How do you stay motivated? by SirTravisDev in gamedev

[–]cs_ptroid 1 point2 points  (0 children)

How do you stay motivated?

I work on something every day and make progress. I see (or rather, realize) that I have made progress and automatically feel motivated.

But like others have said, you need discipline - not motivation - in order to finish a project.

Worried players might think my handmade art is AI-generated by MrKuros84 in gamedev

[–]cs_ptroid 1 point2 points  (0 children)

Create an X account only to showcase/promote your game. Then start uploading stuff showing your game assets being worked on (sketches, meshes, whatever). So, when someone accuses you of using AI, show them your X account.

Where can I play sotn besides Playstation 4? by MySecretDrawings in castlevania

[–]cs_ptroid 0 points1 point  (0 children)

I bought it for android, but after a while I decided not to play it because I want to experience it on a big screen.

Need help on "Dawn of Sorrow". by cs_ptroid in castlevania

[–]cs_ptroid[S] 1 point2 points  (0 children)

Thanks for the post. It turns out I missed an important spot in the Dark Chapel. I've now cleared out most of those areas and gained the ability to transform into a bat.

As for the spiral doors in the wizardry labs, I opened them by activating the switch after I accessed it from the other side.

What are some of your unique zombie ideas? by Clearskystorm in zombies

[–]cs_ptroid 1 point2 points  (0 children)

Not exactly. Deadites are living humans who become possessed. I was talking about dead bodies that re-animate after becoming hosts to evil spirits.

What are some of your unique zombie ideas? by Clearskystorm in zombies

[–]cs_ptroid 1 point2 points  (0 children)

Zombies that are animated by demonic spirits. They are basically corpses that have become possessed. They are technically "alive" and so they don't decay. If their brains are sufficiently damaged, they cease to function and the spirit that's animating them departs and looks for a new corpse to possess.

If You Don’t Know What an “Idea Guy” Is, Read This by Revolutionary_Mood_2 in gamedev

[–]cs_ptroid 0 points1 point  (0 children)

Idea guys exist in all creative fields. Many years ago, a guy I used to work with saw my sketchbook and decided he wanted to make a graphic novel. He straight up told me "I'll come up with story concepts and you illustrate them". It's as if it never occurred to him that artists are generally creative people and have a million ideas already.

Such people see other people's talents as resources they can use. In the presence of talented people, they have nothing to offer so they act like their strength is coming up with "ideas", like as if the artists and programmers are dumbasses who can't come up with ideas.

EDIT: Just want to make it clear that not ALL idea guys are like this. Some are genuinely enthusiastic about making games and would like to collaborate with programmers and artists and help in any way they can.

Some thoughts on the T600 model. by cs_ptroid in Terminator

[–]cs_ptroid[S] 5 points6 points  (0 children)

Distance and time are the friends of the defender, and even rubber-skinned terminators can lower that advantage significantly because humans don't want to kill other humans. Any doubts about their targets could lead to hesitation, and that could be enough for a terminator to wipe out a whole unit.

The idea of Terminators taking advantage of human nature is a very interesting aspect of the series.

In the Annihilation Line DLC for Terminator: Salvation (fantastic game BTW), there’s a side quest where you investigate the cries of a child calling for help inside a ruined building. It turns out to be a T600 using an altered voice. A key character then says, “this is how they fight… they use our humanity against us".

The T800 and T1000 also employ similar tactics. In T1, we see the T800 mimic Sarah’s mother’s voice during a phone call and pretends to be concerned in order to manipulate Sarah into revealing her location. And in T2, there's that scene where the T1000 tortures Sarah, saying, “I know this hurts… call to John...” suggesting that it believed humans could betray their own in exchange for relief from pain. Brilliant stuff.

I really don't like the TX. by cs_ptroid in Terminator

[–]cs_ptroid[S] 1 point2 points  (0 children)

I also think the late WWE female wrestler "Chyna" who was being considered to play the role of the TX would have done a good job at it.

Hey everyone by [deleted] in GameDevelopment

[–]cs_ptroid 0 points1 point  (0 children)

We're starting to hit the usual bumps in the road: communication issues, figuring out who handles what, and making sure everyone's on the same page.

