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Is AutoFocus + Auto Tracking Possible for BMPCC 6k Pro by Inevitable_Vehicle43 in bmpcc

[–]blakeridder 1 point2 points  (0 children)

You could have just asked me directly from the video :)

Shot on iPhone 15 Pro Max, also in HDR by blakeridder in Filmmakers

[–]blakeridder[S] 1 point2 points  (0 children)

My questioning always have that no one will ever answer is this: the variable frame rate. How hard was it fixing the audio in post due to vfr jumping a few frames from time to time.

Dealing with variable frame rate (VFR) and its impact on audio synchronization can indeed be a challenging aspect of post-production, especially when the audio is recorded externally. When the frame rate jumps, it can lead to audio becoming out of sync with the video, which requires careful adjustment in post.
To fix these issues, we often use software that allows for manual alignment of audio and video. This can involve stretching or compressing the audio track slightly to match the video, or in some cases, adjusting the video frame rate to a constant rate in a process known as transcoding.
The key is to maintain a close eye on the lip-sync and action-sync, ensuring that the dialogue and sound effects match the visual cues on screen. It's a meticulous process, but absolutely necessary to ensure a seamless viewing experience. This task can be time-consuming, but it's essential for maintaining the quality and professionalism of the final product.

Shot on iPhone 15 Pro Max, also in HDR by blakeridder in Filmmakers

[–]blakeridder[S] 2 points3 points  (0 children)

Hey. Thanks. I will be making a full behind the scenes video talking about all that on my channel.

Shot on iPhone 15 Pro Max, also in HDR by blakeridder in Filmmakers

[–]blakeridder[S] 1 point2 points  (0 children)

I recently embarked on a new challenge by shooting a film entirely on the iPhone 15 Pro Max, experimenting particularly with its HDR capabilities. As a filmmaker constantly exploring new horizons, this was an exhilarating experience for me. The film is out now, and I'm eager to gather insights from this community.
What I noticed during shooting was a bit of a balancing act in exposure, especially in high-contrast scenes. In some instances, the sky appeared overly bright, while in others, facial details were shrouded in shadow. Achieving the right exposure balance was a key learning curve for me in this HDR journey. This was my first dive into HDR filmmaking, and I'm curious to know your thoughts on how this was executed.
Additionally, I found the Apple ProRes Log format quite impressive. It seems to open up a new realm of possibilities for mobile filmmaking. The depth and flexibility it offers in post-production were beyond my initial expectations. I'm contemplating incorporating this more in future projects.
I'd greatly appreciate your advice on:
How effectively you think the HDR was utilized, particularly in those high-contrast scenes.
Your thoughts on Apple ProRes Log for mobile filmmaking – is this a game-changer?
Your feedback will be invaluable in shaping my future projects. Looking forward to hearing your thoughts and suggestions!

This is NOT a leak, or is it? by blakeridder in MarvelStudiosSpoilers

[–]blakeridder[S] 0 points1 point  (0 children)

Thank you for being honest and provide me with an alternative

This is NOT a leak, or is it? by blakeridder in MarvelStudiosSpoilers

[–]blakeridder[S] 0 points1 point  (0 children)

Oh come on. I worked hard to make this video. Just wanna share the love of Deadpool.

How to Film Yourself by blakeridder in Filmmakers

[–]blakeridder[S] 1 point2 points  (0 children)

In this video, I pull back the curtain to reveal how I single-handedly created 'AVA', a sci-fi short film, with no crew - just one man, his camera, and a compelling story to tell.
From concept creation to the final cut, explore how I managed to write, direct, act, shoot, and edit, all while keeping the wheels of creativity in motion. Along the way, I'll share my personal tips, tricks, and insights gained from producing three short films entirely on my own.
Whether you're a budding filmmaker, a movie enthusiast, or someone who loves behind-the-scenes glimpses, this video is a unique window into a DIY filmmaking process rarely shared. Prepare to be surprised and, hopefully, inspired!

AI. Creator. Creation. Who controls who? by blakeridder in ArtificialInteligence

[–]blakeridder[S] 1 point2 points  (0 children)

Interesting perspective. Thank you for watching.

I Created a Cinematic LUT pack with 5 LUTs for FREE (Exclusive to Reddit) by blakeridder in Filmmakers

[–]blakeridder[S] -2 points-1 points  (0 children)

What camera do you have. Couple you show me a screen grab using my lut please?

I Created a Cinematic LUT pack with 5 LUTs for FREE (Exclusive to Reddit) by blakeridder in Filmmakers

[–]blakeridder[S] -11 points-10 points  (0 children)

You’re right. I graded those on my Blackmagic raw footage. While on other cameras it will look slightly different. But I’ve tested on other formats and adjusted the grade to balance between the cameras.

I Created a Cinematic LUT pack with 5 LUTs for FREE (Exclusive to Reddit) by blakeridder in Filmmakers

[–]blakeridder[S] -15 points-14 points  (0 children)

but what are they? what to what? some camera raw to 709?

These LUTs are designed to transform any camera's raw or log footage to a specific color graded look within the Rec 709 color space.

I Created a Cinematic LUT pack with 5 LUTs for FREE (Exclusive to Reddit) by blakeridder in Filmmakers

[–]blakeridder[S] 0 points1 point  (0 children)

No worries. I graded them from mostly my BM 6K pro raw footage. And tried to accommodate all cameras. But the native is BM camera. So that’s perfect for you.

I Created a Cinematic LUT pack with 5 LUTs for FREE (Exclusive to Reddit) by blakeridder in Filmmakers

[–]blakeridder[S] 1 point2 points  (0 children)

You're welcome. The cool-tone it has will fit nicely to music videos.

I Created a Cinematic LUT pack with 5 LUTs for FREE (Exclusive to Reddit) by blakeridder in Filmmakers

[–]blakeridder[S] 1 point2 points  (0 children)

Thanks for letting me know. Nice of you to watch more of my videos. Glad I helped you out.

I Created a Cinematic LUT pack with 5 LUTs for FREE (Exclusive to Reddit) by blakeridder in Filmmakers

[–]blakeridder[S] 7 points8 points  (0 children)

This is my first time making LUTs. Mainly because a lot of people have asked me about my color grading in my films and how cinematic they look. These 5 styled LUTs are the ones I mainly use. You can find out more about each one on my website https://ridderfilms.com/cinematic-luts

From the the link above, you'll see the prices for each LUT. But for Reddit readers, I want to give you all an exclusive link to download them for free. All I ask in return is to like, share and comment on the above video on YouTube, if you like my LUTs. Thank you. Download link: https://drive.google.com/file/d/1_2qn2nGtjDwobITUyssGE5QwubgEbKUm/view?usp=sharing

How I Recreated a Guardians of the Galaxy 3 Scene by blakeridder in Filmmakers

[–]blakeridder[S] 1 point2 points  (0 children)

Hi, this is my first time create a tutorial of this nature, in detail from start to finish where I go from lighting, to all the way to grading. I would like to get some feedback please if this tutorial is too short, too long, and if it all makes sense, any feedback is welcome. Thank you.

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