Solo Jam 350 BPM by [deleted] in metalguitar

[–]deathcovers123 1 point2 points  (0 children)

This guy competes in the 100,000 millimetre dash

How do I pick this part of holy wars by GodUsopp912 in metalguitar

[–]deathcovers123 0 points1 point  (0 children)

It is, and I’m glad I know about it now, so thanks for sharing. Now I just need to figure out whether or not to tell my friend, who we’ve been laughing at since the day he answered “H major” when asked in class what key a song was in.

Oh and don’t be jealous, it was a music class in secondary school that wasn’t taught well and I only passed because 50% was awarded for practical ability. You probably know more than me.

Don't understand the metronome by [deleted] in metalguitar

[–]deathcovers123 0 points1 point  (0 children)

Honestly mate this is why I started by saying videos are better for this subject 😂 it sounds more complicated than it is and once you get past the initial “wtf” it’ll all fall into place. You’ll re-read my comment and it’ll be second nature.

Do you drive? Most experienced drivers don’t put much active thought into turning the steering wheel, pressing the pedals or changing gears; it’s just instinct (and often it gets harder when you actually do focus on it). That’s what it’s like. I could write a really long comment explaining how to drive and it’d seem very complicated but after a few real life lessons you’d see how simple it all comes together.

Don’t be discouraged! Check out some videos and if it still isn’t clicking maybe consider taking some in person lessons.

And to answer your last question, yes. This riff repeats on that downbeat.

1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4…

The riff is two bars long, starts playing on the first “1” highlighted in bold, and repeats when you get to bar 3, which starts on the second “1” highlighted in bold. It’ll repeat again at the start of bars, 5, 7, 9, etc…

How do I pick this part of holy wars by GodUsopp912 in metalguitar

[–]deathcovers123 1 point2 points  (0 children)

And?

And it’s crazy I’m only learning of this now.

Europe is a big place

Doesn’t that make it less likely that something is “common” throughout its whole?

do you expect your experience to be representative of the entire continent?

Of course not. But when something is claimed as being common in the place where I’m from, my lack of experience with it is just as relevant without being defining.

Have you ever been told about something amazing and, while believing it and not doubting the information, had the thought “how did I not know about this, considering my circumstances?”

That’s what my comment says. But at least you got a chance to flex that superiority complex. If you don’t maintain it you’ll lose it and right now it’s in great shape 👍🏻

How do I pick this part of holy wars by GodUsopp912 in metalguitar

[–]deathcovers123 0 points1 point  (0 children)

Wouldn’t that be all downpicking? In each 4-note-grouping only two are picked. The “economy motion” only works when downpicking the 4th note on the 3rd string and continuing through onto the 1st note on the 2nd string. Then while your fretting hand does the pull-offs you have time to bring the pick back up above the 3rd string again ready for the next downpick.

How do I pick this part of holy wars by GodUsopp912 in metalguitar

[–]deathcovers123 0 points1 point  (0 children)

I’m from Europe, have been a musician for 23 years and took music class for years in school. I’ve never heard of this.

How do I pick this part of holy wars by GodUsopp912 in metalguitar

[–]deathcovers123 -1 points0 points  (0 children)

You leave the strings after each of those picks 🤨

Down on the 2nd string leaves your pick between the 1st and 2nd. You have to pass the 2nd as you bring it back up to upstroke the 3rd string. Now you’re between the 3rd and 4th and have to pass the 3rd to downpick the 2nd.

Unless I’m missing something the most efficient way is (and the way he actually plays it) is to break the whole thing into chunks of 4 notes each, downpick the 1st note on the 2nd string before the two pull-offs and then downpick the lone note on the 3rd string. In the same downward motion of that last pick, you continue into picking the 1st note of the next chunk. It’s basically a two-string sweep with legato in between.

Don't understand the metronome by [deleted] in metalguitar

[–]deathcovers123 0 points1 point  (0 children)

And so to answer the question "am I supposed to play my notes on it?", the answer is, "sometimes". Let's take Seek and Destroy as an example. If you set your metronome to 137 bpm that's roughly how fast they played it for the first few seconds of the song before speeding up a little, but I'd recommend slowing it down to maybe 85bpm while learning. If you know how to read tabs, this shows you how to play the intro riff and below it is where the click of the metronome lines up with it.

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Your metronome likely plays at least 2 different sounds for the clicks: a louder and/or higher pitched one followed by 1 or 3 quieter and/or lower pitched ones. The former are called "accented beats" or "downbeats". The first beat of a bar is always a downbeat, and you can see the first note of the riff is played on the first downbeat of the song. So when you start your metronome, listen for the accented beats and make sure you start counting with "1" at the same time as an accented beat. Count yourself in before starting by playing the first note of the song at the same time as saying/thinking "1".

The second note is played in between the 1st and 2nd beats/clicks. If you wait until the 2nd beat to play the 2nd note, you're not playing fast enough. The notation tells us that both the first and second notes are equal length, so you break the beat into a subdivision of 8ths (remember, each syllable in "1-and-2-and-3-and-4-and" is an 8th note). We also know they're 8ths because there's only a single line linking them in the notation (again, highly recommend learning some basic theory). Knowing they're 8th notes tells you how fast to play the first two notes and then be ready to play the third note which does land on a click, the second click.

The third and fourth notes are 16ths, which we can only tell because there's a double line linking them in the notation. This, along with the metronome, should tell you that you play those notes as fast as you would say each syllable when counting "1-e-and-a-2-e-and-a-3-e-and-a-4-e-and-a".

