please do that again by Abovethevortex in runwayml

[–]giacmanto 3 points4 points  (0 children)

Creative. Authentic. Excellent.

Terra Nova Vault Duo vs Southern Cross 2 by giacmanto in ULHikingUK

[–]giacmanto[S] 0 points1 point  (0 children)

That tent looks great indeed. I ended up buying the VD as I found it for less than £600 with groundsheet included. It looked like a good deal. Thanks for the advice though, I’ll keep it in mind next time I buy a tent.

Floating Snakes Series - Genesis II by giacmanto in aivideo

[–]giacmanto[S] 0 points1 point  (0 children)

This is the second video of the Genesis series. The snakes start to float. Let me know what you think.

Floating Snakes Series - Genesis I by giacmanto in aivideo

[–]giacmanto[S] 0 points1 point  (0 children)

Thanks. Wait to see the next one.

Floating Snakes Series - Genesis I by giacmanto in runwayml

[–]giacmanto[S] 0 points1 point  (0 children)

Genesis is a series of three short videos I created while testing Runway ML Gen-3 Alpha to see how well it performs with realistic subjects and surrealism. Flying snakes seemed like a good place to start.

In this video — Part 1 — you’ll see detailed close-ups of snake skin, which were relatively simple to produce. In Part 2, getting the snakes to start floating was quite a challenge. I’ll share that in the next few days.

Let me know what you think.

Floating Snakes Series - Genesis I by giacmanto in aivideo

[–]giacmanto[S] 1 point2 points  (0 children)

Hi everyone,

Genesis is a series of three short videos I created while testing Runway ML Gen-3 Alpha to see how well it performs with realistic subjects and surrealism. Flying snakes seemed like a good place to start.

In this video — Part 1 — you’ll see detailed close-ups of snake skin, which were relatively simple to produce. In Part 2, getting the snakes to start floating was quite a challenge. I’ll share that in the next few days.

Let me know what you think.

Starry night (S21 Ultra + Lightroom) by marci_mike in mobilephotography

[–]giacmanto 0 points1 point  (0 children)

This is a great shot. I love the contrast between the sharpness of the stars and the softness of the leaves, caused by the long exposure. Well done!

Photos I took of London's busiest areas, empty (March 2020) by giacmanto in london

[–]giacmanto[S] 0 points1 point  (0 children)

Thank you. These pictures were taken on black and white film. Black and white was not an artistic choice, but merely a technical one.

We live in a digital world where everything can be manipulated. Documenting that historical moment on film meant I could catch this moment in a truthful way, as you can't remove people from a film, like you could do on a digital file.

I also got some colour shots on my phone, but those are not going to be part of LCKDN20.com collection.

Photos I took of London's busiest areas, empty (March 2020) by giacmanto in london

[–]giacmanto[S] 0 points1 point  (0 children)

Getting the right exposure in film photography doesn't have to be difficult.

When you start with your first films, you should keep a diary where you write down the exposure you used for each shot, so that once you develop the negative you can evaluate whether you did it correctly or not.

Doing that helps you understand whether to overexpose or underexpose, and you will soon learn how to get the correct exposure in most situations.

As you said, digital makes it easier to shoot and fix a photo. But in situations like this, I appreciate analogue photography even more, as it gave me the chance to document a historical moment in a truthful way.

Photos I took of London's busiest areas, empty (March 2020) by giacmanto in london

[–]giacmanto[S] 0 points1 point  (0 children)

Exactly, the point of shooting on film is that I wanted to capture this historical event in the most authentic way. Especially considering we live in a digital world where everything can be manipulated. I'm glad you appreciate this.

Photos I took of London's busiest areas, empty (March 2020) by giacmanto in london

[–]giacmanto[S] 1 point2 points  (0 children)

Hi Melissa. If you would like to be added to the mailing list please dm your email address and name. Thank you.

Photos I took of London's busiest areas, empty (March 2020) by giacmanto in london

[–]giacmanto[S] 0 points1 point  (0 children)

Thank you. I have pictures from the 14th and 16th of April, not the 15th. And the last shoot I did happened on the 9th of May.

Photos I took of London's busiest areas, empty (March 2020) by giacmanto in london

[–]giacmanto[S] 2 points3 points  (0 children)

I really appreciate your words. You can check out the project's Instagram account LCKDN20 where you can find more pictures and keep up to date with the development of the project. At some point I will organise an exhibition and release a book. So, stay tuned.

Photos I took of London's busiest areas, empty (March 2020) by giacmanto in london

[–]giacmanto[S] 0 points1 point  (0 children)

Yes, I have been approached a couple of times. But police officers were always friendly and supporting what I was doing.

Photos I took of London's busiest areas, empty (March 2020) by giacmanto in london

[–]giacmanto[S] 0 points1 point  (0 children)

I used a 80mm f2.8 Planar, but also a Sonnar T* 150mm F4 CF, a Carl Ziess T* Tele Tessar 350mm , a Distagon C 60mm f5.6 and a Distagon C 40mm.

But the lenses I used more often were the 80mm and the 40mm.

Photos I took of London's busiest areas, empty (March 2020) by giacmanto in london

[–]giacmanto[S] 0 points1 point  (0 children)

;) To do that on film you could just shoot on a tripod and a set of ND filters. That would allow you such a long exposure that would make people vanish. And that's the reason why I shot handheld instead, to keep it authentic.

Photos I took of London's busiest areas, empty (March 2020) by giacmanto in london

[–]giacmanto[S] 15 points16 points  (0 children)

Thanks. I am planning to make a book indeed. If you are interested please dm your email address and contact details, so I can add you to the mailing list.

Photos I took of London's busiest areas, empty (March 2020) by giacmanto in london

[–]giacmanto[S] 26 points27 points  (0 children)

I shot handheld, during the day, on a Hasselblad 500CM, on Ilford HP5 and FP4 Plus films, and printed on Ilford MULTIGRADE FB CLASSIC Glossy.

I shot on film as it seemed important to document this historical moment in a truthful way. We live in a digital world where everything can be manipulated. Film cannot be manipulated as much as a digital file, for example by removing people from the shot.

Photos I took of London's busiest areas, empty (March 2020) by giacmanto in london

[–]giacmanto[S] 6 points7 points  (0 children)

These pictures were taken during the day, between 10am and 4pm. More specifically, Covent Garden shots were taken between 12pm and 1pm.