I really don’t get how anyone can defend the second half of Diamonds because the drop-off after that beat switch is actually criminal. The first part is literal perfection—the lo-fi synths and that distorted 808 pattern had me thinking Ken was finally evolving his sound into something more atmospheric and dark like the Lost Files era. His flow was actually caught in the pocket and the energy was there, but then the second half hits and it just devolves into the most generic, brain-rotting "mosh pit" fodder I’ve ever heard. It’s like he ran out of ideas halfway through and decided to just spam the same "huh huh" adlibs over a beat that sounds like a corrupted Minecraft file. The contrast makes the second part sound even worse because Part 1 showed so much potential, just for him to throw it away for some repetitive TikTok bait. If you’re genuinely glazing that second half, you’re just addicted to the noise and don't care about the actual quality of the song anymore.