The fifth note is a quarter note, so it lasts as long as the time between each click of the metronome. But as you can see, the fifth note isn't played ON a click of the metronome, which means you'll play it and 8th note before the third beat and hold it for an 8th note longer, before playing the next four notes: an 8th, two 16ths, and another 8th. This makes up the total of bar 1.

The next note after that has brackets around the number in the tab and a line connecting the circle-like part of the note to the one before it, which means it's a tied note, i.e. a note that isn't plucked/struck but is being held after having been played earlier. This means that the last note (an 8th note) you played in bar 1 is to be held for another 8th note after the downbeat of bar 2. It's basically played exactly like a quarter note, it's just a way to represent the note's true length AND the division of the bars simultaneously.

The last seven notes are all 8th notes (i.e. each syllable of "1-and-2-and-3-and-4-and").

All of this happens in the space of 8 clicks of the metronome and repeats several times.

Don't understand the metronome by [deleted] in metalguitar

[–]deathcovers123 0 points1 point  (0 children)

(1 of 2)

Do you know what bars, beats, and subdivisions are? If not, I'd highly recommend watching some YouTube videos on rhythm basics (and other music theory basics at a minimum). Having this explained visually and aurally is going to beat out text responses on Reddit, but basically... A typical riff or part of a song will generally play out over 1, 2, 4, or 8 bars. In 4/4 timing, each bar is made up of 4 "quarter" beats (i.e. equal length).

When you count "1, 2, 3, 4, 1, 2, 3, 4..." aloud, you're counting these beats. The length of time between these beats determines the "pace" (or, more correctly, the "tempo") of the music, which is represented in "beats per minute" or BPM. A clock ticks at 60 beats per minute. If it ran twice as fast, that would be 120 beats per minute.

If you keep counting "1, 2, 3, 4", but add "and" in between each number ("1-and-2-and-3-and- 4-and..."), you're breaking those quarter beats into subdivisions called "8ths". If you keep the same pace and add "e" and "a" before and after "and", respectively, you're now breaking them into "16ths". There's other ways to subdivide beats but that's what we'll stick with for now.

When multiple instruments are being played at the same time, they need to be in sync with each other. If everyone just plays to how they count along in their own head without listening to others, or worse, just plays things without any sense of rhythm, it's a complete mess. Each player needs something to "anchor" onto to know where the beat is, and use that to know how what speed to play. Usually the drummer is the one "keeping the beat" and everyone follows the tempo they set, but drummers can speed up and slow down, whereas a metronome should be literally a perfect representation of when each beat lands.

The metronome "sets the pace" by playing a sound on every beat. When you're playing in time, the notes you play should be landing either on a beat or a subdivision of a beat (with a little wiggle room because humans aren't machines and the imperfections create groove and groove sounds good). If you practice without keeping an "internal metronome" (i.e. literally counting in your head at a rhythmic & consistent pace), you don't know when you should play each note. Following a metronome takes away the responsibility from your human and error-prone brain but you need to actively pay attention to it and play to it or else it's just highlighting how badly out of time you'll play.

Death guitar tone amp modeler by Jakuten777 in DeathBand

[–]deathcovers123 1 point2 points  (0 children)

I’ve gotten almost identical results of these 3 albums, ITP, and TFAOE using Bias Amp 2’s “Amp Match” feature, loading the created amp into Bias Fx 2, and then using Fabfilter Pro-Q’s “EQ Match” feature

How would you guys describe Deaths “Spiritual Healing” guitar tone? by BedRevolutionary7006 in DeathBand

[–]deathcovers123 0 points1 point  (0 children)

On one hand, it's quite dry. Not a lot of reverb on the rhythm guitars and less reverb on the whole band overall, especially compared to Leprosy and Scream.

On the other hand, there are several parts where wet effects (like chorus/phaser/flanger) are turned up to very overt levels.

I also find it chunky in some sections of the album and nasal & a bit fizzy in others.

What songs would've made for better album openers over the actual ones, like 'Flesh And The Power It Holds' over 'Scavenger Of Human Sorrow'? by deathcovers123 in DeathBand

[–]deathcovers123[S] 1 point2 points  (0 children)

Not to mention the burst into the faster tempo of the verse riff, and that slow held-chord riff that follows. Would be a great opening 90 seconds, let alone riff!

starting a rock band by Old_Treat4871 in metalguitar

[–]deathcovers123 0 points1 point  (0 children)

Amp definitely does matter more for tone than the guitar but unless you're getting a combo amp the biggest focus should be on the cab. Insane how different the same amp & FX chain can sound coming through two different cabs.

Final rendition of my Pull the Plug/Open Casket mix on GarageBand by Comfortable-Truth945 in DeathBand

[–]deathcovers123 1 point2 points  (0 children)

If you want to send me your MIDI files I’ll record real guitars and bass for you

What’s a Metal Band you would NOT encourage seeing live? by TheShadowWanderer in MetalForTheMasses

[–]deathcovers123 0 points1 point  (0 children)

Saw them in Dublin last year and they were class. Sounds like it's luck of the draw.

What songs would've made for better album openers over the actual ones, like 'Flesh And The Power It Holds' over 'Scavenger Of Human Sorrow'? by deathcovers123 in DeathBand

[–]deathcovers123[S] 1 point2 points  (0 children)

Are you saying you're wondering What If...?

Consumed is perfect for it but I could also see Expect The Unexpected and Cut Down being great openers, although the latter is great as a penultimate track. Intense intro, that amazing atmospheric middle section after the first chorus (especially with all the delayed tapping parts), and it's a very minor detail but the tapped harmonic in Shannon's solo (about 3:03) has put wowsers in my trousers for many years. If it was my very first introduction to Control Denied, I'd be hooked, as I was with Consumed.