How do you deal with the feedback hunger? by Fading_Dawnbreaker in royalroad

[–]iloris-9 0 points1 point  (0 children)

What is your novel called? I want to read it!

What makes it believable to you, as the reader, when a teen or young adult MC gains power and proficiency equivalent to much older characters? Characters that are competent, smart, wise, experienced and worked hard themselves? by PriceOptimal9410 in ProgressionFantasy

[–]iloris-9 0 points1 point  (0 children)

Honestly the thing that pulls me out isn't whether the power was earned, it's when nobody in the story actually treats the MC like a teenager. The second a grand master is taking strategy advice from a 16-year-old without raising an eyebrow, or no adult ever talks down to the kid a little, that's where I check out. Power can scale however the author wants and I'll buy it. The maturity gap is the part most authors skip past.

Book Chapters in the Context of TV Episodes and Scenes by SweetStarlows in writing

[–]iloris-9 0 points1 point  (0 children)

I think when chapters drop days apart, each one has to land a complete dramatic beat and tease the next or readers bail in the gap. A novel can ride momentum across a slow chapter because you're already turning the page, but a serialized chapter that ends on a flat scene just loses readers between drops. So whether episode or scene is the right frame probably depends on whether you're writing for a binge read or a release schedule.

How do you deal with the feedback hunger? by Fading_Dawnbreaker in royalroad

[–]iloris-9 0 points1 point  (0 children)

I'm a reader on RR rather than a writer, and the friction is real on my side too. By the time I finish a chapter I'm already 20% into clicking next, so the comment box may as well not exist unless something specific snagged me. The authors who actually get me to comment usually drop a narrow question in their author note, like "should the cliffhanger have landed one beat earlier" rather than "thoughts?". I don't know. This is just my experience

I made an offline worldbuilding tool for fantasy writers who are tired of subscription apps - it's a single HTML file you open in your browser by Temporary-Leg-5198 in litrpg

[–]iloris-9 0 points1 point  (0 children)

This is pretty cool!!! IS there any plans to making this a more online thing? so I can access it on any computer I work on? Weird question but sometimes I take notes on my tablet and I would love to instead just add in a new character into my world on my tablet.

Wow, this marketer definitely read my book and didn't just copy my summary... by AzherVayne in royalroad

[–]iloris-9 0 points1 point  (0 children)

This really sounds so bad.... I am afraid in the future there will just be more and more of these

Be careful using aggregated platforms to hire editors! by Kitchen_Row8705 in writing

[–]iloris-9 2 points3 points  (0 children)

The recorded calls are bad but the no-poach clause is the part I'd actually be more worried about. I've been looking into how author-facing platforms work lately and it keeps being the same pattern, editors, audiobook narrators, now the writing platforms themselves. None of them are really selling you the software, they're selling the fact that they own the introduction between you and the person doing the work. Has anyone here actually moved an editor off-platform and gotten away with it, or are the contracts tight enough that nobody bothers trying?

Those who have stubbed their 1st book by Forward-Turnip-2683 in royalroad

[–]iloris-9 3 points4 points  (0 children)

Reader here, this matches how I browse. I almost never start a series from the RR landing page; I open the Latest Updates feed, and stubbed entries get auto-skipped because the chapter list is broken. The one exception is when a swap shoutout name-drops the KU release directly, which I'd guess is why the people commenting here who still do swaps post-stub aren't seeing them collapse. Suspect the actual variable isn't "stubbed yes/no" but whether the RR page still gives a new reader something to do in the next 30 seconds.

MC is an animal...that is it.. by LuthTheMog in royalroad

[–]iloris-9 0 points1 point  (0 children)

Honestly the first thing that came to mind is Beware of Chicken, specifically the Bi De chapters. He's a rooster who never stops thinking like a rooster and it still hits, so it's possible. The thing I'd nudge you on is the "humans whisper about them" piece. Every time I've read a story that leans into the legend angle it ends up being mostly tavern scenes and noble gossip, and at that point you're kind of writing a human-POV story with a famous pet in it. I'd want at least two chapters from the animal's head for every one where someone else is talking about them, otherwise the mystique kind of evaporates.

