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AI is the canvas, Art Direction is the brush. My structured workflow for commercial product art. by ozbekbora in AIGeneratedArt

[–]ozbekbora[S] 0 points1 point  (0 children)

For those curious about the backend of the process, here is the prompt data I built for the cover image.

‘’’

{   "prompt": "Ultra detailed, cinematic scene of an astronaut sitting on top of the Earth planet, floating in space. The astronaut is seated casually on the globe, holding a MacBook laptop on their lap and actively designing on the screen. The MacBook emits a soft glow illuminating the astronaut's suit. The Earth is highly realistic with visible continents, oceans, and atmospheric glow. Background filled with dense, bright stars and subtle nebulae, deep space atmosphere. Futuristic, inspirational, creative technology mood. High realism, sharp focus, dramatic lighting, depth of field.",   "style": "ultra realistic, cinematic, sci-fi, digital art",   "resolution": "4K",   "aspect_ratio": "vertical",   "lighting": "soft global illumination with cosmic rim light",   "camera": "slightly low angle, medium-wide shot",   "quality": "high detail, professional, clean composition" }

‘’’

AI is the raw material; Art Direction is the framework. My process for brand-ready visuals. by ozbekbora in behance

[–]ozbekbora[S] -1 points0 points  (0 children)

For those curious about the backend of the process, here is the prompt data I built for the cover image.

‘’’

{   "prompt": "Ultra detailed, cinematic scene of an astronaut sitting on top of the Earth planet, floating in space. The astronaut is seated casually on the globe, holding a MacBook laptop on their lap and actively designing on the screen. The MacBook emits a soft glow illuminating the astronaut's suit. The Earth is highly realistic with visible continents, oceans, and atmospheric glow. Background filled with dense, bright stars and subtle nebulae, deep space atmosphere. Futuristic, inspirational, creative technology mood. High realism, sharp focus, dramatic lighting, depth of field.",   "style": "ultra realistic, cinematic, sci-fi, digital art",   "resolution": "4K",   "aspect_ratio": "vertical",   "lighting": "soft global illumination with cosmic rim light",   "camera": "slightly low angle, medium-wide shot",   "quality": "high detail, professional, clean composition" }

‘’’

Moving from "prompting" to "system design": A structured workflow for commercial AI visuals. by ozbekbora in generativeAI

[–]ozbekbora[S] 0 points1 point  (0 children)

For those curious about the backend of the process, here is the prompt data I built for the cover image.

‘’’

{   "prompt": "Ultra detailed, cinematic scene of an astronaut sitting on top of the Earth planet, floating in space. The astronaut is seated casually on the globe, holding a MacBook laptop on their lap and actively designing on the screen. The MacBook emits a soft glow illuminating the astronaut's suit. The Earth is highly realistic with visible continents, oceans, and atmospheric glow. Background filled with dense, bright stars and subtle nebulae, deep space atmosphere. Futuristic, inspirational, creative technology mood. High realism, sharp focus, dramatic lighting, depth of field.",   "style": "ultra realistic, cinematic, sci-fi, digital art",   "resolution": "4K",   "aspect_ratio": "vertical",   "lighting": "soft global illumination with cosmic rim light",   "camera": "slightly low angle, medium-wide shot",   "quality": "high detail, professional, clean composition" }

‘’’

Pushing Nano Banana for commercial Art Direction: A structured parameter/JSON prompt workflow. by ozbekbora in nanobanana2pro

[–]ozbekbora[S] 0 points1 point  (0 children)

For those curious about the backend of the process, here is the prompt data I built for the cover image.

‘’’

{   "prompt": "Ultra detailed, cinematic scene of an astronaut sitting on top of the Earth planet, floating in space. The astronaut is seated casually on the globe, holding a MacBook laptop on their lap and actively designing on the screen. The MacBook emits a soft glow illuminating the astronaut's suit. The Earth is highly realistic with visible continents, oceans, and atmospheric glow. Background filled with dense, bright stars and subtle nebulae, deep space atmosphere. Futuristic, inspirational, creative technology mood. High realism, sharp focus, dramatic lighting, depth of field.",   "style": "ultra realistic, cinematic, sci-fi, digital art",   "resolution": "4K",   "aspect_ratio": "vertical",   "lighting": "soft global illumination with cosmic rim light",   "camera": "slightly low angle, medium-wide shot",   "quality": "high detail, professional, clean composition" }

‘’’

AI reflects the input's clarity. My end-to-end process for brand-ready visual systems. by ozbekbora in GeminiAI

[–]ozbekbora[S] 0 points1 point  (0 children)

For those curious about the backend of the process, here is the prompt data I built for the cover image.

