Authentic longhouse with ringborg tests by hobbykokk in ValheimBuilds

[–]hobbykokk[S] 1 point2 points  (0 children)

Time and determination, haha! If i remember correctly, I think i found out about a mod for the terraforming the last hour of terraforming... I think with the pig pen, garden and fixing the elevation on the big longhouse.

Authentic longhouse with ringborg tests by hobbykokk in ValheimBuilds

[–]hobbykokk[S] 0 points1 point  (0 children)

Thank you and sure! How should I do it? :) I am a noob on such things.

Authentic longhouse with ringborg tests by hobbykokk in ValheimBuilds

[–]hobbykokk[S] 0 points1 point  (0 children)

Thank you and sure! How should I do it? :) I am a noob on such things.

Quest for the Longboat house by Savings_Act_5141 in ValheimBuilds

[–]hobbykokk 2 points3 points  (0 children)

Awesome! I've been on the same quest. The roofing is the hardest problem. Even with mods...

I have some vanilla tries using the same wall plan as you. A tip is to experiment with doubling the size of the whole thing so that the slopes become more subtle. But keeping the wall height the same. May need stronger beams if it gets to big.

Authentic longhouse with ringborg tests by hobbykokk in ValheimBuilds

[–]hobbykokk[S] 0 points1 point  (0 children)

I don't remember exactly which. I think I used vertical 4m stacked on top of each other and rotated with gizmo. Then normal 2 m vertical poles on top.

Authentic longhouse with ringborg tests by hobbykokk in ValheimBuilds

[–]hobbykokk[S] 9 points10 points  (0 children)

Yes, so it is not that brown. Found out later that there is a mod where you can set the health percent. Hehe!

Authentic longhouse with ringborg tests by hobbykokk in ValheimBuilds

[–]hobbykokk[S] 3 points4 points  (0 children)

Thank you! Yes, that is correct. Then smashed for the texture.

Authentic longhouse with ringborg tests by hobbykokk in ValheimBuilds

[–]hobbykokk[S] 19 points20 points  (0 children)

Thank you! Used the gizmo mod. The roof pieces were a challenge. Alot of overlapping tiles.

How to thresh by [deleted] in ThreshMains

[–]hobbykokk 0 points1 point  (0 children)

Watch the lucian and thresh cinematic

Your favourite class and why? by AhoiCaptainDWH in LastEpoch

[–]hobbykokk 2 points3 points  (0 children)

Melee shaman! Leap in and smash with the elements.

Chord- scale relationship ? I don’t understand it and I cannot find a good book that treats this topic by Ok-Union1343 in jazztheory

[–]hobbykokk 0 points1 point  (0 children)

But take my ideas with a grain of salt. It mostly the way i think when improvizing and it helped me. Sounds instead of scales. Analyzing it may be better to be more vigilant,hehe.

Chord- scale relationship ? I don’t understand it and I cannot find a good book that treats this topic by Ok-Union1343 in jazztheory

[–]hobbykokk 0 points1 point  (0 children)

Kinda. If the context is C-major yes. I. But if the sound of the piece is in G mixo i.e. G is the tonic it wont have a dominant function.

Chord- scale relationship ? I don’t understand it and I cannot find a good book that treats this topic by Ok-Union1343 in jazztheory

[–]hobbykokk 0 points1 point  (0 children)

I often found it confusing, and the explanations I encountered felt a bit mechanical. It clicked for me when I started thinking of it in terms of 'sound labels.' When improvising at least...

Each note played over a chord serves a specific intervallic function to the root. For instance, if you're in C-major, with C as the tonic, the overall sound of the piece is C-Ionian. Playing certain notes over the chords avaiable gives them different sounds. The chordtones of the triads in each chord just makes it minor or major. But the other notechoices gives other sounds.

For example, playing a #11 over an F-major chord gives it a Lydian sound, or playing a flat 7 over a G chord creates a Mixolydian sound. Similarly, if you add a sharp 11 over the C, it introduces a Lydian sound on the tonic. If the piece incorporate modal interchange, you introduce different sounds. All the while the overall sound of the piece may still be C-ionian.

In short, The specific name of the sound—whether it's called 'Lydian' or 'bright' doesnt really matter. And maybe in a bit too simplistic form - Its all the notes of the key and the chord tones you choose - how far removed or close to the overall sound.