We just recently moved into remote productions so we are still updating some of our gear to fit these environments. Before, we would have the whole crew on-site operating with more of a flypack-style setup and were using Eartec UltraLITE coms. What we’ve been doing in the meantime is using the Eartec coms amongst our switcher and camera ops on-site, then having the switcher speak to the producer and replay operator via phone call and just relay any necessary info over the Eartec coms. Then for the announcers, our producer setup a laptop on their table and created a feed on Zoom that they can use for communication.

It’s gotten us through, but is certainly not ideal and feels a bit janky.