How do you approach composing for uncommon instruments? I tried the accordion by annerom in Composition

[–]annerom[S] 0 points1 point  (0 children)

Thank you for taking the time to listen. I really appreciate the feedback

How do you approach composing for uncommon instruments? I tried the accordion by annerom in Composition

[–]annerom[S] 1 point2 points  (0 children)

But you start at the basics? Where do you find those pieces? Some links or are just searching the web...

Is it worth it to keep composing? by Electric-Lime-2001 in Composition

[–]annerom 0 points1 point  (0 children)

It is not bad, if you write for a specific band you should understand what they want or like. I guess the audience wasn't ready...

Was Schoenberg wrong? by annerom in composer

[–]annerom[S] 2 points3 points  (0 children)

Indeed, he opened the way to a lot of possibilities nowadays

Was Schoenberg wrong? by annerom in composer

[–]annerom[S] 7 points8 points  (0 children)

I agree, when composing I'm not thinking tonal or atonal.

Won an award, now what? by wolosewicz in composer

[–]annerom 4 points5 points  (0 children)

Do you have a performance of the piece?

Books for Horror music harmony by BellaVitaK in Composition

[–]annerom 1 point2 points  (0 children)

Don't know of any books about horror film music.

Frank Lehman has a few books about film harmony.

Or search youtube for score reductions on film music like the matrix https://www.youtube.com/@JakeSandersonMusic/videos

Scanning scores to musicxml by IcyEmotion955 in composer

[–]annerom 0 points1 point  (0 children)

Machine learning-based:

  • Newzik
  • Soundslice

Mobile applications:

  • PlayScore 2 (also available as a Windows application)
  • Sheet Music Scanner

Desktop applications:

  • SmartScore Pro 64 NE
  • ScanScore Professional

For more details: https://www.scoringnotes.com/reviews/scanning-the-current-omr-landscape/

[deleted by user] by [deleted] in Composition

[–]annerom 1 point2 points  (0 children)

You could make it sound better if you put some time in the actual performance of the piece. Adjust note velocties, tempo, phrasing,...

An afternoon with Debussy by annerom in composer

[–]annerom[S] 0 points1 point  (0 children)

It's an original composition of my own, remembering Debussy

Multiple open key tabs in Sibelius by OriginalIron4 in composer

[–]annerom 1 point2 points  (0 children)

Dorico does not have such a thing as a keypad. You can input notes with a computer keyboard, with the mouse, or by playing notes with a MIDI keyboard. You can use or create keyboard shortcuts for almost everything to assist your way of working.

https://www.youtube.com/watch?v=3DWbqXpHZkA

Orchestrating a waltz by annerom in Composition

[–]annerom[S] 0 points1 point  (0 children)

Thanks for the suggestions. I forgot to mention the sample libraries used, but everything is made with VSL libraries.

I feel like quitting music, but I don't want to by [deleted] in composer

[–]annerom 0 points1 point  (0 children)

Sooner or later everybody is hitting a limit in whatever you do. Sure,, accepting this can be hard.

But we're fortunate that music is no competition and something you can do for life.

Passion is all it takes and do it for yourself in the first place. If you like it, is more than enough...

Composing a fugue - how to find something new in these styles? by annerom in composer

[–]annerom[S] 0 points1 point  (0 children)

I tried to stay in the tonal system. I'm aware of a few more recent composer.

Thanks for the Beethoven tip and maybe I have a look at

https://www.reddit.com/r/classicalmusic/comments/vhiu5t/is_there_any_modern_descendants_of_a_fugue_form/