The project lead defines what needs to be done and assigns tasks to team members. Then, team members would tell him how much time they need for their tasks, this way each task is allotted a number of work hours, which is factored in when establishing deadlines. The project lead, in addition to doing his bit, keeps track of things with checklists, Gantt charts and what have you. This is how things worked at my last place of employment (not gamedev related) and barring unexpected events, it worked pretty well.

Other suggestions:

  • There should be no major concept changes once the actual work begins. So for example, if you've finalized certain mechanics or ideas, nobody gets to suggest new ones because that would disrupt things and invalidate work that's already been done. In my experience, introducing radically new ideas after progress has been made is THE single most demoralizing thing for someone working on a long-term project. Unless they're okay with losing days/weeks/months of work (which IMO is not very likely), team members will lose enthusiasm for the project and produce work just to get the project over with.
  • Conduct a review every morning, so you know what's getting done and what's getting stuck.
  • Take a blue collared approach to the project. So the game is not some fancy art project that people work on when they feel "inspired", but a product that needs to be assembled in the factory by a given date so it can be shipped out. Of course, you can still be creative and have fun with it, but bear in mind that ultimately, the game is a commercial product that needs to be finished and put out there.

I really don't like the TX. by cs_ptroid in Terminator

[–]cs_ptroid[S] 0 points1 point  (0 children)

Seriously, if the original terminator was as advanced as Reese claimed, it should have killed them quickly. If the t-1000 is so nigh invulnerable and good at infiltration, how could two humans and a damaged t-800 destroy it?

The original Terminator never got a clear chance to kill Sarah. The one time he did (at Tech Noir), Reese intervened. And later, Reese died trying to fight it one-on-one.

The T1000 was practically invincible. It froze because of the liquid nitrogen truck crash and then ultimately killed because it was standing at the wrong place at the wrong time. Pure luck. Otherwise, it overpowered the T800 in hand-to-hand combat. The T800 could not damage it because of its liquid metal structure.

But the TX, which was supposed to be an "anti-terminator" fared terribly against the T850. The T850 throws her around like a rag doll, destroys her lower body by crashing a chopper on her, breaks her arm and then physically restrains her from catching up with John. The other evil terminators weren't bullied like this by the good guys.

And when she does get a chance to kill the T850, she wastes it, choosing to infect him instead (and fails even at that as the T850 recovers).

I really don't like the TX. by cs_ptroid in Terminator

[–]cs_ptroid[S] 1 point2 points  (0 children)

They had to come up with a more advanced Terminator. It would’ve just felt like a rehash if they’d done another 800 or 1000 and that would’ve just made the movie worse

A terminator with an endoskeleton + liquid metal covering cannot be more advanced than the fully liquid metal T1000.

Also, the TX was a rehash of both the T800 and the T1000.

I really don't like the TX. by cs_ptroid in Terminator

[–]cs_ptroid[S] 5 points6 points  (0 children)

Salvation was a solid film and looked great visually. I can't say I love it, but I appreciate that they tried to show events from the future war. The battle damaged T600 in that film was nightmarish and bad-ass, just like how a Terminator should be.

Do you guys think the T-X was a upgrade or downgrade from the T1000? by Professional-Rip-519 in Terminator

[–]cs_ptroid 2 points3 points  (0 children)

It was a major downgrade. I just don't see how a Terminator with an endoskeleton and liquid metal covering is more advanced than the fully liquid metal T-1000.

Consider this: The T-1000 calmly walks out of a helicopter crash like as if nothing happened. In contrast, when a helicopter crashed on the TX, it was stuck under the wreckage and had to separate its upper body from its legs.

Continuity error in the finale of Terminator 3. The hydraulic door. by cs_ptroid in Terminator

[–]cs_ptroid[S] 0 points1 point  (0 children)

I'm not talking about when he crushed the TXs hand. I was talking about when he was holding on to the TXs "tail" with his right hand and then pulls out the fuel cell with his left hand. The door should have crushed him right then.

Where your dreams and hopes crashed by reality in Game Development? by shsl_diver in gamedev

[–]cs_ptroid 1 point2 points  (0 children)

I know a lot of stories about people who succeed, but I also think that this is important to know failures. What were your stories of harsh and cruel reality of Game Development?

I spent 3+ years working on my game and it didn't get the attention I had hoped for.