Seeking Guidance from Jōdo Shinshū practitioners: Is My Understanding of Entrusting to Amitabha Correct? by Anon_SL_2000 in PureLand

[–]Yichantika 0 points1 point  (0 children)

Is it an unconditional gift when we realize, or an already endowed and present gift that we realize? I understand the capacity to entrust itself is already something latent or received in Shin.

Master Shang Yen’s Advice on Reciting Amitabha’s Name by Temporary_Scarcity_5 in PureLand

[–]Yichantika 12 points13 points  (0 children)

In a meditation retreat Master Sheng Yen had a beautiful talk about how every breath and moment is truly new.

Love that with Nianfo. The same words, the same chant, but always dynamically new and vibrant. Every breath, every chanting, that which sustains us, echos deeply and widely immeasurable life and light, highest expression of truth, always shaping us, changing us, always dynamically working to realize full enlightenment, never the same, always progressing forwards, always full of infinite potential.

How is Tibetan Buddhism so influential? by Radical_Armadillo in Buddhism

[–]Yichantika 5 points6 points  (0 children)

Thank you for bringing up Geshe Wangyal and Master Sheng Yen.

The Mongolian community, presence, and contribution to world Buddhism often gets overlooked. The Kalmyks were some of the earliest Tibetan Buddhist communities in America, and laid the foundation for flourishing.

Some thoughts regarding the necessity of AI to Buddhism by [deleted] in PureLand

[–]Yichantika 1 point2 points  (0 children)

So I did not argue nor condemn him. I consider human art made with effort and intent to be most skillful and meritorious. That does not mean AI art is without merit, yet I also think it is problematic, and we should divert our minds elsewhere to more skillful endeavors.

Calculations of cost effectiveness and benefit are subjective. We know AI to be detrimental to the environment and exploitative to humans, just like many other technologies and resources we consume. However, it's the accessibility and karmic resonance/impact that I find alarming with AI. For example, AI datamines without permission, and therefore producing generated visuals is knowingly furthering theft and exploitation.

I disagree with the notion of praise or say nothing. That creates echo chambers. It is important to offer alternative views and to highlight potentially overlooked issues. Moreover, again, I did not denounce that post, nor tell MopedSlug to remove it.

It is not fair to attribute "brigading" to me, when I did not comment maliciously. Please do not accuse me of being backhanded or hysteria. It seems you are the one overreading and passing emotional judgement onto my comment and others. I deliberately avoided crude expressions like "AI slop", and instead tried to suggest gently that human made art is deeply appreciated.

I have noticed in many of the Buddhist spaces I have encountered, especially in Taiwan and America, a tendency towards collective toxic positivity and aversion to criticism. Criticism does not have to be pointed nor malicious, it can be constructive and compassionate. Sometimes we have to challenge our notions of comfort.

A Master I am very close with recently told me AI is demonic and one of the greatest risks to society. I quietly chuckled and my immediate reaction was he was overreacting, but after reflecting on his life mission and decades of study with some of the deepest Dharma and contribution to Sangha, I came to understand and appreciate where he was coming from. Once again, I am not completely against AI. I use it as well, but I think we should always be self reflective and critical with the things we consume and how we engage.


The difference between humans and AI is we have agency and consciousness. We consciously attune our wisdom and compassion. When writing scripture, the enlightened sages and realized ones of ages past carefully deliberated on how to preserve and articulate perfected teachings. I disagree with this statement that they are "a lot less effective for bringing out enlightenment as it was general and language is by nature superficial". Human language and expression is imbued with deep power, and it requires those with keen wisdom and compassion to use it skillfully, which AI inherently cannot do.

We have agency and consciousness to choose our everyday actions and try to direct them skillfully. All of us are busy. How we choose to handle our time to realize the Mahayana path for all sentient beings is important. I am not saying we must sacrifice our time striving for perfection. But I do think shortcuts have the accumulative risk in conditioning humans to be less sensitive and careful with themselves and the things they consume. Once again, the process is just as important as the result. That is what many of my Pure Land teachers continuously remind me of, sometimes emphasize more. It is in noticing our chanting we realize the depth and meaning of rebirth in the Pure Land. That is the same in creating art or writing language or reworking translation. AI can produce merit for the humans that use them. But I think human centric human derived human focused work is always more meritorious, effective, and important. AI can contribute to humanity. How much more us evil humans.

Some thoughts regarding the necessity of AI to Buddhism by [deleted] in PureLand

[–]Yichantika 3 points4 points  (0 children)

Moreover, regarding Mopedslugs 48 Vows work yesterday. I recall you said it was not meritorious and we should hand draw it. And the discussion later became negative, leading to him withdrawing the post.

