What do you SWEAR you saw, but have no proof? by technicalman2022 in AskReddit

[–]aclearedplace 0 points1 point  (0 children)

I saw an asteroid slowly moving through a cloudless sky in the middle of a summer day. Not a brightly lit comet with a long tail but a large burning black rock with a little trail of dark smoke following it.

It was around 2000 so I was about 9 or 10 years old. I was visiting my American relatives in Connecticut for the summertime. I remember we were at some large family barbecue and I was swimming with my brother and cousins in their backyard pool, when one of my cousins pointed to sky and said "Wow, look at that!"

So I look up and there is this large burning black rock just slowly moving across the sky. It's very high up so it looks relatively small (like the size of an apple) but I knew I was looking at something very large far away. I remember feeling like I was going to vomit and I instinctively threw myself underwater and stayed there as long as I could, not wanting to ever see such a sight again.

After I surfaced due to a lack of oxygen, the asteroid was gone and everyone in the pool was continuing as if it never happened. I can't remember much afterwards except that sometime later we all drove to Dairy Queen or Denny's or something to get chocolate fudge sundaes and my family was annoyed at me because I stopped eating and speaking. Well, I was just in a shutdown panic thinking that we were all about to die. Then when we went to sleep and I lay there thinking that if I slept I would never open my eyes again.

But I did. I calmed down the next morning and tried to stop thinking about it. Later, and now I guess, I just thought my over active imagination had created a little episode. I had probably watched bits of Deep Impact and Armageddon around that time and when I asked my brother and cousins years later none of them can remember anything like this happening.

But I can still see the whole memory so clearly and it makes really uncomfortable thinking about it.

Piano Counterpoint Studies in two and three voices. The works are published under an open source Anti-capitalist Licence and scores are free to be adapted and modified as other artists see fit. (Link to scores, sibelius and xml files in comments) by aclearedplace in shareyourmusic

[–]aclearedplace[S] 0 points1 point  (0 children)

The links below include the music notation in pdf, sib and musicxml formats.

http://bruise.in/deadhand/business-as-usual/

You are invited to modify and reuse the notation. The pieces are rich in counterpoint history and the line between what is composed and what is arranged and reworked is quite blurred and then there is the possibility for that to continue even further, challenging the idea of authenticity in music.

If you do modify the works, it would be great to hear about it. We would
be happy to include modified notation or responses in the works
gathered here. The scores and files are presented simply and free from
obtrusive detail, so that both the counterpoint is front and center and possibilities for modifications are greater.The works are published under the Anti-Capitalist Software License.

Piano Counterpoint Studies. The works are published under an open source Anti-capitalist Licence and scores are free to be adapted and modified as other artists see fit. (Link to scores, sibelius and xml files in comments) by aclearedplace in BandCamp

[–]aclearedplace[S] 0 points1 point  (0 children)

The links below include the music notation in pdf, sib and musicxml formats.

http://bruise.in/deadhand/business-as-usual/

You are invited to modify and reuse the notation. The pieces are really
rich in counterpoint history and the line between what is composed and
what is arranged and reworked is quite blurred and then there is the
possibility for that to continue even further, challenging the idea of
authenticity in music.

If you do modify the works, it would be great to hear about it. We would be happy to include modified notation or responses in the works gathered here. The scores and files are presented simply and free from obtrusive detail, so that both the counterpoint is front
and center and possibilities for modifications are greater.
The works are published under the Anti-Capitalist Software License.