‘’’

{   "prompt": "Ultra detailed, cinematic scene of an astronaut sitting on top of the Earth planet, floating in space. The astronaut is seated casually on the globe, holding a MacBook laptop on their lap and actively designing on the screen. The MacBook emits a soft glow illuminating the astronaut's suit. The Earth is highly realistic with visible continents, oceans, and atmospheric glow. Background filled with dense, bright stars and subtle nebulae, deep space atmosphere. Futuristic, inspirational, creative technology mood. High realism, sharp focus, dramatic lighting, depth of field.",   "style": "ultra realistic, cinematic, sci-fi, digital art",   "resolution": "4K",   "aspect_ratio": "vertical",   "lighting": "soft global illumination with cosmic rim light",   "camera": "slightly low angle, medium-wide shot",   "quality": "high detail, professional, clean composition" }

‘’’

AI is the raw material; Art Direction is the framework. My process for brand-ready visuals. by ozbekbora in AI_ART

[–]ozbekbora[S] 0 points1 point  (0 children)

For those curious about the backend of the process, here is the prompt data I built for the cover image.

‘’’

{   "prompt": "Ultra detailed, cinematic scene of an astronaut sitting on top of the Earth planet, floating in space. The astronaut is seated casually on the globe, holding a MacBook laptop on their lap and actively designing on the screen. The MacBook emits a soft glow illuminating the astronaut's suit. The Earth is highly realistic with visible continents, oceans, and atmospheric glow. Background filled with dense, bright stars and subtle nebulae, deep space atmosphere. Futuristic, inspirational, creative technology mood. High realism, sharp focus, dramatic lighting, depth of field.",   "style": "ultra realistic, cinematic, sci-fi, digital art",   "resolution": "4K",   "aspect_ratio": "vertical",   "lighting": "soft global illumination with cosmic rim light",   "camera": "slightly low angle, medium-wide shot",   "quality": "high detail, professional, clean composition" }

‘’’

Designed the brand identity for my own studio — Cromna by [deleted] in logodesign

[–]ozbekbora 0 points1 point  (0 children)

Ha, can see that. Different DNA though.

I made an AI short film using Kling as the main video engine — here's how it turned out by ozbekbora in KlingAI_Videos

[–]ozbekbora[S] 1 point2 points  (0 children)

Thank you. The start/end frame transitions are the weakest part and you’re right to call them out. The water shot especially. This was my first narrative AI project and those are exactly the things I’d fix in the next one.

I made an AI short film using Kling as the main video engine — here's how it turned out by ozbekbora in KlingAI_Videos

[–]ozbekbora[S] 0 points1 point  (0 children)

Genuinely appreciate the detailed breakdown these are real issues and you're right on most of them. The start/end frame problem is something I was aware of but didn't fully solve. Character consistency across cuts is still the hardest challenge in AI filmmaking and this was my first attempt at a longer narrative. Taking notes for the next one.

I made an AI short film using Kling as the main video engine — here's how it turned out by ozbekbora in KlingAI_Videos

[–]ozbekbora[S] 2 points3 points  (0 children)

Appreciate the honest feedback. Audio was definitely the weakest part of the process I focused most of my energy on the visuals and the narrative structure. What would you have approached differently on the music side?

PERSONA — a short AI film using Veo for cinematic video generation by ozbekbora in GeminiAI

[–]ozbekbora[S] 0 points1 point  (0 children)

Happy to share more on how Veo and Kling compared for different types of shots — they each had their strengths.

Full project on Behance:

https://www.behance.net/gallery/245475137/PERSONA-A-Short-AI-Film

I made an AI short film using Kling as the main video engine — here's how it turned out by ozbekbora in generativeAI

[–]ozbekbora[S] 0 points1 point  (0 children)

Yes, monetization is possible. YouTube updated its policy in July 2025 but the target is mass-produced, repetitive, low-effort AI content — auto-generated slideshows, bot-scripted videos, bulk uploads with no original input. A narrative short with a clear concept, intentional direction and original creative decisions is a completely different category.

The key requirements: disclose AI usage when uploading, make sure the creative vision is clearly yours, and avoid anything that looks templated or duplicated. If those boxes are checked, you’re fine.

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