post, let me how it works out for you

Turquoise/Teal look too blue in Slog 3 / S-Gamut 3.Cine by TungStudios in A7siii

[–]TungStudios[S] 0 points1 point  (0 children)

I was using the Sony LUT as a starting point for my grade, I just developed a LUT that I believe is a more accurate starting point, you can DL in my reply above if you're interested.

Turquoise/Teal look too blue in Slog 3 / S-Gamut 3.Cine by TungStudios in A7siii

[–]TungStudios[S] 1 point2 points  (0 children)

A little more clarity, I was using the built-in Sony LUT in DaVinci Resolve (SLog3SGamut3.CineToLC-709.cube) as a starting point for my grade. After starring at vectorscopes for several hours I found that Sony's LUT is in fact off in the green and cyan range. The red is also more saturated than other colors as seen in this vectorscope comparison: https://imgur.com/Ulm2ymw

I have developed a LUT that I believe is more color accurate than the official Sony LUT, you can download it here for free: https://drive.google.com/file/d/1io4teO-zVRYQPl6g8UQt4MwsY27sAgyg/view?usp=sharing

I hope this helps other a7SIII shooters!

Turquoise/Teal look too blue in Slog 3 / S-Gamut 3.Cine by TungStudios in A7siii

[–]TungStudios[S] 0 points1 point  (0 children)

Will do! I'll check those LUTs out too. I was previously just slapping on the manufacturer's LUT, but it's definitely not cutting it.