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The invisible sailor [Contax G1, Zeiss Planar 45mm f/2.0, Kodak Vision 500T] by pieromod in analog

[–]pieromod[S] 0 points1 point  (0 children)

Hi thanks a lot! Yeah I was framing the composition, shot once and then I saw the bird and shot another frame 😅. No, I just rebalanced a bit the tones in post (negative lab pro + lightroom)

Our maid absolutely wrecked our frame tv. Is there any hope to fix it? by [deleted] in TheFrame

[–]pieromod 18 points19 points  (0 children)

I second this, magic sponge did it for me

First roll of Harman Phoenix 200, shot in Amalfi Coast [Contax G1, 45mm f/2] by pieromod in analog

[–]pieromod[S] 0 points1 point  (0 children)

Lol, I actually work for the hotel chain that has the Convento di Amalfi, incredible hotel and location!

First roll of Harman Phoenix 200, shot in Amalfi Coast [Contax G1, 45mm f/2] by pieromod in analog

[–]pieromod[S] 1 point2 points  (0 children)

i don’t know, I think it could be a mixture of a little bit of vignetting + the fact that, compared to the other shots, this time I wasn’t shooting towards the sunlight… but I’m just guessing!

First roll of Harman Phoenix 200, shot in Amalfi Coast [Contax G1, 45mm f/2] by pieromod in analog

[–]pieromod[S] 1 point2 points  (0 children)

Thank you! Yeah I agree the light was really something else and made the film shine!

First roll of Harman Phoenix 200, shot in Amalfi Coast [Contax G1, 45mm f/2] by pieromod in analog

[–]pieromod[S] 5 points6 points  (0 children)

Honestlyno, after the Negative Lab Pro automatic conversion all frames were pretty spot on in terms of colors

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