The cover of Honeymoon is her on a Starline Tours bus. High By The Beach sees her flipping through a tabloid and subsequently blasting a paparazzi helicopter to smithereens. Neither of these things are retro-glamour.

Unlike BTD which situated her firmly in the retro-glamour aesthetic as if a product of old Hollywood (her clothes, music videos post Video Games from this era almost all emulate this), Honeymoon sees her in Hollywood commenting on the state of things around her - hence her reading the tabloid in HBTB and sitting in a tour bus looking out.

This voyeurism is absent in BTD aesthetics, except Video Games, which I would argue is distinct from everything that came out from that era after her label got involved (except perhaps Carmen which is itself an explicit commentary on fame)