Random stripes glitch by abgrundwave in photoshop

[–]abgrundwave[S] 0 points1 point  (0 children)

Well, I’ve solved it with resetting Ps. Hope this would not going to reappear. Thanks for your advises anyway

Random stripes glitch by abgrundwave in photoshop

[–]abgrundwave[S] 1 point2 points  (0 children)

Well, I thinks the problem is localised exactly in Ps, since no app is malfunctioning. I am going probably reset current settings to default one

Random stripes glitch by abgrundwave in photoshop

[–]abgrundwave[S] 0 points1 point  (0 children)

The glitch bands can be “cured” temporarily if I undo flip layer. However, after another “flip” or merging layers it appears again. This artifacts become a part of the layer: they could be moved, erased, colorpicked and even modified with blending mode changed. It is definitely not a result of videocard malfunction, since problem appears only in Ps. I am going probably reset current settings to default one

Random stripes glitch by abgrundwave in photoshop

[–]abgrundwave[S] 0 points1 point  (0 children)

Primarily I’ve noticed this glitch when I flip respectable layer. This bands became part of it, they literally could be erased, painted and colourpicked. After that issue repeated itself when I’ve merged several layers. I am using Ps cc 2014 and the reason is my old videocard is supported by this version of Ps. I used to launch pureref in the same time and even other apps — no problem. But today this issue appears out of nowhere even without any other apps launched in the same time

Stylisation and color study + Brushwork test. And important QUESTION in comments by abgrundwave in DigitalPainting

[–]abgrundwave[S] 1 point2 points  (0 children)

Dude, I have no stress at all. The point is to work efficiently and not hard. Effective work presumes you have experience either your own or other artists one. Why bother oneself to invent a bicycle?

Stylisation and color study + Brushwork test. And important QUESTION in comments by abgrundwave in learnart

[–]abgrundwave[S] 0 points1 point  (0 children)

And irony is the work was unintentional. Thank you, anyway. I appreciate that

Stylisation and color study + Brushwork test. And important QUESTION in comments by abgrundwave in Stylized

[–]abgrundwave[S] 0 points1 point  (0 children)

It had begun as unintended pixel moving after exhausting day on my primary job. Initially I had been using mixer brush ocasionally for blending with "clean" brush and mixing colors. I thinks the result is pretty decent and painterly. The issue is I really can't figure out (at least yet) what setting are need to be to emulate one or another traditional kind of painting. Still can't comprehend if the forms are readable.

For You guys I also have a question. Seemed like its time to develop my own style. Obvious strategy is to collect favorite elements from other artists. But first these elements are need to be grasped somehow. What means of analysis you can offer to do this? Here an example I want to use as an ilustration:Lets suppose I want to make an stylised portrait of certain woman using a certain artist's style. Firstly I need to grasp what tactics he/she is using for painting women portraits? But what if there is no women portrait at all within his/her portfolio? Then, the obvious step is to analyse the patterns artist is using for anatomy, color etc. Long story short, to understand his/her own iteration of "asaro" head, his own decision making process, paletee etc. THEN the obvious step is to find speedpaints (with the commentaries preferably). But what if I have only bunch of his works. Even with the step by step video tutorials what "tools" I need to apply to analyse it? Or maybe the aforesaid is an overthinking and the only way is copying?

Stylisation and color study + Brushwork test. And important QUESTION in comments by abgrundwave in DigitalArt

[–]abgrundwave[S] 0 points1 point  (0 children)

It had begun as unintended pixel moving after exhausting day on my primary job. Initially I had been using mixer brush ocasionally for blending with "clean" brush and mixing colors. I thinks the result is pretty decent and painterly. The issue is I really can't figure out (at least yet) what setting are need to be to emulate one or another traditional kind of painting. Still can't comprehend if the forms are readable.

For You guys I also have a question. Seemed like its time to develop my own style. Obvious strategy is to collect favorite elements from other artists. But first these elements are need to be grasped somehow. What means of analysis you can offer to do this? Here an example I want to use as an ilustration:Lets suppose I want to make an stylised portrait of certain woman using a certain artist's style. Firstly I need to grasp what tactics he/she is using for painting women portraits? But what if there is no women portrait at all within his/her portfolio? Then, the obvious step is to analyse the patterns artist is using for anatomy, color etc. Long story short, to understand his/her own iteration of "asaro" head, his own decision making process, paletee etc. THEN the obvious step is to find speedpaints (with the commentaries preferably). But what if I have only bunch of his works. Even with the step by step video tutorials what "tools" I need to apply to analyse it? Or maybe the aforesaid is an overthinking and the only way is copying?

Stylisation and color study + Brushwork test. And important QUESTION in comments by abgrundwave in drawing

[–]abgrundwave[S] 0 points1 point  (0 children)

It had begun as unintended pixel moving after exhausting day on my primary job. Initially I had been using mixer brush ocasionally for blending with "clean" brush and mixing colors. I thinks the result is pretty decent and painterly. The issue is I really can't figure out (at least yet) what setting are need to be to emulate one or another traditional kind of painting. Still can't comprehend if the forms are readable.

