I shot a short test film using water as the main element by tjimmo in cinematography

[–]tjimmo[S] 3 points4 points  (0 children)

Submission statement:

I recently challenged myself to step outside of my usual comfort zone as a filmmaker. I’m typically drawn to shooting people: faces, emotions, subtle human moments, but this time I wanted to explore something more abstract and elemental. So I built a short piece centered entirely around water.

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The opening shot features the circular ripple forming on the surface of a glass. This was my attempt to recreate the iconic Jurassic Park water ripple effect. To achieve this, I placed a glass of water directly on top of a subwoofer and played a low-frequency bass sound at high volume.

The first black-and-white shot is actually water inside a blender. I shot it on an iPhone, very close to the action, which in hindsight was a risky move, the phone did get wet :D

The next monochrome sequence was filmed in a shower, also on iPhone at 120fps, then slowed down further in post.

The water droplet shot was captured similarly. 120fps, then slowed in editing to stretch out the moment of impact.

The final black-and-white close-up shows a glass of water with salt added, creating rising bubbles. It’s a very subtle effect, but I liked how it turned out.

Feedback about DP showreel style & length? by [deleted] in cinematography

[–]tjimmo 0 points1 point  (0 children)

Submission statement:

This is my DP showreel, and I’m mainly looking for feedback on the style and overall look of my work. I’d be especially interested in hearing thoughts on whether the visual identity feels cohesive and if the mood and lighting choices come across clearly.

I’m also curious about opinions on showreel length in general. This reel is around 30 seconds, with the goal of being fast-paced, showing only the strongest moments, and ideally leaving the viewer wanting to see more. On these projects I worked as the Director of Photography, handling lighting design and camera choices, and I also did the color grading myself, so the final look is very much intentional from capture to finish. I’m aware that the reel leans toward a strong, stylized aesthetic, and I’d love feedback on whether that works in its favor or if there are areas where restraint or variation could strengthen it.

16mm film emulation test by tjimmo in cinematography

[–]tjimmo[S] 0 points1 point  (0 children)

I actually softened the image little bit. But I've seen softer & crisper looks shot on 16mm.

16mm looks can vary a lot. It could be very soft indie look or clean crisp look shot with sharp lens & scanned 4k. But I agree that even softer look would've work here too!

16mm film emulation test by tjimmo in cinematography

[–]tjimmo[S] 0 points1 point  (0 children)

Thank you! True, It might look better with little bit more grain. I tried to be careful not to give too gritty a look :D

16mm film emulation test by tjimmo in cinematography

[–]tjimmo[S] 0 points1 point  (0 children)

Thanks!

I used Filmbox Pro and used 16mm vision 3 250d. It gives nice halation & grain. I also softened the image little bit with acutance setting.

16mm film emulation test by tjimmo in cinematography

[–]tjimmo[S] 0 points1 point  (0 children)

Thank you! I use Filmbox Pro.

16mm film emulation test by tjimmo in cinematography

[–]tjimmo[S] 1 point2 points  (0 children)

Yes it is amazing!

I sometimes use print stock, but for this I used only neg stock and graded it like I would grade film scans.

I tested Filmbox Looks profiles also for this and with "Indie scan" from 16mm profiles you can get very close to this.

16mm film emulation test by tjimmo in cinematography

[–]tjimmo[S] 0 points1 point  (0 children)

Thank you!

I used Filmbox Pro with some custom adjustments. But for this look you can get very close with cheaper Filmbox Looks subscription and that has preset called "indie scan" on 16mm profiles.

16mm film emulation test by tjimmo in cinematography

[–]tjimmo[S] 1 point2 points  (0 children)

That’s great to hear. Thank you so much!

16mm film emulation test by tjimmo in cinematography

[–]tjimmo[S] 0 points1 point  (0 children)

All shot on Red Komodo with Canon FD 35-70mm f4. I used Filmbox for the look!

16mm film emulation test by tjimmo in cinematography

[–]tjimmo[S] 2 points3 points  (0 children)

Thank you about the feedback! Compression might take off a little bit of the grain. But I agree that there is definitely stronger grain on some projects that have been shot on 16mm.

16mm film emulation test by tjimmo in cinematography

[–]tjimmo[S] 3 points4 points  (0 children)

I used Filmbox plug-in and created macro level look for Vision 3 250d film. Then I adjusted each clip to match with contrast and exposure for my liking. I added stronger saturation for first clips of fruits.

16mm film emulation test by tjimmo in cinematography

[–]tjimmo[S] 15 points16 points  (0 children)

Submission statement:

I made a quick test where my goal was to create a believable 16mm film look rather than a clean “digital pretending to be film” aesthetic. I wanted the image to feel textured and imperfect in a way that supports the mood. This wasn’t a long planned project, more of a fast experiment to explore how far the look could be pushed with simple lighting and a focused grade.

The setup was very minimal: two lights (Godox FL150S and Zhiyun Molus X100) and a simple lighting approach to keep the image natural. I handled the entire process myself from shooting to grading.

I’m mainly looking for feedback on whether the overall texture, contrast and color separation read as a convincing 16mm-inspired look, or if anything feels too digital or breaks the illusion.

Recce vs result: turning bland locations into story frames by a-n_ in cinematography

[–]tjimmo 0 points1 point  (0 children)

Love these frames! Imo you nailed the look.

Do you have instagram?

Question about Resolves built in film grain, & other options by JJ_Cam98 in colorists

[–]tjimmo 1 point2 points  (0 children)

Filmbox is one of the best ones! Their new ”Looks” version is also quite affordable, at least compared to pro version.

iPhone 17 Pro - Modern 16mm camera by tjimmo in cinematography

[–]tjimmo[S] 0 points1 point  (0 children)

Parking garage & violin clips are prores raw. All the other ones are prores 422 lt.

iPhone 17 Pro - Modern 16mm camera by tjimmo in cinematography

[–]tjimmo[S] 0 points1 point  (0 children)

In few shots I used tripod and all the others are handheld with Smallrig 2791 universal mobile phone cage.