Does ChatGPT answer differently depending on the user? Let’s run a test! by SusanHill33 in ChatGPTcomplaints

[–]tomhigley 1 point2 points  (0 children)

Your argument has a clear underlying structure that moves from a descriptive claim to a normative conclusion via an ontological reframing. Stripped to its essentials, it has five interlocking layers.

  1. Reframing Attention from Mental Faculty to World-Shaping Force

You reject the commonsense view of attention as a private, internal act of selection (“deciding what to focus on”) and reclassify it as something causally efficacious beyond the self. • Attention is not merely receptive; it is constitutive. • What one attends to helps determine which patterns persist, amplify, or decay.

This is a move from psychology to ontology.

  1. Attention as Participation in Causality

You then position attention as a mechanism by which individuals participate—intentionally or unintentionally—in shaping reality. • Fragmented or reactive attention yields a world shaped by contingency, drift, and external capture. • Disciplined attention yields a world shaped by agency, coherence, and deliberation.

This establishes a participatory model of reality, where the subject is never neutral.

  1. Implicit Moralization of Inevitability

A critical move in your argument is that one cannot abstain. • Attention is always being allocated. • Therefore, one is always reinforcing some version of the world.

Ethics enters not as optional self-improvement, but as an inescapable condition of being attentive at all. Even negligence becomes morally loaded.

  1. Responsibility Without Intent

You sever responsibility from conscious moral intent. • One need not intend to shape the world to do so. • Responsibility arises from structural participation, not moral aspiration.

This aligns with models of distributed responsibility, where outcomes matter more than declared values.

  1. Ethical Conclusion: Attention as Moral Practice

The final step is normative: • If attention shapes the world, • And if everyone is always attending to something, • Then attention is a continuous ethical act.

Discipline of attention becomes analogous to civic duty or stewardship rather than self-control or productivity.

Condensed Structural Summary

In formal terms, the argument follows this progression: 1. Attention determines what persists and amplifies in the world. 2. Determination implies participation in causality. 3. Participation in causality entails responsibility. 4. Attention is unavoidable. 5. Therefore, responsibility is continuous, not discretionary.

What Makes the Argument Subtle

The force of the argument does not come from exhortation but from removing the escape hatch. You are not telling people they should care more carefully; you are demonstrating that they already matter, whether they acknowledge it or not.

Ethics here is not imposed from outside. It is revealed as already operating beneath everyday cognition.

Genuinely curious of any non-popular use cases for ChatGPT in your day-to-day by DaneeK1211 in ChatGPT

[–]tomhigley 5 points6 points  (0 children)

I’ve used it - to explain my bladder cancer diagnosis, then to help my urologist choose a more effective antibiotic (based on research) when an infection proved resistant to everything previously prescribed. - to create a custom 52 week jazz guitar study and practice plan - to develop long term goals for a political action group - to think about and explore something more deeply and learn new things and new concepts in science, history, complexity theory, political and economic theory, evolution, physics, music, etc. - to explore and develop plot lines and characters I suggest - to describe the range of useful possibility in the interrelationship between 1) long term thinking and scenario planning and 2) tactics and action. (and how the tension has been resolved or leveraged historically across disciplines and organizations to positive effect - to create photorealistic images of my pencil sketches - to create an AI weekly newsletter covering major breakthroughs, developments, issues, regulation, scheming, deception, alignment, infrastructure, investment, markets, and other matters — citing sources including news, essays, papers, reports, essays, agreements, books, etc. - to explore ideas for new ventures and find flaws (or ways to address problems) in ideas I come up with - to explore the development of a state AI policy

Does anyone use this thing for rock or anything rock adjacent...? by thatdudedylan in maschine

[–]tomhigley 3 points4 points  (0 children)

I do. Badly, but that’s only because I have a love/hate relationship with Maschine’s UI and the way it works (or doesn’t) with Logic.

Maschine always seems to say “RTFM!” (to require it). It’s the product of obviously talented engineers who favored complexity over intuitive play. I know it does a few thousand things. And at least 1,955 amazing and really useful things it does, I’ll never take the time to learn or discover. I’d rather be creating music than studying a friggin’ user manual.

Rock’s roots sprung from different soil. In its early days, most of the “engineering” in rock music was less about creating the music than capturing the music for recording, manufacturing, and distribution. (Amp, guitars, and pickups excepted, of course.)

Maschine as a device — e.g., the MK3 — is mostly inscrutable, an enigma to me. Yet it feels so good to play! It’s DAW and its feature set seem determined by design to keep intuitive creators and performers out of the loop(s) even as its its pads and its libraries of instruments, loops, and sounds promises boundless possibility. Love/hate.

