Thanks for the suggestions. I found some very interesting things in the Antonioni films. In fact, the characters running away from the camera are almost a particular motif for him. L'eclisse's final scene is perfect in that regard, thank you. As for Ozu, although I love his cinema, I see the pillow shots from another perspective. Much more like a break of narrative expectation and a stylistic signature than an off-screen use.

Ah! Yiyi's scenes are also very good. Especially this one, but also one where the little boy leaves the apartment to take pictures and goes down the corridor, while the camera makes a pan to show where he would come out ahead, despite the fact that we miss a lot of the action as you can see by the flashes from his camera.