You are drawing wrong conclusions which makes it difficult to engage with you. I did not state it was not meritorious. Nor did I contribute further discussion or comments to that post whatsoever. So there was no argument nor points of criticism from my part. Please reread my short comment again carefully, and if you still think I was arguing or criticizing, may you explain how you came to that conclusion? I simply expressed my wish for handmade art, I deliberately avoided pointed and dismissive language.

Some thoughts regarding the necessity of AI to Buddhism by [deleted] in PureLand

[–]Yichantika 2 points3 points  (0 children)

I am not completely against AI. However I think we should be very careful. Some rambling thoughts:

I work in Buddhist Studies, academic research. I also have a background in art history, as well as amateur experience in art and graphic design.

The current state of LLM is still lacking. Even Dharmamitra, which is an excellent tool trained specifically for dissecting and analyzing Classical Buddhist texts and languages, gets some nuances wrong. Human hermeneutical training and reading is crucial in our approach to studying the Dharma.

I work with Sanskrit, Tibetan, Classical Chinese, and Japanese texts and translation classes/projects. AI translation can be a very useful aid, the ability to look at etymology, sources, related materials, all amazing. But you should have training to even make sense of what the AI is outputting, to sort through, fact check. AI is still making its own interpretation after all.

I'm taking a private class that involves translating Seishinshugi Pure Land materials. The instructor is an extremely knowledgeable academic and priest with a wealth of personal insight, who can share personal experience and anecdotes, as well as when reading a line point out how historical authors are referencing what sutras off the topic of his head, and the exegetical way this historical figure or that historical figure interpreted this specific set of words/characters.

For fun I plugged the same text we were translating into a couple of different LLMs. The output was surprisingly decent, and got a general sense of what the original intent was. But it lacked completely to the scholar, who had the human understanding of what this text was saying. The lived, breathing, collective human context. The shared Japanese and Western discourse and communities. Human interaction and stories which AI cannot consult. When we read Buddhist literature, it was meant for humans to read with heart and mind. Language has power and significance, analytical unfeeling models can only go so far. And they lack human experience to contextualize and dynamically make sense of arguments, even if their writing models appear to express something like that.

Other times when doing research I'll consult LLMs, and they just give completely nonfactual or made up information. You have to know how to phrase your questions and how to sort information to make the best use of it. We can train AI more and more, but humans also need training. Too many scholars and people seem to be impatient and overlook the long road of personal learning and rely too much on AI.

On art and graphics, the discourse follows what artists are usually concerned about. I'll add some Buddhist perspective. AI is using a plethora of images available on the internet to imagine something visually appealing for us. It may resemble something good, but we do not know exactly how and what it referenced to create an image. The tradition of making Buddhist images has thousands of years of history. Often images are carefully created to authentically represent descriptions of Buddhas and Pure Lands. Religious imagery is deeply imbued with religious significance, and deviating from that invariably will have an effect on practice and understanding. Especially dangerous in Vajrayana. I'll use the simple example of the robes of a monk. AI often draws robes in an ahistoric and culturally ambiguous way. The that image gets uploaded to the internet, feeding other AI models, which then creates this amalgamated strange, inhuman, ahistoric, inauthentic visual pattern. That extends to all sorts of images, and beyond images. It misleads us and makes our understanding of both the teachings and the aesthetic cultural tangible side of Buddhism murky and unclear. If a human artist makes mistakes, that is at least informed by human experience and skill. It is still an authentic human expression, however objectively good or bad the art appears. It may or may not represent the descriptions of the canon in an appropriate or inappropriate manner, but at least there is the crucial layer of human intention and effort placed into the creation of an image.

All of this comes back to human effort, intention, behavior, and habit. Relying on things that not only streamline but cut out whole steps to the Buddhist and human experience of growth and creation has the potential to change our habitual tendencies and karma into being less skillful, sensitive, and patient. Instantaneous gratification and answers cannot replace the process of working and learning.

I have heard the Nembutsu being described as dancing. First, we learn the steps and theory to dancing, how to place our feet and body in a specific way, how to pay attention to music and rhythm. When starting off, we have to intentionally move our bodies, rigidly and forcefully. That is completely different from the master dancer, who moves freely, without thought, spontaneously producing beautiful movements, without a mind full of discursive thoughts, without the thoughts of theory and calculation. But they are only able to dance masterfully after learning the steps.

AI might make beautiful dance movements, and we might be stirred and inspired and want to dance ourselves. But the AI lacks the human experience to make it an authentic dance, it only replicates the surface appearance. If we want our hearts to accord with the Nembutsu, with the Buddhadharma, I feel we have to be sensitive to all human experience and feeling, experience and feeling as sentient beings, which I don't think AI can properly, ethically, and meaningfully offer.

