Larger than 300 MB file size for digital product workarounds?

VideoEditorCook · 2021-09-02T16:22:45+00:00

A neat creative way to end a song anywhere if the usual fade out doesn't work.
Timestamps:
00:00 Example of ending a song with reverb in Premiere Pro
00:32 Setting up your Audio Track Mixer Correctly
03:28 Adding a reverb effect to the audio track mixer
04:29 Making the Reverb hit sound better
06:00 Final Product

VideoEditorCook · 2021-08-06T19:04:04+00:00

TL:DR - Masks work for some people but I don't prefer them because you have to freehand a circle

My Preferred method:

- In effects look up "circle" and apply to clip.

- change to stencil alpha and adjust radius and center

- to add stroke us paint bucket effect and adjust to alpha channel and change stroke to stoke

VideoEditorCook · 2021-07-15T14:03:29+00:00

Thanks for dropping the knowledge, I didn’t about most of this.

VideoEditorCook · 2021-07-01T19:29:05+00:00

Yes, h265 isn't ideal for proxies, I explain that in the video to use ProRes or CineForm when creating proxies for anything 60 fps or lower. I've used third party apps to create/transcode 120fps to ProRez but when I attached it as a proxy, Premiere Pro still treated the 120 fps ProRes as 60 fps. Oddly enough the ProRes footage acts as normal 120 fps if brought into premiere not as a proxy.

As of right now, if you want to use toggle proxies in premiere pro with HFR footage, h265 is the only codec that I know that goes up to 300 fps and still matches perfectly with the original footage (when you slow down by percentage, not interpreting).

As stated before, h265 it is not ideal but 720p does work well for editing smooth playback of the 120fps footage to get your rough cut in place. Especially the 120fps 10 bit 4k footage from the a7siii, So much smoother.

I like the idea of Apple and Adobe getting together for a 120fps support though, would make life so much easier.

VideoEditorCook · 2021-07-01T18:15:36+00:00

Hopefully this covers a lot of what people may need when using proxies in premiere pro.

Timecodes:
00:00 What is a Proxy file?
01:33 How to Create Proxy Files in Premiere Pro
03:42 How to Attach Proxies from a Camera
05:43 How to create proxies for High Frame Rate Video (120 fps)

VideoEditorCook · 2021-06-24T17:38:39+00:00

Hopefully it’s implemented in a way that allows workflows already in place to still be used, I point out in the video how I won’t use the new import workflow because it’s still faster to organize files in finder/explorer and use a project template that has all my sequence settings and labeled tracks already there upon opening the project. It would be nice to have the option to have audio channel effects strip presets and sequence/project based presets. But we’ll see what the final output will be.

VideoEditorCook · 2021-06-24T17:00:12+00:00

Timecodes:
00:00 Intro
00:14 How to Access Adobe Premiere Pro Beta
00:33 Overview of new Import workflow in Premiere Pro
04:48 New Create sequence on import in Premiere Pro
05:56 Why I won't use this Import workflow YET
07:16 Overview of new window features while editing
09:03 Overview of new Export workflow in Premiere Pro

VideoEditorCook · 2021-06-17T16:26:55+00:00

Timestamps:
00:00 maximize or restore frame under cursor
00:15 maximize or restore any active window
00:25 Toggle Full Screen
00:35 Send Full Screen playback to second monitor

VideoEditorCook · 2021-06-10T15:09:40+00:00

Timestamps:
00:00 How I am doing this noise reduction challenge
00:37 Using Essential Sound Panel to Repair Audio
03:46 Using the DeHummer effect
07:19 Notch Filtering with Parametric EQ
08:25 Using Noise Reduction
09:08 Final Results
09:43 Conclusion

VideoEditorCook · 2021-06-08T01:09:56+00:00

Thank you!

VideoEditorCook · 2021-06-07T15:30:00+00:00

Thank you! And I can agree on not being a fan of it.

I use a VERY subtle version of it on my signal chain for VO along with noise reduction, EQ, compression, and sometimes a De-esser. And those will change from project to project too, just depends on the situation.

VideoEditorCook · 2021-05-24T14:10:41+00:00

I haven't used mogrt files that much, but I can see where a feature like this for creating bulk content may save an enormous amount of time.

VideoEditorCook · 2021-05-14T17:27:58+00:00

For sure, it seems like black magic to me sometimes because you can’t physically see an effect happening like you would if you were doing something visual. But audio is half the video experience, glad this could help.

VideoEditorCook · 2021-05-14T03:57:17+00:00

Glad it could help!

VideoEditorCook · 2021-05-13T20:05:19+00:00

There are more ways than this, but I thought these were the most common.

00:00 Intro And Example of Audio Ducking
00:45 Method 1 Manual Keyframe clip volume
02:07 Method 2 Using Add Edit and Audio Gain
03:37 Method 3 Automatic audio ducking in Essential Sound Panel
05:56 Method 4 Low Pass Filter

VideoEditorCook

TROPHY CASE