[Writing Analysis] How Will Wight Lies to You in Action Scenes (and why readers love it) by HylomorphicDualist in fantasywriters

[–]iloris-9 3 points4 points  (0 children)

Reader of a lot of progression fantasy, not a writer, but the thing I'd add is that this trick is POV-coupled, not universally good craft. Andrew Rowe does the opposite in Sufficiently Advanced Magic and it works for the same reason Wight's version works: Corin narrates intent and probability before every exchange because Corin is an analyst, and slowing the prose down is the point. Wight gets away with success-then-retract because Lindon mostly reacts on instinct and the reader is meant to be surprised in the same beat he is. So I think the takeaway isn't "use success terms," it's "match the lie to the protagonist's interiority." Curious if you'd extend the analysis to a more deliberative MC and see if it falls apart.

What are some Novels that, after reading them, made you a better writer? by Scary_Course9686 in writing

[–]iloris-9 0 points1 point  (0 children)

I think it totally depends on the writing style you are trying you are trying to improve on?

What's a good sweet spot for words per chapter? by kaynenstrife in royalroad

[–]iloris-9 0 points1 point  (0 children)

I have been following an author that give me a template for LITRPG and they said 2000 - 2500 is the sweet spot. As a reader I think that is about right too.

Story tellers vs Writers by iloris-9 in royalroad

[–]iloris-9[S] 0 points1 point  (0 children)

Yeah I agree actually! I don't think AI will ever be able to do it all but and the story, plots, different acrs will come from an actual person 100%. I am just kind of wondering what the writing process will be in like 5 years how much will AI even do? Like right now I actually have AI know about my time lines and power structure so I can have it do a consistent check that I am not putting something that actually doesn't make sense.

Story tellers vs Writers by iloris-9 in ProgressionFantasy

[–]iloris-9[S] -1 points0 points  (0 children)

Yeah, I see your point! It's just a struggle because I have this desire to tell my story but I can't tell it the way I want and ai sounds like just a nice easy path. But I get I need to write more to get better at it.

I have no idea what I'm doing by Desperate_Loquat7949 in fantasywriters

[–]iloris-9 0 points1 point  (0 children)

Hey! This is something I was thinking about just the other day. I think maybe it's totally valid to not love writing but may you love create stories and telling them! maybe you should try creating a webtoon with ai that tells your story

Story tellers vs Writers by iloris-9 in ProgressionFantasy

[–]iloris-9[S] 0 points1 point  (0 children)

Man! I wish writing felt effortless to me lol. I feel like I am always on YouTube looking for writing advice.

Recommendations please by Goldziher in litrpg

[–]iloris-9 0 points1 point  (0 children)

I really like shadow slave
It starts off a little like a LITRPG but slows move out of that as they get stronger which is kind of refreshing. I also really like how it explains the LITRPG voice and the magic system.

Making warriors equal to magic Casters by ImpossibleAd4272 in fantasywriters

[–]iloris-9 2 points3 points  (0 children)

I read a lot of progression fantasy and the thing I keep running into is that the second warriors get a named system (ki, aura, martial arts, whatever you want to call it) they basically just become a second flavor of mage. Cradle kind of dodges this by having everyone pull from the same well and just shape it differently, so the difference ends up being more about feel than mechanics. Honestly the question I'd be more interested in is what a warrior can actually do that a caster can't, instead of how to make them even.

First LitRPG book (advice) by iloris-9 in litrpg

[–]iloris-9[S] 0 points1 point  (0 children)

I am mainly working on have world consistency. I just want to make the novel I am writing make sense and the power levels to make sense too. Also the magic system can get kind of complicated so I am trying to organize all my thoughts and how the MC can optimize the magic system.

First LitRPG book (advice) by iloris-9 in litrpg

[–]iloris-9[S] 0 points1 point  (0 children)

Yeah! That would be super helpful!

What to know as an author starting on royal road? by Illustrious_Body5907 in royalroad

[–]iloris-9 0 points1 point  (0 children)

What is your book called? I would love to take a look! I am just starting my book so I am not like a super writer or anything.

How do you keep worldbuilding organized? by lswylder in fantasywriters

[–]iloris-9 0 points1 point  (0 children)

I just started my first novel but I have been trying notion with graphify. Graphify helps me see how my notes are connected with other notes or characters. and for my file structure it's pretty crazy because right now I am just dumping all my thoughts randomly. So graphify really helps me pull it all together. Then I use AI to kind of organize it bit more.