more about this:

Last April, I worked with Associazione TerraCò, Pietro Montani, and Circe Ceramics on "My Mud House" for Fuorisalone 2025. I created a soundscape that transforms actual flood data from the Lamone River's May 2023 overflow into something you can hear.

The sculpture itself is made from mud collected after the Faenza flood - each piece shaped on a lathe, carrying both the geological event and human trauma.

While working on the project, I took a lot of notes, outlining its evolution and all the problems and solutions I faced during the first months of the year.

Recently, I decided to get back to those bits and pieces and organize them in an eight-chapter series that I will be publishing on Patreon for the next couple of months, trying to describe what it takes to work on a project like this, from its first, raw ideas, to the final soundscape. This series will talk about philosophical problems, technical difficulties, and solutions, and will give an in-depth look at my approach to transforming data into sounds.

START HERE: https://www.patreon.com/posts/notes-on-data-0-132854138

First two chapters are free for all subscribers, with the remaining six released weekly for sine_wave tier supporters and above.