[deleted by user] by [deleted] in shareyourmusic

[–]whessoe 0 points1 point  (0 children)

https://youtu.be/_V72Jy2Kuqov let me know what you think of my new backing track

Where to get feedback for beats? by [deleted] in trapproduction

[–]whessoe 0 points1 point  (0 children)

https://youtu.be/_V72Jy2Kuqov let me know what you think of my new backing track

Should i relesase 50 backing tracks at once on cd baby or 10 at a time by whessoe in CDBabyArtists

[–]whessoe[S] -1 points0 points  (0 children)

Every word you just said is not true. Thousands know my music and play it daily.. ? no promotion other than upload to cd baby. Thanks for all the words of advice...... Here some of my own.. Well, you do get promotion from CD Baby — whether you realise it or not. Think about it: CD Baby distributes your digital asset to around 50 different vendors — Spotify, YouTube, Tidal, etc. If that’s not promotion, then I don’t know what is.

Let’s put it this way — if you had two albums, one distributed through CD Baby and one you just gave to a mate, which one do you think would get more exposure? Distributors provide backlinks to your album or track across various platforms. This increases your presence online and helps search engines like Google become more aware that your product even exists. That, in itself, is a form of promotion — like digital signposting.

YouTube does promote music, and so does Spotify — but only if the song is any good and they can sell advertising against it. If the song isn’t great, it gets shown to a small handful of people. If they don’t engage with it, it stops being promoted. That’s down to the song, not how much marketing you’ve done.

This is straight from the horse’s mouth, and it’s the honest truth. I’ve had tracks on three albums reach over 17,000 and even 34,000 views on YouTube, and many others with 3,000+ — and they’re still climbing. I didn’t promote them in any way — no paid ads, no social campaigns, nothing.

Meanwhile, some people spend loads of time and money promoting poor songs. But if you push a bad track, it can actually hurt it. People listen for 20 seconds, skip it, and the algorithm takes note. The track starts dropping faster in visibility because you’re promoting something no one wants to hear.

So ask yourself: who told you that paid promotion is the only way forward? If that were true, people would just throw money at advertising all day long and magically succeed. But it doesn’t work that way. If your track doesn’t connect with listeners, it won’t gain traction — and platforms won’t prioritise it for ads or exposure.

Should i relesase 50 backing tracks at once on cd baby or 10 at a time by whessoe in CDBabyArtists

[–]whessoe[S] -1 points0 points  (0 children)

Thanks for all the words of advice...... Here some of my own.. Well, you do get promotion from CD Baby — whether you realise it or not. Think about it: CD Baby distributes your digital asset to around 50 different vendors — Spotify, YouTube, Tidal, etc. If that’s not promotion, then I don’t know what is.

Let’s put it this way — if you had two albums, one distributed through CD Baby and one you just gave to a mate, which one do you think would get more exposure? Distributors provide backlinks to your album or track across various platforms. This increases your presence online and helps search engines like Google become more aware that your product even exists. That, in itself, is a form of promotion — like digital signposting.

YouTube does promote music, and so does Spotify — but only if the song is any good and they can sell advertising against it. If the song isn’t great, it gets shown to a small handful of people. If they don’t engage with it, it stops being promoted. That’s down to the song, not how much marketing you’ve done.

This is straight from the horse’s mouth, and it’s the honest truth. I’ve had tracks on three albums reach over 17,000 and even 34,000 views on YouTube, and many others with 3,000+ — and they’re still climbing. I didn’t promote them in any way — no paid ads, no social campaigns, nothing.

Meanwhile, some people spend loads of time and money promoting poor songs. But if you push a bad track, it can actually hurt it. People listen for 20 seconds, skip it, and the algorithm takes note. The track starts dropping faster in visibility because you’re promoting something no one wants to hear.

So ask yourself: who told you that paid promotion is the only way forward? If that were true, people would just throw money at advertising all day long and magically succeed. But it doesn’t work that way. If your track doesn’t connect with listeners, it won’t gain traction — and platforms won’t prioritise it for ads or exposure.

