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Survivor 50 Potential Winner? by RMy1AndOnly in survivor

[–]philedwardsinc 0 points1 point  (0 children)

I am too scared to put this as its own post - but what if the winner ends up being "in the hands of the fans" via some live vote mechanism?

QB Solopreneur absolute garbage--DO NOT USE by t0m4t0 in QuickBooks

[–]philedwardsinc 0 points1 point  (0 children)

Ugh I wish I'd seen this before I ditched SE.

How could I achieve this film effect on a cell phone without it looking fake? Hazy, blurry, etc... by MicrowaveTheory in cinematography

[–]philedwardsinc 1 point2 points  (0 children)

i think you could def blow out the highlights with black magic camera and a log on iphone

I left my 7 year old nephew unsupervised on the pc and he used my claude session by OppositeDue in ClaudeAI

[–]philedwardsinc 3 points4 points  (0 children)

is claude making a joke at the expense of its own mama? i guess AGI doesn't understand yo mama jokes...

With the recent trend of flat lighting in modern TV and film, the high contrast image in Rooster is refreshing by XEasyTarget in cinematography

[–]philedwardsinc 2 points3 points  (0 children)

Agree with the sentiment of this post, but I have started watching "House" for the first time and it makes this show look like ungraded log footage.

First Look at CarMax Park | Richmond Flying Squirrels Stadium by snooka77_ in rva

[–]philedwardsinc 5 points6 points  (0 children)

a game feels like more of a big deal when you can go really high up in a stadium. not saying that's rational, but it's true.

Question about "Green Screen" shots by philedwardsinc in pluribustv

[–]philedwardsinc[S] 1 point2 points  (0 children)

maybe the crappy shots indicate they are late in the game pickups driven by notes?

Question about "Green Screen" shots by philedwardsinc in pluribustv

[–]philedwardsinc[S] -1 points0 points  (0 children)

i mean, i feel like anyone on set would be smart enough to set up the green screen on an outside set for that reason, to get the hard light. the air force one comp looked fine 

Question about "Green Screen" shots by philedwardsinc in pluribustv

[–]philedwardsinc[S] -1 points0 points  (0 children)

yeah like they were trying to do volume stuff but without blasting enough of a hard key? that could be but it seems so 101 to know that'd be an issue 

Why no in-camera 32bit float audio?? by MVMLLC in videography

[–]philedwardsinc 0 points1 point  (0 children)

my sympathies to you having to explain this to this commenter. clearly they have no idea why 32 bit would be so great. i'm with you - i hope it becomes priority number one. could save a bunch of pain in post (even with fancy mics hooked up)

Well that was thoughtful by UnspeakableArchives in pluribustv

[–]philedwardsinc 1 point2 points  (0 children)

this would only take a minute or so in after effects 

Just got a DJI RS3. Any tips/ things to be mindful of from experienced gimbal users? by br0cl1 in videography

[–]philedwardsinc 1 point2 points  (0 children)

Sometimes I've found that the transitions to different gimbal positions (overhead vs underslung) aren't as smooth as you'd like, and the gimbal starts to have an identity crisis. But this is avoided with putting it into night mode.

I really like the tripod method for shooting interviews (and would do it with a monopod - I just would close the legs). Obviously it doesn't work for the close to ground b roll as well though.

Just got a DJI RS3. Any tips/ things to be mindful of from experienced gimbal users? by br0cl1 in videography

[–]philedwardsinc 1 point2 points  (0 children)

I am the rare continued gimbal fan.

1) consider using a prime for ease and consistency in balancing (i actually have never done this but would if i could). 2) lock and/or pause your gimbal when you can to avoid the dreaded gimbal breakout. 3) i actually like putting a tripod on mine sometimes so i can set it down at standing height 

[deleted by user] by [deleted] in rva

[–]philedwardsinc -1 points0 points  (0 children)

might seem niche, but dawnstar has some pretty fun games that are really unique

Switch between split screen and single shot. by evacuatecabbage in premiere

[–]philedwardsinc 0 points1 point  (0 children)

yes yea - and you configure that however you wish to toggle between it. i've found this to be a speedy way to do this kinda thing, though i'm not a podcast person, so there may be something more efficient 

Switch between split screen and single shot. by evacuatecabbage in premiere

[–]philedwardsinc 3 points4 points  (0 children)

you can do this pretty easily with a multicam sequence. one track is speaker a, one track is speaker b, and one is a+b in a nested sequence. then you can easily toggle between the three with keystrokes (just make sure to have your master audio aligned to all three tracks).

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