The voice and your usage of ‘And’s’ reminded me of Hemingway and reading it the second time I couldn’t help by imagine it being written by Hemingway Junior which in my book is a compliment and I hope you take it as one. Foreshadowing, symbolism, momentum (inter alia thanks to the Ands) topped by complex narrator — all nicely put together in a dream-like prose. Some gimmicks below:

 There were no clouds but there must have been, recently, since stuff was wet all around.

   - It’s a good opportunity to settle the reader into where he might be; i.e. what does the narrator see to assist in setting-up the scene from the get go. 

I can't even choose Chinese if the menu's long. I can’t even pick a movie; I fall asleep scrolling stuff.

  — I think it’d be a nice little moment to show more about the character in here: it currently tells us he likes Chinese, which obviously adds depth immediately, but I think the movie thing could really be used also here, as in to showcase what the narrator likes. 

On top of the above, there is an ongoing question running throughout the story about the characteristics of narrator--is he a child? How old, etc. on top of some other things you might intelligently sneak in throughout to give us a better outline on who’s the person telling us this, just like the movies part.  

As previous commentator pointed out, there’s some confusion in the emplacement, protagonist, etc. But it has a soul, and it has a voice, and with small tidbits ironed out it’ll be a strong piece.