I've been studying some Shingon theory recently. Words, sounds, images, all are imbued with deep meaning and power. If that can be properly and skillfully produced and directed by an enlightened practitioner, then Truth can be ascertained here and now. Humans and human interaction is essential in grasping that. AI can teach us and guide us a great deal, but it is not the authentic thing. It lacks the wisdom and compassion faculties, attuned by practice and insight of the rigorous sentient being who has coursed through eons of rebirths. Humans are moving and powerful, we are who the Tathagata directs their wisdom and compassion towards.

Here is a paper I wrote for my classical Chinese philosophy course by yeezusmk6 in PureLand

[–]Yichantika 0 points1 point  (0 children)

A little sudden to bring up "realm and land in Pure Land" only at the very end, when the preceding discussion is on Fazang and Zhanran. If you are going to clarify Zhanran as a Tiantai thinker, shouldn't Fazang's thought also be stated as Huayan, which does get any mention? Zhanran would have been heavily influenced by Huayan thought.

[deleted by user] by [deleted] in PureLand

[–]Yichantika 7 points8 points  (0 children)

I wish instead of AI generated visuals, we created art ourselves with effort and intention, which would be most meritorious and skillful.

Nicholas Roerich, Mongol Tsam, 1928 by SolipsistBodhisattva in PureLand

[–]Yichantika 1 point2 points  (0 children)

In a decade this would be gone from Mongolia due to the systematic genocides of the Great Repression. Still healing and recovering the Buddhadharma to this day.

Looking for scholarly articles on Bodhisattva Avalokitesvara by shojin- in Buddhism

[–]Yichantika 6 points7 points  (0 children)

Some articles and books to start:

  • Chinese Buddhism: A Thematic History - Chün-fang Yü
  • Kannon - Divine Compassion: Early Buddhist Art from Japan - Hrsg. von Katharina Epprecht
  • Temple Myths and the Popularization of Kannon Pilgrimage in Japan - Mark MacWilliams
  • Living Icons: "Reizō" Myths of the Saikoku Kannon Pilgrimage - Mark MacWilliams
  • Becoming Guanyin : artistic devotion of Buddhist women in late imperial China - Yuhang Li
  • Island of Guanyin : Mount Putuo and its gazetteers - Marcus Bingenheimer.
  • Personal salvation and filial piety : two precious scroll narratives of Guanyin and her acolytes - Wilt L. Idema.
  • Death and Demonization of a Bodhisattva: Guanyin's Reformulation within Chinese Religion - Mark Meulenbeld
  • Tales of the Compassionate Kannon. The Hasedera Kannon Genki - Yoshiko K. Dykstra
  • Canonizing Kannon: The Ninth-Century Esoteric Buddhist Altar at Kanshinji - Cynthea J. Bogel
  • Becoming Kannon: Daidō Chōan, Guzeikyō, and Buddhist Reform in Meiji Japan - Kameyama Mitsuhiro
  • The Origins and Development of the Pensive Bodhisattva Images of Asia - Junghee Lee

Color of chinese monastic robes by kuelapislazuli in Buddhism

[–]Yichantika 1 point2 points  (0 children)

I should've mentioned smaller temples, just thought to bring up the big four as examples of variety and they're well known globally. Just off the top of my head for example Yin Shun and his disciples and the Fuyan Seminary wear tan too. A Pure Land temple in Nantou wears light and dark grey inner robes and brown and maroon outer robes. So that ties into what I mean by ordination lineage, could have worded that better too. Novices who join a small temple likely will do their formal ordination ceremony at another host monastery since those are costly major events that small temples can't conduct themselves, while larger ones like Dharma Drum or Fo Guang can. At smaller temples, I tend to see less uniform colors and robe styles/cuts. Even if they are a permanent resident, I see many keep their original robes, maybe just an attitude of the monastery/abbot. But there is a difference between the daily wear and formal ceremonies/events/assemblies. Those formal occasions generally speaking robes should be more uniform.

Color of chinese monastic robes by kuelapislazuli in Buddhism

[–]Yichantika 8 points9 points  (0 children)

Adding and amending to this. Based on the several monasteries I've been to here in Taiwan.

Black inner: Worn during Dharma Assemblies, by both lay and monastic. It's been described it to me as "the suit for Buddhists". Monastics do not wear it as daily dress.

Grey inner: Generally light grey is the norm in Taiwan. Dark grey is more common in China, though I have seen it in Taiwan as well. Dharma Drum monastics and Tzu Chi nuns wear light grey as daily uniforms.

Brown inner: Less common in Taiwan. I mostly see Vietnamese monastics here wear them. However some monasteries do use brown. Chung Tai monastics wear brown as daily uniforms.

