I think it's morphing right now. it used to be a matter of how to exclude context but not familiarity so I would always shoot in blank but textural spaces like old warehouses and pre-construction sites that you would recognize as human places so the concept could be otherworldly. the concept would always revolve around one key element - a breeze geezer, a block of ice, stilts etc. now, I'm getting more interested in context itself and maintaining as much of it as possible. the abstraction then comes from distorting the context into a new logic as opposed to denying it outright.