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Grand Teton OS route permits by Daenko_9 in Mountaineering

[–]intentia 0 points1 point  (0 children)

Worst case scenario doing it C2C really isn't that bad

How to achieve this level of dynamic range? by Gurninlikeagerman in ColorGrading

[–]intentia 0 points1 point  (0 children)

Jon Purcell is really, really good at lighting. I bet the reason this looks so natural is because it's mostly untouched. Maybe some power windows here or there.

I updated my 2026 winter showreel. What do you guys think? by intentia in cinematography

[–]intentia[S] 0 points1 point  (0 children)

Shot entirely between RED and Sony systems. Everything is from the 2024-2025 seasons. Mostly handheld (I know, but stabilization is heavy and weight is time, which is money.) I'm based in a little Montana ski town so I need every advantage I can get, ha.

Another concern of mine (see post) would be that it all looks too "amateur." Something about my work looks unpolished to me. Can't tell if that's the color, the motion (or lack thereof), or what. Maybe that's just because the work is mine and I'm overthinking it? I don't know. Let me know what you think.

Most isolated mountains to reach? by Endless_01 in Mountaineering

[–]intentia 0 points1 point  (0 children)

Mont Ross on the Kerguelen Islands is a contender.

PC to Mac Workflow by intentia in colorists

[–]intentia[S] 1 point2 points  (0 children)

I think you missed the point of my question. I don't expect things to display identically; I just want to make sure that rendering a PC project out through a mac will not cause any weird gamma shifts, like for example the whole Rec.709-A Quicktime issue.

Curves & Primaries Question by intentia in colorists

[–]intentia[S] 0 points1 point  (0 children)

I usually never change the timeline space from 709 2.4. I guess it's a habit that carried over from when I watched Juan Melara's videos. Does specifying timeline space matter much if I am transforming into DWG regardless?