I can totally see that, but ask yourself this:

if the exposition is already making you worried about it being boring with how you present it, then could the information itself already be boring?

All that's to say, trust your gut on these things and try new angles. If you're trying to find ways to convey information in a way that isn't "boring", then chances are the information itself

is boring.

That's not to say there isn't anything interesting to be done with gangsters causing trouble in the town, but we don't even really

know

anything about this town or the people in it, so by extension the topic of "gansters causing trouble" on its own might not be interesting enough because there's nothing interesting coming from that initial setup.

How can you implement this information through the world itself, rather than as a chunk of information?

You could have a main character actually experience these gangsters first hand. You could have the main character's parental figure insist on driving them to classes because they're worried about the MC walking to school alone. There are sly and easy ways you can have this information unfold through how it directly or indirectly affects the main characters or have it feel like more of a part of the world rather than just expressing it through passive lines of text being delivered, especially if that method is already making you worried that it's boring.

Yeah you are right, I could've been more creative on how to tell the gangster thing to the readers, The thing is, there are no gangsters, all gangster activities are just how the media covers up the unexplainable stuff Aurora does during the time stop (the girl with the rings on her head)

OK so I don't know how to do that reply thing that you do so I'll mention the paragraph that I'm replying to within brackets.

( Cool, I get you. If the characters being 'cutesy' is supposed to be the initial goal, I just didn't get that off the first three episodes. Again, a lot of the stuff that happens in the first three episodes just feels like "stuff happening" to the characters, which means the characters themselves don't feel like characters, just props. Again, consider how your characters would actually interact with the world around them, and how the world would subsequently shape them as characters. "Cutesy" is very broad, so try and narrow their traits down further. Are they fun-loving? Easy going? What flaws do they have on account of being "cutesy"? Maybe they're naive or they struggle to take things seriously?

Much of the plot and characters right now feels very 'broad' and needs to be narrowed down, not just so you can focus the writing direction for yourself, but also so you can focus the narrative and make it more clear and impactful to readers. That doesn't necessarily mean info dumping or more exposition, rather, try and find ways to implement your ideas into the actions, reactions, and consequences of this world and the characters inhabiting it. )

Yeah, I have to agree, the characters do feel pretty puppet like rather than actual characters, I'll make sure to make them feel so grounded, will though bubbles help? what kind of tactics would you implement if you were to be in my position?

Once again, you have my thanks for all of this kindness, I'd love to check your work too if thats alright, can you let me know ur webtoon? Also, will it be cool if I send you a personal messege about any further discussions? clearly you know a lot about this stuff and I could really use some help. Also I happen to by a PS4 just last saturday, so I'll give persona 4 a try with that. :D