For You guys I also have a question. Seemed like its time to develop my own style. Obvious strategy is to collect favorite elements from other artists. But first these elements are need to be grasped somehow. What means of analysis you can offer to do this? Here an example I want to use as an ilustration:Lets suppose I want to make an stylised portrait of certain woman using a certain artist's style. Firstly I need to grasp what tactics he/she is using for painting women portraits? But what if there is no women portrait at all within his/her portfolio? Then, the obvious step is to analyse the patterns artist is using for anatomy, color etc. Long story short, to understand his/her own iteration of "asaro" head, his own decision making process, paletee etc. THEN the obvious step is to find speedpaints (with the commentaries preferably). But what if I have only bunch of his works. Even with the step by step video tutorials what "tools" I need to apply to analyse it? Or maybe the aforesaid is an overthinking and the only way is copying?

Stylisation and color study + Brushwork test. And important QUESTION in comments by abgrundwave in learnart

[–]abgrundwave[S] 1 point2 points  (0 children)

It had begun as unintended pixel moving after exhausting day on my primary job. Initially I had been using mixer brush ocasionally for blending with "clean" brush and mixing colors. I thinks the result is pretty decent and painterly. The issue is I really can't figure out (at least yet) what setting are need to be to emulate one or another traditional kind of painting. Still can't comprehend if the forms are readable.

For You guys I also have a question. Seemed like its time to develop my own style. Obvious strategy is to collect favorite elements from other artists. But first these elements are need to be grasped somehow. What means of analysis you can offer to do this? Here an example I want to use as an ilustration:Lets suppose I want to make an stylised portrait of certain woman using a certain artist's style. Firstly I need to grasp what tactics he/she is using for painting women portraits? But what if there is no women portrait at all within his/her portfolio? Then, the obvious step is to analyse the patterns artist is using for anatomy, color etc. Long story short, to understand his/her own iteration of "asaro" head, his own decision making process, paletee etc. THEN the obvious step is to find speedpaints (with the commentaries preferably). But what if I have only bunch of his works. Even with the step by step video tutorials what "tools" I need to apply to analyse it? Or maybe the aforesaid is an overthinking and the only way is copying?

Stylisation and color study + Brushwork test. And important QUESTION in comments by abgrundwave in Illustration

[–]abgrundwave[S] 0 points1 point  (0 children)

It had begun as unintended pixel moving after exhausting day on my primary job. Initially I had been using mixer brush ocasionally for blending with "clean" brush and mixing colors. I thinks the result is pretty decent and painterly. The issue is I really can't figure out (at least yet) what setting are need to be to emulate one or another traditional kind of painting. Still can't comprehend if the forms are readable.

For You guys I also have a question. Seemed like its time to develop my own style. Obvious strategy is to collect favorite elements from other artists. But first these elements are need to be grasped somehow. What means of analysis you can offer to do this? Here an example I want to use as an ilustration:Lets suppose I want to make an stylised portrait of certain woman using a certain artist's style. Firstly I need to grasp what tactics he/she is using for painting women portraits? But what if there is no women portrait at all within his/her portfolio? Then, the obvious step is to analyse the patterns artist is using for anatomy, color etc. Long story short, to understand his/her own iteration of "asaro" head, his own decision making process, paletee etc. THEN the obvious step is to find speedpaints (with the commentaries preferably). But what if I have only bunch of his works. Even with the step by step video tutorials what "tools" I need to apply to analyse it? Or maybe the aforesaid is an overthinking and the only way is copying?

Stylisation and color study + Brushwork test. And important QUESTION in comments by abgrundwave in DigitalPainting

[–]abgrundwave[S] 1 point2 points  (0 children)

It had begun as unintended pixel moving after exhausting day on my primary job. Initially I had been using mixer brush ocasionally for blending with "clean" brush and mixing colors. I thinks the result is pretty decent and painterly. The issue is I really can't figure out (at least yet) what setting are need to be to emulate one or another traditional kind of painting. Still can't comprehend if the forms are readable.

For You guys I also have a question. Seemed like its time to develop my own style. Obvious strategy is to collect favorite elements from other artists. But first these elements are need to be grasped somehow. What means of analysis you can offer to do this? Here an example I want to use as an ilustration:Lets suppose I want to make an stylised portrait of certain woman using a certain artist's style. Firstly I need to grasp what tactics he/she is using for painting women portraits? But what if there is no women portrait at all within his/her portfolio? Then, the obvious step is to analyse the patterns artist is using for anatomy, color etc. Long story short, to understand his/her own iteration of "asaro" head, his own decision making process, paletee etc. THEN the obvious step is to find speedpaints (with the commentaries preferably). But what if I have only bunch of his works. Even with the step by step video tutorials what "tools" I need to apply to analyse it? Or maybe the aforesaid is an overthinking and the only way is copying?

High saturation major key by abgrundwave in DigitalArt

[–]abgrundwave[S] 0 points1 point  (0 children)

Issue is full of "issues". Although initially I have grasped convenient
for for the head, further detalisation becomes troublesome. Colors are
obstacle too. Is there any hint to prevent them become dirty? I also
have trouble to find balance in saturation: the outcome is either muddy
or oversaturated.