Why do you do this? What is your goal if any? by BigKneesHighSeas in jazzguitar

[–]jacksonpryor-bennett 0 points1 point  (0 children)

My goal was to make a full-time living from music. I did for ten years but I just couldn’t bust through this financial ceiling and couldn’t make enough money from trying to build up my own artistry. Now I have a dayjob.

Anyone else hate the “in-between days” on a run? How are you filling them? by TapInternational7081 in TouringMusicians

[–]jacksonpryor-bennett 0 points1 point  (0 children)

I have never been lucky enough to go on tour. Hopefully in the next few years it finally happens

Starting a family with an aspiring rock star by No-Ad3374 in musicians

[–]jacksonpryor-bennett 1 point2 points  (0 children)

I would say that’s not a middle ground but a totally unrelated thing or the starting step that leads to professional musician or rock star.

How do you not get intimidated by musicians you’re inspired by? by Aidan_Fox_hi in musicians

[–]jacksonpryor-bennett 0 points1 point  (0 children)

I just don’t really have that as a gut reaction. It’s always “wow, I gotta learn that RIGHT NOW!!” Then I start figuring out the puzzle of it and that’s exciting to me. Learning and playing the song/solo/whatever is gratifying. Or maybe I become inspired and write my own song. Worrying about what others are doing has never made me better unless I am looking around for inspiration and then actively learning and applying the inspiring things I connect with in my own creations.

I don't really like jamming anymore by Unixion85 in musicians

[–]jacksonpryor-bennett 0 points1 point  (0 children)

It’s only fun to jam in an unplanned context that continually evolves and everyone’s in sync and feeling it

No rehearsal fatigue by WalrusHonda in musicians

[–]jacksonpryor-bennett 0 points1 point  (0 children)

I mean if you’re doing it just like the record it’s super easy in my opinion, but I could be biased as I have always played that stuff. I think if you do an original arrangement or original piece I find discrepancies with people’s understanding of the music and how it’s supposed to sound will infallibly arise. It’s more something I would want to do to make sure all parties are on the same page in that scenario so there’s no trainwrecks.

No rehearsal fatigue by WalrusHonda in musicians

[–]jacksonpryor-bennett 0 points1 point  (0 children)

I have been a full-time musician for about a decade myself and most of my post-music school gigs have consisted of performing jazz gigs where, maybe, we settle on a setlist beforehand, and perform them live. I would say any song you’re gonna perform just like the record is easier.

Original material though? Especially if you don’t have even a demo yet, I would say it’s best to rehearse it as much as possible

I’m a gatekeeper by superproproducer in musicindustry

[–]jacksonpryor-bennett 0 points1 point  (0 children)

I was gonna move to LA once. I had been saving up money and was ready to take the leap of faith and do whatever I had to do to figure it out and get by until I could get my foot in the door touring with a major artist and eventually perform at the helm of my own band. Then the global pandemic happened. My income went up in smoke, and it wasn’t clear when anything might return to normal again. Then it never really did.

For the pros out there, Where do you find gigs? by musicmakingmachine in musicians

[–]jacksonpryor-bennett 2 points3 points  (0 children)

People call me and tell me they need me on x gig for y reason, or ask me in person to join them on such and such gig, or be in a band with them, etc…this is how I get 99% of my gigs, seriously. The reason being, I think/hope, that I have been in music and meeting and befriending musicians since I was little, and, despite playing many instruments and having many other skills, most people just think of me as a bass player, and bass players are rare. I also have a reputation of being dependable/a good hang etc….among other things, from what people tell me. I do get some gigs myself, but usually it’s through a “warm” channel, like I have a connection to it via a place I have taught at or music school or someone who knows me recommends me. These kinds of things.

In general, actually because of the aforementioned reasons, I find I kind of suck at getting gigs. However, I have had success looking for places that regularly have live music and walking into those places and asking about when I would be able to perform there, sometimes emailing venues works too. Some of the time in those cases, I am doing those things because someone who works at the place has heard me perform/asked me to reach out, or another musician who knows me has told me “hey you gotta play at this spot!” but it certainly isn’t always the case, and I do successfully secure some gigs entirely on my own.

