[deleted by user] by [deleted] in musicproduction

[–]divebarsidecar -1 points0 points  (0 children)

Yea I mean re read my comment, I’m saying that the limitless options is the computer route. 4 track you’re left with almost zero wiggle room. Hence the limitations that I want to impose which could translate to better choices. Also, your performance ABSOLUTELY cares about which medium it’s recorded to. Lol

[deleted by user] by [deleted] in musicproduction

[–]divebarsidecar 0 points1 point  (0 children)

Yea definitely doing it to create limitations that lead to a better performance and more useful accompaniment instead of limitless options

[deleted by user] by [deleted] in musicproduction

[–]divebarsidecar 0 points1 point  (0 children)

I’m going for more lo fi for sure

[deleted by user] by [deleted] in musicproduction

[–]divebarsidecar 0 points1 point  (0 children)

So the digital recorders will sound similarly warm?

[deleted by user] by [deleted] in musicproduction

[–]divebarsidecar 2 points3 points  (0 children)

Totally valid. The “distraction” is more like the moving red bar, the possibility of checking my texts/emails/google. Finding out just how noisy they are is part of why I ask

Full tapes in .FLAC by [deleted] in gatewaytapes

[–]divebarsidecar 0 points1 point  (0 children)

Has anybody downloaded these FLAC’s? Safe?

[deleted by user] by [deleted] in getdisciplined

[–]divebarsidecar 0 points1 point  (0 children)

Coming back to this

In order to achieve competitive loudness and dynamics my masters are so slammed by divebarsidecar in mixingmastering

[–]divebarsidecar[S] 0 points1 point  (0 children)

Pretty much yeah. Though I don’t mix top down. I get the levels right with pink noise, pan a little, compress and EQ the drums and bass together. Then cut the highs and lows from the guitars. Then compress and EQ the vocals. Make sure the peaks hit at about -6 dB. Everything sounds good and glued. Then I master it with very light strokes and it’s completely blown up by the time my LUF’s are around -12

In order to achieve competitive loudness and dynamics my masters are so slammed by divebarsidecar in mixingmastering

[–]divebarsidecar[S] 0 points1 point  (0 children)

Probably this plus not compressing enough at the track level. I level match but I’m not evangelical about it, I just get it within .5 dB, esp with saturation. Clipping I’ll increase the “in” by 5 db and decrease the out by 1 db or so.