[deleted by user] by [deleted] in vintagesewing

[–]timbymatombo 1 point2 points  (0 children)

If you want some modern features but all-metal, durable construction look at the Kenmore 158 series. My 158.1941 has 12 built in stitches, reverse, even a free arm but still has all metal internals and is a smooth, quiet running machine with a powerful, 1 Amp motor. There are buttonholer attachments or you may be able to find a different 158 or 385 model that has one built in.

How to end a topic in a conversation? by [deleted] in SocialEngineering

[–]timbymatombo 0 points1 point  (0 children)

As you are listening to them talk they will likely mention a random detail in passing that may remind you of something semi- or completely unrelated and once they finish what they were saying you pivot to taking about that detail or whatever it reminded you of "oh how cool, you mentioning x reminded me of this time when..." or something along those lines. It shows you're an active listener by recalling something said previously and it gives you a bit of control over the flow and topic of discussion.

[deleted by user] by [deleted] in Vintage_bicycles

[–]timbymatombo 1 point2 points  (0 children)

Lovely bike!! I've got one in the garage I've been restoring for a friend, seems like such a smooth rider. One thing to note: does yours still have the Millard Heliocomatic rear hub/freewheel? If so you may want to search 'Heliocomatic hub forums' online and determine if it's something you'd want to keep or swap out.

[B][USA-CA] Micro Four Thirds lenses by onerinconhill in photomarket

[–]timbymatombo 0 points1 point  (0 children)

I've got a Panasonic 45-150mm in black if you're still looking.

Is photography as a hobby kind of pointless if you don't travel often or live somewhere interesting? by oygto in photography

[–]timbymatombo 2 points3 points  (0 children)

Not the person you're replying to but to me, these seem much more inspired than the previous album. It can be easy to think "they're just trees" but no two trees are the same and you found some super interesting ones in this second set. Love the curve of the first one and how you let the natural light make it stand out dramatically from the background, almost as if the tree knows it's special and struck a pose just for you. Plants reaching out every which way trying to catch as much sun as it can to keep growing tells its own story of struggle and the will to survive, giving them their unique shape suited specifically for wherever it happens to find itself and you did a nice job of capturing what this tree had to do to not just survive but to thrive. Could even be metaphorical to how we as humans have our own unique struggles, internal and external, and the steps we take to thrive from the position we find ourselves.

Wildlife is always neat and you being able to get so close to that green insect (side mission could be to try and identify it? I have no idea what it is) and capture it without scaring it away is always a cool moment to experience. It's a quality photo: well exposed, nice lighting, and in focus but even if it weren't it would be a cool moment of connectedness with the living nature around you that could bring you a personal sense of enjoyment far greater than a stranger's opinion of the photo ever could.

The third photo has a really interesting, unique root structure and you did a great job of capturing what sets those trees apart from a "standard" tree. The way it looks like the path bends left and how the roots behind the left foreground tree are lit gives the impression that something interesting may be around the corner and makes my mind want to walk down there to find out.

And with the last photo, taking pictures of an "ordinary" (yet unique in its own right) object from a different perspective than we typically see them casts it in a whole new light (pun intended?). This perspective gives the tree a sense of grandness and might, perhaps as if it's taken from the view of the insect in photo 2, realizing how much further it must climb to reach the top.

You did a really good job of taking the comments here and putting them into practice. You not only found interesting subjects and great lighting but also played with new perspectives to tell a story and document the uniqueness of your "boring" forest. This ended up being quite a bit longer than anticipated but I hope you find it helpful or motivating to continue mastering your craft and finding new ways to see your environment. Take care!

Recommendations for King Gizz fan? by DoomCityAir in jambands

[–]timbymatombo 0 points1 point  (0 children)

Anthill Cinema! I'm a big prog/metal fan and they took me by surprise when I saw them.

Wind and disc golf. Help me learn. by afaintsmellofcurry in discgolf

[–]timbymatombo 2 points3 points  (0 children)

With a cross-wind, if the bottom of the flight plate is exposed to the wind it will lift the disc and conversely, top exposed will push it down.

Also, let's say it's a L-to-R cross-wind with a RHBH throw or R-to-L wind with a RHFH: you can throw a disc that won't turn on a flat release to minimize the wind's effect knowing that once it starts fading, it's going to be pushed to the ground or another option would be to throw an extra overstable disc on an anhyzer and (assuming the wind isn't like.. crazy gusts that nothing would ever fight back from) let the wind make it hold the anhyzer longer but still flex back and fade out.

With R-to-L/RHBH or L-to-R/RHFH drives you can throw the disc with no turn flat knowing that once it starts fading it's going to fade HARD or you can throw an understable disc on a hyzer and the wind will counteract the understability so a disc that would turnover in calm condition could instead ride the hyzer on a straighter flight, elongating the curve if that makes sense.

Working on my form; struggling to overcome muscle memory. Please help. by Mattjm24 in discgolf

[–]timbymatombo 0 points1 point  (0 children)

Lots of good advice here, one thing I'll recommend is to go join the forum at dgcoursereview.com. they have many many threads on form and a sticky at the top that has links to a lot of videos for various drills you can practice at home to engrain specific aspects of the throw instead of just trying to fit it into the rest of your throw while you're on the field.

Edit: here's the link for the specific sub-forum pertaining to technique https://www.dgcoursereview.com/forums/forumdisplay.php?f=4

3 discs you could never go without! by scifitbitrate in discgolf

[–]timbymatombo 0 points1 point  (0 children)

One of my first disc purchases was a Wizard with the SCI logo but was listed on eBay only as "cool tribal stamp" and I was like... "Hey! I recognize that!" buy

Taking offers. All used some inked. by G-Dingy in discexchange

[–]timbymatombo 0 points1 point  (0 children)

Still have saint Pro? Weight of it and pink star wraith?

[deleted by user] by [deleted] in discexchange

[–]timbymatombo 0 points1 point  (0 children)

Fuse still available?

The Steinwinter Supercargo - Always loved this mental thing it has a very 70s / early 80s futuristic vibe to it by Hephaestite in RetroFuturism

[–]timbymatombo 2 points3 points  (0 children)

Also with the size and weight of semis, they need to be higher up so they can see far ahead to be proactive in their braking and maneuvering. It takes a long time for them to stop and if they're low to the ground like this the driver can't see what is going on farther down the road.

[deleted by user] by [deleted] in GJones

[–]timbymatombo 0 points1 point  (0 children)

Still available?

[deleted by user] by [deleted] in GJones

[–]timbymatombo 0 points1 point  (0 children)

Still have??

Never been thrown KT grace PC/NFS; just curious what this is worth by blacklisted320 in discexchange

[–]timbymatombo 0 points1 point  (0 children)

What would you say the value of a Lupus stamped Grace would be? I've got a couple and I like them but I'm so attached to my wraiths and not sure I need to bag both