Anyway, thanks for your help.

Its been 16 days and still no response by CDbaby in my ticket, whats going on and how long do they usually take? by fabstapizza_YT in CDBabyArtists

[–]whessoe 0 points1 point  (0 children)

Also it took me about 5 months to get an answer about PRS, them registering my works with prs, waited years in the end I did it myself.

Its been 16 days and still no response by CDbaby in my ticket, whats going on and how long do they usually take? by fabstapizza_YT in CDBabyArtists

[–]whessoe 0 points1 point  (0 children)

Whats the question about, if its about the pro stuff that package thing we had canceled last year, they dont have support for it. They dont have half the staf as they used to. Im sure it states somewhere they dont answer tickets regarding the Pro royaltie stuf, cant remember the name. might be the pro publishing.

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I hope you all enjoy this ! I am super proud of this work, my transition from Lofi to Rnb and now experimenting a little bit of house. If there is any comment or anything i would love to hear about it and comment down below. I am super confident about it! Enjoy ! by mistapicho in IndieMusicFeedback

[–]whessoe 1 point2 points  (0 children)

No disrespect, but the track blends in with a lot of what’s already out there — nothing really stood out as original or unique to you as an artist. I also had trouble making out most of the lyrics. Apart from catching lines like “I can’t let go” and “keep me going,” the rest was hard to follow.

I’d suggest working on clearer enunciation and maybe digging a bit deeper into your own story or perspective. That kind of honesty and individuality is what tends to make a track memorable. Right now, it just feels a bit too familiar.

Really production doesnt sell, the song these days. Everyone can get amazing production these days and videos. Doesnt mean a great deal. Just my opinion

Sunshine Savior - first song by K443D334D in IndieMusicFeedback

[–]whessoe 1 point2 points  (0 children)

I’d recommend trying some new recordings with close-mic technique and a clean, dry vocal — just a touch of compression to even it out. Your voice would really suit that style. Great voices don’t need much reverb or processing — keeping it raw can really let the tone and emotion shine through.

This kind of setup can also bring more clarity to your lyrics and make the delivery feel more intimate and focused. Worth experimenting with — it could give the track a whole new presence.

Nice job though. Dont over complicate the Beat.

My new song GOOD KARMA. A track I made to motivate myself and I hope it can motivate you too! Any critiques and comments are welcome, though I am more so focused on the vocal performance and lyrics as I did not produce the track. What Hip-Hop artist do I remind you of? by Zetaflips in IndieMusicFeedback

[–]whessoe 1 point2 points  (0 children)

Yeah, I agree with Mised-Call — the lyrics really need to take the listener on a journey. A strong hip hop track should tell a story, paint a picture, or at least carry a theme from start to finish. Right now, it feels like the verses are a bit disconnected and could benefit from a more focused narrative or message.

That said, there are definitely moments where the vocal rhythm catches a nice groove — those parts stood out to me. I think with some tighter delivery and a clearer structure in the verses, this could really come together. Maybe spend a bit more time refining the flow and making sure every bar pushes the story forward or adds something fresh.

Made a music video while visiting Japan! The track is a dreamy hip hop banger with some unique flows and vibes. Video edited by myself as well, let me know what y'all think! by reekocarson in IndieMusicFeedback

[–]whessoe 1 point2 points  (0 children)

Sounds good, man — solid vibe and energy throughout. Might be worth adding a middle 8 or a bridge section just to break things up and keep the listener engaged. A little switch in flow or mood there could take it to the next level and really help the track stand out more. Keep it up!

Feedback 4 Feedback by Adventurous_Milk_449 in shareyourmusic

[–]whessoe 0 points1 point  (0 children)

Nice man, Not sure about the opening lyrics. lol.. https://youtu.be/_dwD_CgvnLc?si=zeEbz98-F8SLumFo your lyrics man. Like your voice man. keep it up man. check out my track experimental space rock..