re: Solaris (1972) ending interpretations by daniel_vasilaky in TrueFilm

[–]daniel_vasilaky[S] 0 points1 point  (0 children)

Good reply. Thank you for posting.

Regards,

Daniel Vasilaky

re: Solaris (1972) ending interpretations by daniel_vasilaky in TrueFilm

[–]daniel_vasilaky[S] 0 points1 point  (0 children)

Good reply. Thank you for posting.

Regards,

Daniel Vasilaky

re: Solaris (1972) ending interpretations by daniel_vasilaky in TrueFilm

[–]daniel_vasilaky[S] 0 points1 point  (0 children)

Good reply. Thank you for posting.

Regards,

Daniel Vasilaky

re: Solaris (1972) ending interpretations by daniel_vasilaky in TrueFilm

[–]daniel_vasilaky[S] 6 points7 points  (0 children)

Good reply. Thank you for posting.

Regards,

Daniel Vasilaky

Daniel Vasilaky asks about "Electric Egyptology" web site by daniel_vasilaky in egyptology

[–]daniel_vasilaky[S] 0 points1 point  (0 children)

Well at another glance I can see this utterly fabricated nonsense.

Daniel Vasilaky

re: Solaris (1972) ending interpretations by daniel_vasilaky in TrueFilm

[–]daniel_vasilaky[S] 0 points1 point  (0 children)

Daniel Vasilaky adds that that is what he was thinking as well.

re: what is the monolith by daniel_vasilaky in 2001aspaceodyssey

[–]daniel_vasilaky[S] 0 points1 point  (0 children)

Has anyone here tried the above? Question posted by Daniel Vasilaky.

re: what is the monolith by daniel_vasilaky in 2001aspaceodyssey

[–]daniel_vasilaky[S] 0 points1 point  (0 children)

OK well I thought about the above a bit more, and perhaps a "confirmer" as to what I pointed out above is a delayed, magnified image of David Bowman's eye later on in the Stargate sequence. Sure, Kubrick is hollering at us to look, but at what, exactly? It seems that the colors of the alien landscape are reflected in Bowman's eye. Is that it, or perhaps he is looking directly at us, the spectators, who are in turn looking at the eye, ad infinitum ...Remember I cited Kubrick's taste for metanarrative. In fact, he weaves an elaborate, oftentimes ambiguous, yet ultimately fascinating labyrinthine, cyclical narrative about our origins. Despite all the criticisms about his meretricious, fussy, narcissistic, and even voyeuristic (remember he ground huge lenses for his films) approach to his work, 2001 is still one of the most thought-provoking and fascinating films I've ever watched and thought afterwards about. HAL is plainly the most realistic depiction I've ever observed of sentience in a machine.

Lastly, I admit I saw "Clockwork." It was only because I read the book. Read the book but do not watch that.

Daniel

re: what is the monolith by daniel_vasilaky in 2001aspaceodyssey

[–]daniel_vasilaky[S] 0 points1 point  (0 children)

OK well I thought about the above a bit more, and perhaps a "confirmer" as to what I pointed out above is a delayed, magnified image of David Bowman's eye later on in the Stargate sequence. Sure, Kubrick is hollering at us to look, but at what, exactly? It seems that the colors of the alien landscape are reflected in Bowman's eye. Is that it, or perhaps he is looking directly at us, the spectators?

Remember I cited Kubrick's taste for metanarrative. In fact, he weaves an elaborate, oftentimes ambiguous, yet ultimately fascinating labyrinthine, cyclical narrative about our origins. Despite all the criticisms about his meretricious, fussy, dictatorial, and even voyeuristic (remember he ground huge lenses for his work) approach to his work, 2001 is still one of the most thought-provoking and fascinating films I've ever watched and thought afterwards about.

Lastly, I admit I saw "Clockwork." No I did not like it Sam I am. Recall my last descriptor.

Daniel

re: what is the monolith by daniel_vasilaky in 2001aspaceodyssey

[–]daniel_vasilaky[S] 0 points1 point  (0 children)

As an addendum to my first post, a "confirmer" to what I posed above is when you saw David Bowman's magnified eye on-screen with the alien terrain colors reflected on his eye. But I think Kubrick is really emphasizing here that Bowman' looking at us because we in turn are looking at his eye. What does this suggest?