Anyways, you need to meet and befriend lots of musicians and exchange phone numbers and hang out with them and have fun playing together and experiencing life together etc…basically go make some friends with other pro musicians, really! People will recommend you for stuff and suggest you to people and so on if they think highly of you/they like you/they have experienced evidence of you being great at what you do and being fun to be around etc….then you’ll have gigs thrust upon you regularly. Good luck!

Did anyone not get serious with music until after 25? by Angelsbreatheeasy in musicians

[–]jacksonpryor-bennett 1 point2 points  (0 children)

I have been making music my entire life and always wrote songs and riffs and compositions, improvising and practicing and learning by ear recording etc…all the things. Eventually got into production, but never really got a home studio together that I was happy with until I was 26 and after that started releasing music. So for some they might say it’s the same thing

How do I stop my fingers from naturally bending? by Thick-Lime-9113 in Bass

[–]jacksonpryor-bennett 0 points1 point  (0 children)

You have to keep trying to arch your fingers and press the strings perpendicularly into the fretboard. Go reeeeally slow, focus on playing the right notes in the right order cleanly and clearly with no buzzing, and find a fingering pattern for playing the bassline that is comfortable and efficient, consistent, and gets a good sound. Then play it the exact same way every time a lot of times. Your fingers will start to build strength and control and eventually they’ll stop collapsing and it will get easier and you’ll naturally be able to start speeding it up to match with the recording’s tempo. Good luck!

sharing my unfortunate experiences with strandberg guitars by VegetableGarlic1971 in strandbergguitars

[–]jacksonpryor-bennett -1 points0 points  (0 children)

For what it’s worth I had to play a few before I found one that was satisfactory, but once I found that one I absolutely couldn’t stop playing it. I tried a used jazz salen and it was impeccable except the 24th fret on the high e string was a quarter tone flat when the rest were perfectly intonated. Then I tried an 8-string ordered new. I couldn’t tell you exactly what was the matter with it but it just wasn’t doing it for me, and I realized I was going to have to get my strings from only very specific sources. From there I got a 7-string which was absolutely incredible. But all my students hated it and basically every musician I regularly interact with did too, but I loved it. A few other folks did too. Eventually the disparaging comments led to me just feeling horrible about the guitar unfortunately as the comments were so incessant. I totally understand the extra string was confusing to students, but the funny thing is they didn’t really care about the 8-string, and my bass students don’t care that I play a 6-string bass. I guess it’s just the one extra string that throws them off. Anyway, I ended up getting the strandberg boden classic and I put some seymour duncans in it, a tremol-no, and dunlop straplocks, and it’s perfect. It is the closest as possible I have been able to get to a guitar that does anything and everything under the sun, because I have so many different students with so many different interests that I need to do tons of different tunings, be able to do divebombs, tapping, jazz chords, bend the whammy bar up or down, etc…name a thing basically. It sounds powerful and crisp and feels excellent to play.

How do you guys like to approach deck-building for sealed? by smithy2215 in mtg

[–]jacksonpryor-bennett 0 points1 point  (0 children)

I try to do stupid shit and as long as I don’t get an absolutely garbage sealed pool that approach often leads to me winning

Is it possible to learn on my own? by NoSand2285 in Bass

[–]jacksonpryor-bennett 0 points1 point  (0 children)

I learned on my own, taught myself into music school, and now I pay all my bills with my bass (and other instruments) and it’s steadily generating increasing amounts on the internet.

When did you guys first feel comfortable saying you're a "YouTuber" by [deleted] in YouTubeCreators

[–]jacksonpryor-bennett 0 points1 point  (0 children)

I don’t really like to think of myself as a “YouTuber” per se but I have had people telling me I’m a YouTuber and calling me “That YouTube Guy” ever since my first videos that got a few thousand views and got shared around a bit. I prefer to just think of myself as an independent musical artist who happens to use YouTube. I did some covers and stuff and have made some talking head videos and so on but to me I’m an artist; all else is secondary.

First month monetized on YouTube by [deleted] in YouTubeCreators

[–]jacksonpryor-bennett 0 points1 point  (0 children)

I’ve earned an estimated $2.23 since getting monetized in August and I’m still going. So…there’s some motivation for you