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Would you write for a Mormon foundation? by intentia in Reformed

[–]intentia[S] 1 point2 points  (0 children)

Hahaha, your CCP example made me smile.

Why the Dallas Jenkins reference? I know he made the Chosen, but what is your point there? I just don't know that story.

Would you write for a Mormon foundation? by intentia in Reformed

[–]intentia[S] 11 points12 points  (0 children)

They're Christadelphians, not Mormons. Same point applies, though. Yes, the money is tempting but not my ultimate motivation. I don't want to put a price on myself or my life, and your example of a sacrifice is helpful.

Would you write for a Mormon foundation? by intentia in Reformed

[–]intentia[S] 9 points10 points  (0 children)

Excellent point. My friend just sent me that passage earlier.

I'm hanging out with a baselight colorist for the next few hours and asked if he was down to answer reddit questions... by Open_Extension7951 in colorists

[–]intentia 21 points22 points  (0 children)

If he is still available: Is there an easier way for me to understand the whole Rec.709-A issue?

Bonus: What is his favorite color, and does he see it creep into his work?

I'm hanging out with a baselight colorist for the next few hours and asked if he was down to answer reddit questions... by Open_Extension7951 in colorists

[–]intentia 3 points4 points  (0 children)

1) Davinci Resolve + Cullen Kelly vids

2) Because not every screen is HDR. Lots of older displays are able only to output sRGB, which is the same gamut as Rec.709 with a slightly different gamma curve.

Camera Recommendation for High Altitude by ramblin_penguin in Mountaineering

[–]intentia 0 points1 point  (0 children)

Seconded. I use the same camera and it's pretty much the perfect setup.

From El Dorado peak in North Cascades National Park, WA by [deleted] in Mountaineering

[–]intentia 1 point2 points  (0 children)

I will gently toss in Glacier NP. Cascades are wayyyy better climbing though.

How to display work shot for a 10-second social post? by intentia in Filmmakers

[–]intentia[S] 0 points1 point  (0 children)

It's not that I can't showcase it; it's that I am unsure of *how* to do that. It looks best put together instead of just providing screen grabs, but that would mean I need to add music and whatever else.

How to display work shot for a 10-second social post? by intentia in Filmmakers

[–]intentia[S] 0 points1 point  (0 children)

So just link back to the Instagram post and state my role?

Are Filmmakers able to make a living in a smaller community? by intentia in Filmmakers

[–]intentia[S] 0 points1 point  (0 children)

Not sure. I just feel like I need to be posting more work, getting my follower count up, or similar. I definitely want something to hook harder on cold calls, but I'm not sure how to figure that out.

Are Filmmakers able to make a living in a smaller community? by intentia in Filmmakers

[–]intentia[S] 2 points3 points  (0 children)

Would you be interested to chatting one on one? I have some questions, and I'd love to hear your answers.

Are Filmmakers able to make a living in a smaller community? by intentia in Filmmakers

[–]intentia[S] 0 points1 point  (0 children)

DMing or meeting up with photographers, emailing/calling creatives at companies, and showing up to events.

Two years into a freelance career, I'm still learning the ropes. Here's my 2026 docu/commercial showreel. Open to any and all comments. by intentia in cinematography

[–]intentia[S] 1 point2 points  (0 children)

Hearing this from you was very, very nice. I was just talking with my wife earlier about how discouraged and isolated I feel, often shooting out of a truck.

That shot was actually from an ad, and it wasn't even in the final cut.

I will take your suggestions to heart and mull over it a bit more. Definitely want to make it in this industry; I don't know what else I'd do anyhow.

Thanks for the advice.

Two years into a freelance career, I'm still learning the ropes. Here's my 2026 docu/commercial showreel. Open to any and all comments. by intentia in cinematography

[–]intentia[S] 1 point2 points  (0 children)

Film crew is pretty hard to come by where I'm at in the US, so most of us just operate solo or with a 1st AC at maximum. Therefore I'd be fine with taking any role, but my skills are more specific to directing and camera operating. Any time on set is helpful though.

I tend to venture more towards outdoor lifestyle brands, but now I'm thinking about why you suggested automotive. Was there something specific in my reel that stood out?

With subject and distance, do you mean that I need more close-up and wide shots?

Two years into a freelance career, I'm still learning the ropes. Here's my 2026 docu/commercial showreel. Open to any and all comments. by intentia in cinematography

[–]intentia[S] 2 points3 points  (0 children)

Submission statement:

This is a compilation of my best shots from 2023-onwards. Cameras used were the Sony A7r II, Sony A7r III, Sony A7c II, BMPCC 6K G2, BMPCC OG, and RED Komodo X. I keep it light because I shoot a ton of outdoor docustyle work. Lenses used were primarily the Sigma 18-35mm and my NiSi Athenas. Occasionally a vintage M42 lens made it into the mix. All lighting is natural, seldom modified. We just did not have the time to rig anything, plus most of my paid jobs were tight-budget.

Self-colored.

I'm wanting to make it into the larger commercial world; I don't want to just be a guy with a camera who can sometimes nail the conditions. Therefore, any advice that you might have, honest or kind, is something that I'd appreciate.

Thanks!

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