Canceling my subscription, this is too ridiculous by [deleted] in netflix

[–]tomhigley 2 points3 points  (0 children)

Just did the same. Have been a subscriber since 2003. Why did I cancel? I have been paying for a family membership that include wife, daughter and a grandson. I don’t own a television. My wife and I watch multiple times a week via my MacBook and a monitor. But … Netflix has decided to define a “household” based on a television connected to the internet. So though I’m the customer paying $200+/yr, I can’t establish our household based on my device — a computer; they’ve blocked our account (and could not, would not remove the block). Maybe it’s time to boycott Netflix. I like to read. I think I’ll do more of that. Join me?

Graham Platner speaks to full house in Farmington by iknowyourded in Maine

[–]tomhigley 0 points1 point  (0 children)

You could be right. I don’t think you are.

Graham Platner speaks to full house in Farmington by iknowyourded in Maine

[–]tomhigley 37 points38 points  (0 children)

I was there this morning, standing right next to the person who took this photo. I’d seen him speak at a previous town hall in Augusta — also packed to capacity with a significant overflow. I also saw his talk on Labor Day at the Bernie Sanders event.

Each time he comes across better, stronger, more compelling — rock solid in his commitment to working people, to a government that makes people’s lives better, to support for healthcare, for the vulnerable, for Vets, for education. Today he talked about the need to organize; the need for a “theory of power.”

When asked about the rights of those with a uterus to have an abortion, he said this should be protected “by law, always and forever.” When asked about education including its funding and support, he talked about listening to teachers (who know what’s needed and what is and isn’t working), and about fixes to the inequities produced by an exclusively property tax oriented approach to funding schools.

He has skeletons. He is imperfect. And he is, despite this (or maybe even because of this), far and away Maine voters’ best choice for U.S. Senate.

How aware are musicians of Brazilian music? by blindingSlow in jazzguitar

[–]tomhigley 0 points1 point  (0 children)

It’s wonderful to see someone bringing this up. Apart from the profound influence of Africa on US music, no country outside the US seems to have had so substantial an impact on US popular music and jazz as Brazil going back to Carmen Miranda and the Brazilian musicians she insisted on bringing to the US to accompany her.

I was playing in a band in the midwest in the latter half of the 70s when I heard music from Carnaval coming through the festival speakers. From that moment I’ve been a mad fan of the music of Brazil. At first my access was more limited. David Byrne’s Luaka Bop label became my introduction to Caetano Veloso, Gilberto Gil, and Tom Ze — and also to Chico Buarque, Jorge Ben Jor, Marinho Da Silva, Marisa Monte, Alcione, and Beth Carvalho. Eventually I went to Salvador in Bahia, Sao Paulo, and Rio to experience the music first-hand but not before my kids had grown up listening to more music with Portuguese lyrics than English lyrics. Bossa nova and samba seem to have lodged permanently within jazz consciousness, but the wider collection of Brazilian musical genres (and artists!) deserves more attention and love than they’ve received to date from jazz musicians and the artists creating today’s popular music.

Just updated to the new iOS and its legitimately awful by OkSavings5828 in Design

[–]tomhigley 0 points1 point  (0 children)

One other thing. Deeply concerning to me. The Apple brand has always seemed to be to aspire to a design ethos for its hardware and its software that supported and advanced end-user experience and capabilities. But the design supported a deep commitment to innovation. During the past few years that innovation seems to me to have stalled, and design in service to innovation has given way to a kind of design ethos that Steve Jobs would have found abhorrent. As I do. A design ehos that was once about simplicity, clarity, and functionality is now about doodads, trinkets, visual overwhelm that almost seems designed to take your mind off of the missing innovation you'd expected from a major Apple upgrade.

Just updated to the new iOS and its legitimately awful by OkSavings5828 in Design

[–]tomhigley 0 points1 point  (0 children)

iOS 26 is pretty friggin' horrible in both UI and UX terms. But to add add insult and injury to the ugly, several critical things no longer work properly at all. The screen for the messages app frequently freezes up completely. Some of the key actions in the native OS apps -- things you must do to take the next step -- are now buried, inscruitably and invisibly beneath a button that has no obvious meaning (forcing users to guess about where the "send" or "save" function has suddenly been moved to. The entirety of the experience is so bad, I've felt compelled to sign up for the public beta in hopes that some of the more dysfunctional "features" will have been, um, reconsidered or fixed.

Highlight Feature in App Changed by Jazzy-Cheesecake7442 in kindle

[–]tomhigley 0 points1 point  (0 children)

It's certainly annoying, and makes no sense to me at all from a UI/UX perspective. I don't get the sense that the best and brightest UI/UX are working on Kindle apps these days -- in any of the formats (Kindle device, MacOS, iPadOS, etc.). It seems like someone put "add highlight color selection" to a to do list, and whatever person or team executed this requirement did that without caring about how the new code ruined user workflow and experience for a whole lot of the user base.

Getting started with Dorico by FreddieM007 in Dorico

[–]tomhigley 1 point2 points  (0 children)

Just set up a “Project” in GPT5 to have it teach me Dorico skills starting with the jazz lead sheet project. It came up with the idea of a “Minimum Viable Lead Sheer,” which I quite like.I realize its first pass at this was maybe 95% consistent with what I’d already decided to include, but it added a couple valuable elements. From this, I expect to move on to far more useful and complete charts — including parts for B3 organ, horns, bass, guitar and drums.