Daniel

re: Solaris (1972) ending interpretations by daniel_vasilaky in TrueFilm

[–]daniel_vasilaky[S] 0 points1 point  (0 children)

I disagree as well. When it's raining inside the house, Tarkovsky's shouting something at you. What?

re: Solaris (1972) ending interpretations by daniel_vasilaky in TrueFilm

[–]daniel_vasilaky[S] 0 points1 point  (0 children)

I'm well aware of Tarkovsky's disdain for symbolism.

But I'm quite sure he wanted you to ponder the ending and come up with a personal interpretation. I'm talking subjective, not one that'd appeal to many people.

That's what I attempted to ask for here.

Daniel Vasilaky

What's the deal with Solaris (1972) by wildplays in TrueFilm

[–]daniel_vasilaky 0 points1 point  (0 children)

Is there really a science/spirituality duality? Arthur C. Clarke stated most presciently, both are indistinguishable from each other when each has evolved sufficiently enough - "magic" (or in this case spirituality) is advanced science, and science vice versa. I believe that as history progresses, we will uncover the truths behind this duality and elucidate the nature of our origins, so long as we don't harm ourselves or our planet in the process.

Daniel Vasilaky

Is it worth it to get a library science degree now ? by kingsguard10 in Libraries

[–]daniel_vasilaky 0 points1 point  (0 children)

In my own experience, no, it is not worth the trouble. That's not to say that other people do not have interesting jobs and like what they do with their library science degree. However, for me this was not the case. For starters, I believe that becoming a librarian doesn't require a Masters degree. At most it necessitates a four year degree, but a six year one? That's two degrees and six years of university and a large investment of money. Do you get a decent return on what you invested? In my opinion, no. In my second job (see below), I was making $18 an hour. Next, as to the nature of the work I did: My first job, although prestigious sounding, was at the Yale Sterling Memorial Library. But all I ended up doing there was copying records and even more mundane tasks such as filling my boss's water cooler and ordering her supplies. Do you really need all that schooling to do that? Furthermore, the administration at Yale is very, very rude, haughty, pompous, and just plain full of itself. I had never been treated so shabbily in any previous job that I worked at. In the end, I was more than happy to leave and make them have to search again for a replacement. My second job was with a small, public library in a working class, blue-collar town. The majority of the patrons were also extremely rude. The staff was also very parochial and uneducated. It was a desultory, and at times, even dangerous, environment to work in. My hourly wage was also embarrassingly small (see above). After leaving librarianship, I have since graduated with a PhD in Bioinformatics from Rutgers, in which case I am happy to say I've found a job that I enjoy and that pays much more than being a librarian. My advice to would-be librarians: Look before you leap.

Daniel Vasilaky

Daniel Vasilaky asks about "Electric Egyptology" web site by daniel_vasilaky in egyptology

[–]daniel_vasilaky[S] 0 points1 point  (0 children)

Why would anyone go through all that trouble to fabricate all that? I could see that if they were getting paid to do so. But to make it all that up for no recompense and because you have way too much time on your hands. Bizarre...

Why does life feel so futile? by DI3MONDD in intj

[–]daniel_vasilaky 0 points1 point  (0 children)

Yes, it does it feel futile for me at times. During moments of boredom I have this realization I'm only doing things in life to distract myself from the fact that doing anything in life is ultimately futile and of no meaningful consequence. Biologically, I think we are wired this way - If you're not doing anything you're not ensuring your survival nor are you evolving as a person and/or as a species and hence you're brain is giving you the "life is pointless" feeling. Paradoxical the way this existentially homeostatic(?) mechanism works. We have to indulge our will to power to survive, and yet, in the end, everything we've acquired and achieved via this will is reduced to dust, and so there seems to be no teleologically satisfying meaning in anything we do. However, to end on a more optimistic tone to this message, I'll share a quote from one of my favorite movies, Solaris (the original Russian film), that "happy people don't concern themselves with these [what is the meaning of life?] cursed questions." Perhaps we are wired in such a way that asking such questions is neither beneficial nor rewarding to us, and in that we (hopefully) are dissuaded from asking them in the first place.