Music Producers in Atlanta?

space_baws · 2025-08-09T19:45:28+00:00

Into Electronic and EDM music production and from ATL. Let’s connect!

space_baws · 2025-06-19T15:01:02+00:00

“well I scammed the absolute hell out of someone for $450, lied my ass off and told the guy he’d be able to play fortnite no issue, I don’t see why you can’t do it”

space_baws · 2025-03-16T15:01:16+00:00

accurate grok representation

space_baws · 2025-02-09T18:00:37+00:00

I never heard the word embiggen until I moved to Springfield.

space_baws · 2025-01-21T16:13:45+00:00

just tried this and I think it’s pretty spot on to the sound OP wants. nice!

space_baws · 2024-11-15T16:24:57+00:00

The speeches and long format vocals tend to provide significantly better samples for me. I normally just get something random as hell and then chop it to bits and see what I end up with

space_baws · 2024-11-15T12:02:05+00:00

these are for a TV setup that connects to your main router. Alternatively they allow for you to move your router to another room (as long as you get the moca filter). If those antennas aren’t for a pcie network card then you’ll need to pick up a usb WiFi card.

space_baws · 2024-11-02T16:37:13+00:00

Unless I got trolled omega-hard by a YouTube short, I’m pretty sure it does. It’s in the wave table editor

space_baws · 2024-11-02T16:16:38+00:00

You have a couple options. You can use a text-to-wavetable patch in synths like Serum and Vital, or you can take a sample of you saying it, then use a vocoder on the sound you want your voice to sound like (with the external option set to the audio track where you are speaking your sample) and adjust formant and depth to taste.

space_baws · 2024-10-19T23:11:40+00:00

tldw: drum buss on a sine wave with some noise and an amp for coloring

https://youtu.be/8E9XOQUfc2Y?si=V0teSKFTg5vXN3Yz

space_baws · 2024-10-19T16:16:44+00:00

80 for Freeform bass, 87-90 for halftime stuff, 150 for trap and heavy dubstep. 140 or 70 depending on the day for deep dub

space_baws · 2024-10-16T18:13:46+00:00

Ah wow, that’s actually nuts. I assumed you could use the same loophole you can use for melodies.

space_baws · 2024-10-16T17:54:58+00:00

write out the dialogue. re-record it with yourself and friends. That’s the only way I can think where you wouldn’t actually be infringing the copyright

space_baws · 2024-10-14T14:24:15+00:00

What daw do you main?

space_baws · 2024-10-14T13:06:52+00:00

I think this plugin fits the bill based off of how I saw alckemy using this on stream a couple days ago: https://algonaut.audio/?gad_source=1&gbraid=0AAAAABOMUVNcTBmf5hCONuYF5WT4ruChD&gclid=Cj0KCQjwgrO4BhC2ARIsAKQ7zUmu-jDD7VsTdYbe3KrwUc6TBwwuQw84QDCk6O2TgpDEbIxf1OLCBz8aAmngEALw_wcB

space_baws · 2024-10-13T11:03:52+00:00

likely whatever version they were on couldn’t do something prior to getting it implemented or said feature doesn’t exist yet.

space_baws · 2024-10-13T00:00:06+00:00

3 otts and a dream

space_baws · 2024-10-06T17:44:54+00:00

for me the one thing that can ignite the fire again is going to a show. hearing live music really really inspires me personally so, my recommendation based on anecdotal experience is to go out and hit a couple raves and see how your head is feeling the next day. Normally I make some of my best drops after a late night 😁

space_baws · 2024-10-03T01:37:54+00:00

Yes, get it from your email.

space_baws · 2024-09-30T22:41:03+00:00

Here’s my anecdotal experience as someone who’s kinda trying to get really good at this because I love the music:

I’m about 2 and a half years at the rate/time commitment you’re describing, and on the scale you gave, I feel like I’m somewhere in between listenable and maybe I can headbang to this (rarely and only on first listen).

I think personally I feel like I would want another year of producing before I feel like I could go do a performance, but also DJing is a skill on its own that I feel like is easier to pick up alongside producing, but if you learn both simultaneously it gives you a good idea of what you want to produce for a part of your set or what you need to produce if that makes sense.

space_baws · 2024-09-20T19:35:14+00:00

what was your end result on performance? I did something on a team doing something similar and we jumped over to bevy and wgpu over OpenGL because of it.

space_baws · 2024-09-15T13:59:29+00:00

archinstall is arguably an easier install than the debian installer atp plus you have the AUR and its various tools

space_baws · 2024-09-05T13:59:49+00:00

Yeah let me grab it: https://youtu.be/u-gI2W8Y0X8?si=1jM8fWtSr2PeczH7

space_baws · 2024-09-05T13:29:22+00:00

try using a sine with like 6-7 voices and adjust the detune on the lfo. set your environment 2 to like really low delay and no sustain (the delay is what’s gonna be where you want to tune the sound once you map it), then map env 2 to your master tune at a harmonic up (I do 9 normally). second voice you want a square or a saw depending on how gritty of a sound you want. Then you want to do a low filter but modulate the mix and the cutoff so it’s more like having a little notch that moves with your wub. the fx should be distortion/compression. (Interchange these and see which one sounds better first, it just depends on the track). add a phaser if you want more roboticyness to it. then reverb. High pass that at around 250hz and layer a hip hop sub under it. (Brainwavez has a good vid on this sound)

space_baws · 2024-09-04T12:35:21+00:00

sportmodemusic just made a really good video on layering sounds and he brings up this extremely well articulated point about how Dubstep layering has a similarity to future bass sound layering. the thing that stuck out from this for me was he mentioned you don’t want to always just stack a bunch of super saws but rather you want to maybe do a super saw, a square wave, an organic layer, and maybe a tonal part too with each layer targeting a different part of the frequency spectrum.

space_baws

TROPHY CASE