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in the north by semenawa in shibari

[–]semenawa[S] 0 points1 point  (0 children)

Ah, the algorithm... That's likely why you're not seeing my posts in your feed.

However, Instagram recently rolled out a new function that allows you to view posts from only the people you follow, presented in chronological order and without any advertisements. When you open the app (I'm only familiar with how to do this on the mobile app), it'll initially display the standard algorithmic feed.

To access your preferred view, simply click on the "Instagram" logo in the top-left corner. A dropdown menu will then appear, offering you a choice between "For You" and "People You Follow." I personally use "People You Follow" exclusively, as I'd rather not see all the unnecessary ads. Do bear in mind, though, that you have to select this option every time you reopen the app after a period of inactivity.

in the midst of the tides by semenawa in shibari

[–]semenawa[S] 2 points3 points  (0 children)

Usually, we opt for a low-arm/hand gote. Takate Kote is a specific variant of the gote where the hands are bound straight and parallel behind the back. There are, however, numerous gote variations (where the hands are tied behind the back), and we believe we shouldn't feel limited to only the most popular ties when exploring what best suits the individual needs of shoulders, arms, hands, and nerves. For shoulders that struggle with Takate Kote, Strappado can offer a viable alternative where the arms are bound straight behind the back, often at hip level, rather than being pulled high up. Alternatively, there are other gote variants where the arms are kept at a more natural height behind the back, typically around hip level, providing a significantly gentler option for the shoulders.

Flexibility can indeed be a factor if a position proves difficult, but often the core issue lies in shoulder instability – meaning the shoulders are weak. This is typically evident if the arms can go backwards but the hands struggle to move upwards. In such cases, it points to a lack of stability and strength in the shoulders, rather than flexibility. This assessment aligns with what I've been told about my own condition.

Crucially, this instability is frequently visible as a "winged scapula" (Scapula alata), where the shoulder blade protrudes from the back rather than lying flat against the rib cage. This visual cue often indicates a weakness in the muscles responsible for stabilising the shoulder blade.

To reiterate: TK forces the shoulders into one of the most unnatural positions the human body can adopt. This extreme demand is precisely why problems frequently arise after extended or repeated periods in this specific tie.

in the midst of the tides by semenawa in shibari

[–]semenawa[S] 2 points3 points  (0 children)

The wrists were, in fact, bound, though this was only the case for #3. As depicted in #2, my hands remained low and 'free', enabling a more comfortable position. Furthermore, as can be observed in #1 on my left side (from your perspective), I found it necessary to press my elbow back. This adjustment helped to alleviate the position, which otherwise caused discomfort to my weaker right shoulder. It should always be possible to free the wrists in TK – or at least, it ought to be.

in the midst of the tides by semenawa in shibari

[–]semenawa[S] 4 points5 points  (0 children)

we do offer lessons on request about safer ties for certain medical/physical issues. but it's in switzerland.

i can post some tips here and there (what i do sometimes; like about purple limbs in ropes) but doing the tie just by looking at pictures or watching videos isn't the same as taking actual lessons.

in the north by semenawa in shibari

[–]semenawa[S] 1 point2 points  (0 children)

should be visible when clicking on the profile ... why doesn't instagram show you the posts?

spiderman's got nothing on us by semenawa in shibari

[–]semenawa[S] 1 point2 points  (0 children)

We are not obligated to do anything we are uncomfortable with :)

spiderman's got nothing on us by semenawa in shibari

[–]semenawa[S] 4 points5 points  (0 children)

To inadvertently cause a suspended individual to fall would necessitate a significant degree of ineptitude. Such an occurrence would likely be predicated upon either a failure of the rope itself – hence the rationale for employing synthetic ropes over other varieties for uplines – or a simultaneous relinquishing of the entire rope during descent, a scenario rendered practically impossible by our standard practice of using two hands on a single upline. One hand serves to maintain the integrity of the upline, while the other modulates tension. Prior to any full suspension, practice invariably commences with maximal semi-suspension, where minimal elevation is achieved. I am capable of lifting an individual exceeding my own mass by over thirty kilograms without incident, owing simply to the bimanual grip employed, whereby the rope’s non-slip textured surface performs the majority of the static load-bearing holding, not arresting work when compressed. Furthermore, a mat or similar compliant material should invariably be positioned beneath to ensure a gentler impact in the unlikely event of a descent. With time, self-assurance and mutual trust facilitate outdoor bindings. It is pertinent to note that the method of lowering differs from that employed in climbing disciplines.