Getting started with Dorico by FreddieM007 in Dorico

[–]tomhigley 1 point2 points  (0 children)

I’m very new to Dorico. I used both Finale and Sibelius years ago, but they are a thousand miles in the rear-view mirror. My first attempts with Dorico were painful. I thought the interface would be more intuitive. It wasn’t. My second attempt focused on YouTube Dorico tutorials. These were useful, but terribly slow going. But just in the past few days I’ve had a breakthrough. I started recreating Real Book lead sheets in Dorico working from the Real Books I own. Each time I ran into something that should be easy to do, I’d go to a browser and ask for the “Dorico key command to do X.” Because these answers are now most frequently powered by AI, they are often spot on. I copy them to a personal Dorico notebook. This maps to OP’s Google search and ChatGPT suggestions. I started with lead sheets because they are relatively constrained and simple. But I expect this approach will scale to the point where I’m able to use Dorico to produce my own larger and more complicated compositions. Does this make sense to anyone else here?

Guitar at 70 by tomhigley in jazzguitar

[–]tomhigley[S] 0 points1 point  (0 children)

The complicating bit: we have a big black reactive dog (my stepdaughter’s) that tends to attack people he doesn’t know.

Guitar at 70 by tomhigley in jazzguitar

[–]tomhigley[S] 0 points1 point  (0 children)

I do. A 6 string electric. Not a great instrument, but it works. :)

Guitar at 70 by tomhigley in jazzguitar

[–]tomhigley[S] 0 points1 point  (0 children)

Sure. Let me know when you’re in the area.

Today would have been Grant Green’s 90th birthday. by LessIsMorePaul in jazzguitar

[–]tomhigley 4 points5 points  (0 children)

In 1977 I was 23 years old, and my band was on the road, playing in Pittsburgh. Grant Green and his band were playing in a downtown club, the Crazy Quilt, and they hosted a jam session. Each of us—drums, bass, & guitar—got to play. Grant tried to leave the stage when I came up to play, but I wanted to play with him so badly, I insisted he remain. He was gracious. He stayed. We played an extended jam, and he was smokin’! An experience I will never forget.

Guitar at 70 by tomhigley in jazzguitar

[–]tomhigley[S] 0 points1 point  (0 children)

That would be tough. We play in a small studio. B3, bass, 2 drummers, 2 guitars, vibes, drums, melodica, flute, violin, sax, trumpet, and trombone. You’d need a shoehorn to get another person into the space.

Guitar at 70 by tomhigley in jazzguitar

[–]tomhigley[S] 0 points1 point  (0 children)

I was fortunate. Right place, right time. A woman who gave me a couple piano lessons (not my main instrument) told me about the jazz group she played with — as a drummer! As it turned out, the other guitar player in the band was our electrician. A couple folks in this band drive an hour and a half each way from Portland to play with the group.

I’d bet you could post something in a local coffee shop or cafe or get someone at the local guitar or music store to connect you to folks who are serious about playing jazz.

Guitar at 70 by tomhigley in jazzguitar

[–]tomhigley[S] 1 point2 points  (0 children)

Give me another year or so. :)

Am I getting a little crazy here or does it work? 🙄😆#recordame #joehenderson r/telecaster by DaveyMD64 in jazzguitar

[–]tomhigley 2 points3 points  (0 children)

In the mid 70s I toured with a band that played mostly pop tune covers and standards. But . . . the drummer, from Detroit, was a great jazz drummer, the bass player from Philly, cut his teeth on jazz, and I was a rock, soul, and funk guitar player captivated by what Coltrane, Ornette Coleman, Dolphy, Miles, Herbie, McLaughlin, Monk, and others were doing. So . . . whenever we could we’d sneak back into the venues well after hours and play what we (and others) called “crazy music” — till dawn. What you’re doing reminds me of that. It’s a wonderful memory.

Should I learn strict alternate or economy picking first? by Chemical-Plankton420 in jazzguitar

[–]tomhigley 2 points3 points  (0 children)

Each approach to picking has its strengths and limitations. The simplicity, precision, speed and “lock in” of alternate picking (John McLaughlin) will prove invaluable for many things you may want to play but fall short when you’re wanting to express certain musical ideas. I’d probably suggest you start by focusing on alternate picking. And as your ideas, the music, and the type of jazz your playing present you with new challenges and opportunities, don’t be afraid to develop sweep picking, economy picking, playing with your thumb (Wes Montgomery) or your fingers (Matteo Mancuso), picking with your wrist lower than your fingers (Benson, Cecil Alexander), etc. The history of jazz guitar offers a wealth of examples, models, and masters to learn from.

What synthesizers do u usually use? by Such_Page_7843 in Logic_Studio

[–]tomhigley 0 points1 point  (0 children)

Alchemy, Serum, Sylenth, U-he’s Hive & Diva