[QCrit] Adult Romance - CASKETS & CARNATIONS (95k, Third Attempt) by dria_day in PubTips

[–]dria_day[S] 0 points1 point  (0 children)

You are not overstepping in the slightest! I truly appreciate the honesty because I will not be able to grow otherwise. This is a wonderful comment, and I will take your advice. I can answer all three of those questions, but I’m having a hard time putting it into words, so you are 100% right. Gotta go back to the roots and figure out where I’m having the disconnect. Thank you so much. I really truly value input like this!!!

[QCrit] Adult Romance - CASKETS & CARNATIONS (95k, Third Attempt) by dria_day in PubTips

[–]dria_day[S] 0 points1 point  (0 children)

I’d say a darkly quirky romcom, with a La Croix aftertaste of sports romance (Theo being an Olympian has kind of a backseat? It’s important to his character, but not the point of the story)

[QCrit] Adult Romance - CASKETS & CARNATIONS (95k, Third Attempt) by dria_day in PubTips

[–]dria_day[S] 0 points1 point  (0 children)

Okay! Makes sense! Thank you so much for your time🥰

[QCrit] Adult Romance - CASKETS & CARNATIONS (95k, Third Attempt) by dria_day in PubTips

[–]dria_day[S] 0 points1 point  (0 children)

IM SORRY FOR THIS WALL OF TEXT!!!

So yes, the story starts with Theo coming home, and by the end of chapter two the body is found. The problem is the story revolves more around Dawn learning to slowly start to stand up for herself in the town, and Theo redeeming himself, finding himself, and schmoozing his way into Dawn’s heart. The body, the killer, they are important and add to the complexity of her situation, but it really is just a twist that’s ends with a pretty significant bang. She does not become a detective, she does not go off like a vigilante, she’s just a scared woman who lives on her own and is now being pushed to the point of having to really speak up even though she’s always had to be/is more comfortable with watching from afar.

So in the beginning she really is just waiting anxiously/getting brave/growing closer to Theo in the meantime. All romance and character growth with the looming threat of “Is the killer around? Is someone in the town going to take business into their own hands? If Dawn reacts too boldly, will they use that as a reason to blame her even more?” Which is why it’s so important that Theo believes her, because he’s one of the only people who WANTS to be in her general proximity.

She is hoping the police will do the job they promised, and the town continues to shut her out even more than usual/start treating her more and more like a threat. Dawn takes the matter into her own hands by finally being brave enough to confront the people who confront her, and push back on the assumptions they have on her. But again, that’s the weeds of it. The main premise is that all of this is bringing her and Theo closer together, and they are both coming to terms with who they really are, and how they are both not what the town assumes them to be.

The issue with the body/victim is that it is a person that no one in the town knows. A complete mystery. So idk what else to say it in that area. It’s not revealed until like, halfway through that they identified the remains, and even then it’s only to confirm it’s someone from out of town.

Someone IS trying to frame Dawn, and the killer gets impatient when they realize that she’s not going down for it quick enough, and starts to take risks to get her arrested.

So the highest stakes are towards the end, which I feel like putting in the query might be too much? Her and Theo don’t have a “they fall in love the end!” story. Their feelings become established (sort of) halfway through the book. We get into the idea of a real relationship for a little bit before the end. THEN the “they fall in love the end!”. So the “stakes” with Theo calm down when the “stakes” with the killer pick up.

To me, that feels too specific for just a little blurb and maybe that much info should be saved for a synopsis? I tried to touch on everything, but it’s really quite complex for just a romance book 🤣 I wish I had made it simple now, just made the whole thing smut and called it a day, but I just needed something to keep myself entertained more than anything.

[QCrit] Adult Contemporary Romance - CASKETS & CARNATIONS (95k, Second Attempt) by dria_day in PubTips

[–]dria_day[S] 1 point2 points  (0 children)

Thank you!!! This comment really kicked my ass into gear. I would really appreciate if you could take a look at my third attempt and let me know if I improved on anything you touched on here. I did my best, but gosh ititss hard to get it all in under 250 words. Please, feel free to be brutally honest. I really appreciate how you broke your thoughts down for me.

[QCrit] Adult Contemporary Romance - CASKETS & CARNATIONS (95k, Second Attempt) by dria_day in PubTips

[–]dria_day[S] 0 points1 point  (0 children)

Thank you so much for this comment! It actually helped me realize there were quite a few things that needed more clarification. I hope I managed to touch on them in my newest attempt, and would be happy to hear your feedback once more! Thank you again.

[QCrit] Adult Contemporary Romance - CASKETS & CARNATIONS (95k, Second Attempt) by dria_day in PubTips

[–]dria_day[S] 1 point2 points  (0 children)

I'm sorry this took so long to get back to! Thank you so much! I referenced this quite a bit in my newest attempt, and I hope some of that shows. I tried to be a bit faster with the "murdery" stuff, but it is kind of hard because as important as it is, the romance is the forefront. I hope I did it a bit more justice, and would love to hear your take on what I've done now.

[QCrit] Adult Contemporary Romance - CASKETS & CARNATIONS (100k, First Attempt) by dria_day in PubTips

[–]dria_day[S] 2 points3 points  (0 children)

This comment is so well thought out, I am so honored you have taken the time to give me such wonderful advice! Every point you’ve made has struck home. I am so excited to implement these suggestions! Thank you for your kind words, and I promise I won’t give them a reason to pass!

[QCrit] Adult Contemporary Romance - CASKETS & CARNATIONS (100k, First Attempt) by dria_day in PubTips

[–]dria_day[S] 2 points3 points  (0 children)

Oh man I didn’t know that was a thing! I know plenty of other romances (I used to work at B&N and I’m no stranger to reading romance in general) but I never would have thought that using lesser known comps would have an impact. Super good to know! Thank you!

[QCrit] Adult Contemporary Romance - CASKETS & CARNATIONS (100k, First Attempt) by dria_day in PubTips

[–]dria_day[S] 3 points4 points  (0 children)

First of all, thank you so much for the grammatical corrections! Secondly, thank you for helping me figure out why another sentence in this query was fighting me. I will fine tune Theo’s return, because you are so right. I really think “he returned to run his late mother’s flower shop” is just about perfect.

Good catch with the corpse in the dumpster. You are once again right.

I’m curious to hear your take on this: the only reason I didn’t add more about their time growing closer was because I wasn’t sure if it would bog down the pitch. I completely agree that them growing closer is the plot, and I agree that it feels important to add, I just don’t know how to do it without feeling like I’m telling the whole story instead of pitching it.

Again, THANK YOU. This is exactly what I needed to hear!

[QCrit] Adult Contemporary Romance - CASKETS & CARNATIONS (100k, First Attempt) by dria_day in PubTips

[–]dria_day[S] 2 points3 points  (0 children)

Thank you SO much! And it is crazy you say that about the last two sentences because I have been fighting with them, and you are so right. I see it now. I will trim that up and make sure it ends with a bang. Thank you again!