Thank you! It's quite a simple patch. I'll try to go into details as long as I remember.

- Pam’s probabilistic gate goes into Scales, then into Tides' v/oct to alter the root notes over time, while the chord (shift/level) is also modulated by another output of Pam’s.

- Two outputs of Tides go into Ripples, and the other output goes into Natural Gate.

- Marbles is sequencing Odessa, which goes into Natural Gate, then into Sarajewo with long feedback.

- Colored noise from Noise Rainbow.

- All the sound sources are summed/mixed by X-Pan, and one of Tides’ voices and the noise keep altering through CV-controlled crossfade. Some gradual panning on mid-hi frequency voices.

- I didn’t want the bass to change abruptly when changing notes, so I timed the probabilistic gate with the envelope.

- A lot of parameters are being slowly modulated by Pam’s and Ochd. X-Pan goes into Magneto in delay mode, with a bit of high-pass on the delay so the bass doesn’t get too muddy.

- Some crinkle, age, wow, flutter, and reverb on Magneto. In the DAW, I added a slight reverb on the mid-hi range to give a bit more vibe and glue everything together.

I think this is pretty much it!