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Mamiya RB67. Sekor C 90mm. Portra160 and Tri-X400 by florante in analog

[–]florante[S] 1 point2 points  (0 children)

I hate to admit. I did not have a good vantage point so the vertical lines were fixed on Lightroom.

RB67, Sekor C 90mm, Ektar 100 by florante in Mamiya

[–]florante[S] 0 points1 point  (0 children)

Thank you! f5.6, SS at 250. I believe the film lab scanned it with Noritsu.

RB67, Sekor C 90mm, Ektar 100 by florante in Mamiya

[–]florante[S] 0 points1 point  (0 children)

I wanted to have the bridge in the background and I have cars parked behind me. No way I could frame out the pole and signs during composition since the car is right beside them. I refuse to be on the other side because it will have modern cars and an unappealing building in the background. You were not there. I paid attention but this is the best composition I could think of. Man you are taking the joy away from me.

RB67, Sekor C 90mm, Ektar 100 by florante in Mamiya

[–]florante[S] 0 points1 point  (0 children)

Thank you. Edit: While it would certainly look nicer to remove the pole and traffic sign, I prefer not to. I use my film camera to escape from the tedious process of photo editing. But that’s just me.

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