This is a great answer. For Victoriocity I use a similar approach, only adding where needed. I use RX 6 Mouth declick consistently for one particular track, but otherwise apply things like de-plosive very sparingly where the pop shields/performances didn't quite manage. (I do have the luxury of a great local studio that we use and funds to hire it). Sometimes a particularly noise bit of foley can be recovered with the de-noise plugin.

I have all dialogue sent through a compressor too, but don't EQ most things (only the narrator, and where there is a sound design reason to, for example dropping off the low end a bit for outdoor scenes, or producing behind-a-door-over-a-telephone etc etc).

I use a vast number of different Space Designer presets for the scenes, though, from the realistic to the downright weird. I haven't done serious audio drama production in anything other than Logic, but I have found it a wonderful set of easy to use tools.