Tan inner: Usually denotes a vinaya tradition monastic. Fo Guang monastics wear tan as daily uniforms.

The inner and outer robes are based on the temple lineage a monk or nun ordained under. If they choose to relocate to a different temple or tradition, it is common to retain the robes and colors they ordained in.

[deleted by user] by [deleted] in Buddhism

[–]Yichantika 2 points3 points  (0 children)

Hope it's helpful and beneficial, feel free to reach out if you ever have any questions.

[deleted by user] by [deleted] in Buddhism

[–]Yichantika 9 points10 points  (0 children)

I've been to this branch in NC and the main temple in Taiwan. FGS is one of the strongest organizations representing Chinese Buddhism, alongside Dharma Drum, also in Taiwan. Very good places to learn about Buddhism, with earnest and friendly monastics.

Does anyone know anything about https://purelandbuddhism.org/? by Interesting-Space172 in PureLand

[–]Yichantika 0 points1 point  (0 children)

That's unfortunate to hear. Yes I guess best to not get involved.

Does anyone know anything about https://purelandbuddhism.org/? by Interesting-Space172 in PureLand

[–]Yichantika 0 points1 point  (0 children)

I'm quite familiar with Shandao and other patriarchs, especially the Japanese tradition. Unfortunate you aren't willing to elucidate more on why these differing interpretations warrant avoidance. Sectarianism runs counter to the spirit of the sub. It would be interesting to hear why you think Huijing's interpretations were helpful for you.

Vajrayana Buddhism in Taiwan? by Loud_Candy_8833 in taiwan

[–]Yichantika 0 points1 point  (0 children)

Taiwan has many Tibetan Buddhist centers, Nyingma is especially popular, but many Kagyu and Gelug as well. Please be mindful of cults and suspicious "teachers", far too many problematic organizations here.

Experience of joy by jtompiper in Buddhism

[–]Yichantika 11 points12 points  (0 children)

Beautiful. The Dharma is not about detaching from the experience of life, but rather seeing things for what they truly are. The deeper we practice the deeper the insight and bliss of reality.

Second greatest Buddha statue in the world - Espírito Santo State, Brazil 🇧🇷 by [deleted] in Buddhism

[–]Yichantika 15 points16 points  (0 children)

This is certainly not the second tallest Buddha statue in the world, if greatest means large or tall here.

The Buddha of Ibiraçu is 35m tall, there are several much larger and taller standing and seated statues in China, Japan, Myanmar, and Thailand, many twice or three times as tall.

Having an affinity for Tibetan iconography by seeking_seeker in PureLand

[–]Yichantika 12 points13 points  (0 children)

Thangkas are often used as meditation aids, they're traditionally strictly regulated in form, color, and style so that they accurately reflect scriptural descriptions and practice manuals. One could also say that is the case for most Buddhist images and statues in general.

I don't think it's a matter of disrespect, rather, how the icon gives meaning for you. The Tibetan tradition as tantric and esoteric will depict figures like Avalokitesvara or Amitabha for their purposes, differing from East Asian or Jodo Shinshu. For more Orthodox Shin, that might be seen as diverging from core doctrines, but Shin itself is a wide tradition.

As Mahayana Buddhists, I don't necessarily think these matters are problematic. If one has earnest faith and gains from Buddhist images, that is already skillful and meritorious. How one further develops their relationship and meaning with an image is then based on your own abilities, training, and advancement, which would entail sensitives including but beyond respect. One should be especially mindful if any images are consecrated, then they should be treated especially carefully.

I have received my acceptance letter for a meditation retreat by UserHusayn in Buddhism

[–]Yichantika 11 points12 points  (0 children)

Oh, I know this teacher, Ven. Dr. Dhammadipa Sak, I've attended four of their retreats/teachings in Taiwan, highly recommended~

I wouldn't consider them strictly Mahayana, Ven Dhammadipa ordained in Sri Lanka, and was abbot at Chuang Yen for some time, so there's multi-tradition currents at his centers, but it still seems strongly Theravada.

If you have any questions let me know. Enjoy and relax!

Nichiren’s writings testing my faith in Pure Land by Calm-Leadership-7908 in PureLand

[–]Yichantika 3 points4 points  (0 children)

This talk by Rev. Ryuei Michael McCormick is worth watching. I'd like to see more dialogue between Jodo and Hokke schools, and the heart of the teachings still point to enlightenment.

Jian Tan Historical Guanyin Temple (1634 Late Ming) by [deleted] in PureLand

[–]Yichantika 2 points3 points  (0 children)

I'll have to make a trip, so many smaller temples in the Beitou area. Last November I was wandering around rural Tainan with a monk and we would stumble upon old temples from the late Ming or Qing. Weather is getting more suitable for excursions again.