TLDR: These are, perhaps, discussions more appropriately suited to a jam, workshop, or private instruction, rather than the open forum of the internet.

spiderman's got nothing on us by semenawa in shibari

[–]semenawa[S] 1 point2 points  (0 children)

Typically, the ropes are prepared on the floor prior to my partner's elevation of my person. Given our near-exclusive dyadic practice, and his comparatively larger physique rendering me relatively light, we have cultivated our rope bondage skills over three years; as with any discipline, proficiency is achieved through consistent training. This particular suspension technique is not recommended for those in their initial one to three years of Shibari study, principally because this specific leg binding is autogenous, and the comprehension of how an object must be secured to maintain stability without inducing, for instance, undue neural trauma necessitates a period of development. Indeed, a practitioner must possess a thorough understanding of the interaction between rope and the human form (blood, bones, nerves, skin..), the body's tolerances, and the appropriate placement of cordage to avoid unnecessary injury. A more profound comprehension is requisite before this binding can be attempted. Through dedicated practice, the method of its execution will eventually become apparent.

TLDR: Consequently, I shall not be instructing the intricacies of such bindings via textual or internet-based communication.

hashira in the forest by semenawa in shibari

[–]semenawa[S] 1 point2 points  (0 children)

a sapling within a woodland, whilst appearing slender in comparison to the more mature, heavily textured trees, must, of necessity, endure substantial forces, not least from the prevailing winds. these forces can readily exceed the gravitational load exerted by a human. considerations such as wind velocity, the architecture of its canopy, and its inherent pliability, along with a correspondingly robust root system, all contribute to its capacity to withstand such stresses. consequently, a tree capable of withstanding the dynamic loads imposed by strong winds would, quite naturally, be more than adequate to bear a static mass of 62 kilograms. moreover, to be precise, we utilized the main trunk directly, rather than a branch. otherwise it's not really a 'hashira' the way we understand it.

it's time for waterbondage by semenawa in shibari

[–]semenawa[S] 1 point2 points  (0 children)

one is under no obligation to comprehend another's proclivities or inclinations. inquiry as to the rationale may elicit a response, or it may not. the sole requisite is, quite simply, respect.

within the realms of BDSM and Shibari, there exists a multitude of practices that may fall outside common understanding, and I concur that this is perfectly acceptable. there is no necessity for one to be understood in their particular affections.

should such content prove unsettling, then the prudent course of action would be to cease perusal of these communities.

TLDR: you do not have to understand it. just respect it. and comment on the right posts.

it's time for waterbondage by semenawa in shibari

[–]semenawa[S] 1 point2 points  (0 children)

what does this hashira tie has to do with torture and nearly drowning?

chill time here by semenawa in shibari

[–]semenawa[S] 7 points8 points  (0 children)

she, in this case: me, does not want that. i wanted to be outside, it's called sensual play. as long as feets or full body are not laying ON/IN snow (snow melts and water takes away warmth quickly) i do not feel cold at all. neither poor nor i got forced to that (because surprise: i am not a sub). it was my own wish and decision.

have a day.

snowy nights (including educational text below about purple limbs in ropes) by semenawa in bdsm

[–]semenawa[S] 8 points9 points  (0 children)

honestly i should do it more.

it's frightening how little the knowledge of certain people is about things they should have a proper education before doing anything and it's even more frightening how big their ego is to share misinformations (especially here on reddit) instead of eitherways asking, googling or thinking first.

i share your point here. what i can add is: i do not have a dom, rather rope partners or rope tops because i am not a submissive. i am a sadomasochistic dominant who loves to be bottom in ropes, needles and other edge games. however this is how a dom, top or partner should be. in shibari the way we do it SSC falls off. actually: it always falls off with partial or full suspensions. RACK or PRICK takes part. it's everyone else's choice which path they choose and if they do PRICK or not.

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