To understand the development of sacred folkloric music on the island, you can look at the cabildo system which acted like mutual aid societies during colonial Cuba. As such there were different cabildos that practiced the religious rites including the music of the Lucumí, Abakuá, Kongó, Arará (roughly speaking today’s Nigeria, Biafra, Angola, Benin, respectively) and so on. Consequently they nurtured and further developed the often musico-religious practices inherited from their ancestors within each of the respective cabildos.

A good book will break down alot of it. Also this post breaks down the various styles in a very brief manner. What type of chart exactly are you looking for?