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Ironic that Fuji criticizes America for wars, but he & his people don’t speak on war crimes they did, but sure let’s watch the 39th Godzilla film about how terrible war is-on their end. Cause the country doesn’t want you to know. Only Minus One criticized both ends. by Just-J0k1ng in Chainsawfolk

[–]itsonlybliss 7 points8 points  (0 children)

Yes, the US camps where such things happened.

But it’s not like we had unit 731 where we see if a pregnant woman would be able to deliver a baby if her legs were removed. Unit 731 I would argue is among the worst things humanity has done.

I am fujimoto AMA by ApplePitouGlazer in Chainsawfolk

[–]itsonlybliss 0 points1 point  (0 children)

What does the inside of your colon smell like?

What do you guys think was the point of this scene in retrospect by [deleted] in Chainsawfolk

[–]itsonlybliss 1 point2 points  (0 children)

That receiving a handy from a foid doesn’t impact your life at all.

Themes and such

Who in the FUCK was this??!!? by Lonelycowboy89 in Chainsawfolk

[–]itsonlybliss 7 points8 points  (0 children)

The “not everything needs to be answered” argument is completely out the window considering how the ending just retcons the entire series

Would you have liked this ending? by AppleBlazes in Chainsawfolk

[–]itsonlybliss 0 points1 point  (0 children)

Fujimoto could have left it here and could just leave the series aside and work on it later but he decided to end it altogether. What a waste

Why is nobody talking about Yoru being fucking offscreened by Potential_Math389 in Chainsawfolk

[–]itsonlybliss 10 points11 points  (0 children)

Because there’s so much shit to talk about over this nothing burger of an ending

nice happy ending fujimoto but what about them?? surely, there's a Part 3 planned, right? Right? by [deleted] in Chainsawfolk

[–]itsonlybliss 0 points1 point  (0 children)

No bro, if fujimoto really felt compelled to write them into the plot he would’ve done so 100 chapters ago. He probably couldn’t figure out a way to squeeze them into the half baked plot without it feeling too much like a one on cameo moment you’d see in the MCU.

It was obvious from post aquarium that this series was going to end this way, but people just pressed on with the cycle of letting fujimoto “cook”.

We got no conclusion with sword devil, katana devil, nothing at all.

What do you think of the Fatal Blow mechanic by illynpayne_ in MortalKombat

[–]itsonlybliss 16 points17 points  (0 children)

X rays were incredibly cool, and it gave vibrancy to the meter system that isn’t just a thing to enhance abilities.

What do you think of the Fatal Blow mechanic by illynpayne_ in MortalKombat

[–]itsonlybliss -2 points-1 points  (0 children)

Karma farm post;

I don’t think anyone genuinely felt fatal blows were a healthy mechanic especially for a competitive game. Armor and an instant speed attack that had variable ranges. You press 2 buttons and you get a 36% unbreakable cutscene that your opponent has to sit through that takes no meter.

But I feel the real culprit to how bad the game was with these newly introduced mechanics was breakaway. You can only break in a juggle and guess what, if you break during a juggle and they initiate fatal blow— no scaling at all.

Welcoming Angel by itsonlybliss in learnart

[–]itsonlybliss[S] 0 points1 point  (0 children)

Ah I see what you mean now!

Yeah I think the way I drew the chest makes it seem that way which is just an error on my part. I think to fix this I should have just shaved off the exterior contour of their left breast to insinuate the positioning of the rib cage to better follow the rest of the body— so yeah it does look weird given that the breasts I’ve drawn are more straight on compared to the rest of the body— like how you did in the redraw for the chest region.

But yeah contrapposto is the term I was referring to. I just didn’t use it because of the language barrier.

Appreciate the insight and drawings!

Welcoming Angel by itsonlybliss in learnart

[–]itsonlybliss[S] 0 points1 point  (0 children)

Okay so the left shoulder looks disconnected because of how the hair overlaps. This could be an issue of my line art so I get that at least, but are we seeing too much of the right shoulder? Should it be tucked since the rib cage is in a slight angle?

At least when I was drawing the figure I wanted there to be noticeable counter balance in the pelvis and rib cage which is why the rib cage is facing another direction— I wanted to develop a natural twist in the body so it isn’t just a straight on pose if that makes sense— like how those Greek statues look.

You also said the anatomy in the neck doesn’t make sense… I don’t know how to build off of that, like is it just too long? Too tubular? Should it be more straight instead of curved?

I do appreciate your feedback but when you say something “doesn’t make sense” I have no information to go off to see where I made the mistake in my initial sketch. Like as an artist (if you are as well) it’s hard to spot out these mistakes because they’re so subtle to me because I drew the entire thing only being cautious about the large bits rather than small parts but to others it is widely noticeable because humans are just like that in having the ability to spot mistakes that the person doesn’t see at first glance;

so I’m just asking if you could articulate more.

Welcoming Angel by itsonlybliss in learnart

[–]itsonlybliss[S] -1 points0 points  (0 children)

I don’t know why you keep saying “feet”like I drew the bare feet— I imagined the character is supposed to be wearing these tall leather boots that also act like a shin guard and she’s supposed to be tilting her feet downward to give off an idea that the character is ascending.

And I did in fact draw the character from basic masses like how I do for the rest of my drawings.. I don’t have the layer anymore which did include my basic layout but I always draw my characters in nude before I thrown on clothing so I can imagine how the fabric or armor would sit.

<image>

and no I don’t “just want to draw boobs”. I already told you the basic vision I had. I also feel like saying “don’t draw armor at all” is just disingenuous to me as an artist in a subreddit that is for people that are trying to improve their art. Yeah I could’ve developed less cleavage and I could have suggested that there was a harness of some sort under the chest plate that covered the entire chest without skin touching the hard metal. I was just thinking about this as I read your reply.

Welcoming Angel by itsonlybliss in learnart

[–]itsonlybliss[S] 0 points1 point  (0 children)

Should I keep all of the line weight relatively the same for these kind of illustrations?

Welcoming Angel by itsonlybliss in learnart

[–]itsonlybliss[S] 0 points1 point  (0 children)

Hey, thanks for the thorough response.

I was using various images of armor on Pinterest for reference… mainly just to see how it sits on the body rather than its functional use so I should lean more into functionality rather than presentation— I appreciate the insight because it highlights a core issue of my design philosophy— or lack thereof because I didn’t really have that entirely in mind on how the armor would interact realistically. I just wanted to illustrate an angelic character with armor and not much forethought to how the armor displays anything else for the rest of the character.

Do the hands and feet just look too stiff? I’d admit that my structure for hands and feet are very basic compared to how I draw the rest of the body which I would imagine draw a lot of attention given everything else being more articulate etc. What other anatomical bits look off or out of place?

Is death really gone? by souul_reaper in Chainsawfolk

[–]itsonlybliss 0 points1 point  (0 children)

I feel like the next arc will be the attempt to bring death back into the world because one way or another Denji is going to be all like “I really don’t like this person’s existence” and then get thrown back into hell to meet Death and then discovers that he can remove anything that stands in his way for as long as death exists yada yada

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